Somebody Down There Likes Me, a new novel by Robert Lukins

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Somebody Down There Likes Me, a new novel by Robert Lukins

19 February 2025

Melbourne based Australian author Robert Lukins returns with a new novel, Somebody Down There Likes Me, a follow up to his 2022 book, Loveland.

As with Loveland and his 2018 debut, The Everlasting Sunday, Somebody Down There Likes Me, is set outside Australia, this time in a town called Belle Haven, in Connecticut, in the United States, during the final years of the twentieth-century:

Against the backdrop of the last decadent gasps of the twentieth century, the Gulch family have led a charmed existence in the ultra-wealthy enclave of Belle Haven, Connecticut. Now, the empire they have built is on the edge of collapse, and as the decades of fraud and criminality that lie beneath the family’s incredible wealth is exposed, the Gulch children are summoned.

I read Loveland a couple of years ago, and look forward to Somebody Down There Likes Me. I must also get hold of The Everlasting Sunday as well.

Book publisher Simon & Schuster says no to celebrity blurbs

17 February 2025

Lucy Knight, writing for The Guardian:

[] soon we may not see so many of these author blurbs — Sean Manning, publisher of Simon & Schuster’s flagship imprint in the US, has written an essay for Publishers Weekly explaining that as of this year he will “no longer require authors to obtain blurbs for their books”.

A celebrity blurb is where a well known author offers some brief praise for the work of a new, or not so well known, writer. Examples could be something like: “a veritable page-turner”, or “a forceful new talent”. But it’s not always clear whether the author offering the endorsement has even read the book in question. That’s one reason why I take a dim view of celebrity blurbs.

I’m more interested in a novel’s synopsis, and then — where possible — seeking out some consensus as to whether the book is good or bad, through a website like Hardcover. After all, life is too short to spend reading novels you might not like.

But what surprises, and irks me, is that blurb is an official book publishing term. It sounds like a colloquialism, which it very much is, but it seems like a word people use because they don’t know the correct term to use. Sarney is a colloquialism, but sandwich is what is meant.

Wikipedia defines a blurb as a “a short promotional piece“, and celebrity endorsements aside, are usually more a short, yet enticing, summary of a novel. Here is the publisher’s blurb for Christian White’s most recent novel, The Ledge, which I wrote about last week:

When human remains are discovered in a forest, police are baffled, the locals are shocked and one group of old friends starts to panic. Their long-held secret is about to be uncovered. It all began in 1999 when sixteen-year-old Aaron ran away from home, drawing his friends into an unforeseeable chain of events that no one escaped from unscathed. In The Ledge, past and present run breathlessly parallel, leading to a climax that will change everything you thought you knew. This is a mind-bending new novel from the master of the unexpected.

That’s more like a synopsis, or even a summary, albeit with a promotional bent. Films are marketed with a similar sort of write-up, but synopsis is usually the go-to term, even though people sometimes call them blurbs. But blurb sounds like the sort of word I might otherwise be, maybe with some trepidation, looking up on Urban Dictionary.

Henceforth, I shall do away with the blubbery blurb, and go with synopsis or summary.

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books, language, novels, publishing

The Ledge, a thriller by Australian author Christian White

12 February 2025

A disturbing development in a twenty-five year old missing persons case sees a group of old school friends reluctantly reunite. All have reason to be fearful of the re-opened police investigation, and all are willing to do whatever it takes to ensure they are not incriminated. It’s not easy to be sure who to trust, or exactly who knows what about that tragic day many years earlier in 1999.

The Ledge wouldn’t be a Christian White novel if it didn’t feature a twist that leaves you breathless, and wondering whether you’ve been paying attention. White’s fourth novel will not let you down.

I read The Ledge in three days, a sprint compared to my usual glacial pace, often reading until two or three in the morning. Calling this a page-turner is an understatement.

I also suggest you read White’s earlier novels, The Nowhere Child, his debut, and The Wife and the Widow, his second novel, which in trademark style, are also set across dual timelines. I’m yet to read his third novel, Wild Places, published in 2022. I’ll need to catch up on some sleep before then.

Text publishing bought by Penguin Random House. Exciting, right?

29 January 2025

Independent Melbourne based Australian book publisher Text Publishing was recently acquired by Penguin Random House Australia, a subsidiary of Penguin Random House (PRH), one of the world’s largest publishers. While the move has been hailed as “exciting” by Text and PRH, some literary commentators do not feel the same way.

Both parties say they are committed to retaining Text’s independence as a PRH imprint, but this isn’t always the long term outcome, says Misha Ketchell, writing for The Conversation:

But history shows that mergers often result in the dissolution of the smaller imprint. To take just one example, Penguin no longer publishes books under the McPhee Gribble imprint. It is precisely the question of which readerships the merged version of Text will cater to that will worry Australian readers and supporters of independent publishing.

Text obviously have their reasons for making the deal, and their independence as a PRH imprint appears to be hard wired into the acquisition agreement. Those concerned about the future of independent book publishing in Australia have reason to be fearful though. Text joins other previously standalone local publishing houses, Affirm Press, and Pantera Press, in being bought out by larger book publishers in 2024. Australia is running low on indie publishers.

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Australia, books, publishing

The Shortlist for the Australian 2025 Indie Book Awards

20 January 2025

The Australian Indie Book Awards span six categories: fiction, non-fiction, debut fiction, illustrated non-fiction, children’s, and young adult, and last week the shortlist for the 2025 awards was published. My main interest is fiction, where Dusk by Robbie Arnott, and The Ledge by Christian White, are among contenders in that category.

I’m yet to read Dusk, but finished The Ledge in four days flat. Record time, for me, in recent years. White’s thriller/crime stories, with twists that leave you breathless, are verifiable page turners. That is was holidays contributed to the fast read. On that basis, The Ledge is my favourite in fiction. The winners will be announced on Monday 24 March 2025.

That might give me time to read Dusk, plus Cherrywood by Jock Serong, and Juice by Tim Winton, the other titles shortlisted in the fiction category, beforehand.

The one-hundred best book covers of 2024 by PRINT

13 January 2025

PRINT’s annual list of the best book covers of 2024, features double the number of entries as 2023, one-hundred, up from fifty. Either a record number of books were published in 2024, or cover design has become so good more books needed to be included.

Among inclusions is a cover for Intermezzo, Sally Rooney’s latest novel, which features a chess board. Not the version of the cover I’ve seen in this part of the world, but it is damn fine.

The chess board cover version was designed by New York based illustrators June Park and Rodrigo Corral. I’ve said it before, and I’ll say it again, but book cover designers do not always receive the recognition they deserve for their work.

The ten best novels of the twenty-first century to date

31 December 2024

Literary writers at The Sydney Morning Herald canvassed critics, editors, and writers, including Jane Sullivan, David Free, Gyan Yankovich, and Beejay Silcox, to determine the best ten books of this century, or the last twenty-five years.

Producing such a small list from a relatively long time frame, will doubtless generate discussion.

Anyway, Praiseworthy by Alexis Wright (winner of both the Stellar, and Miles Franklin, literary awards in 2024), along with Conversations with Friends by Sally Rooney, My Brilliant Friend by Elena Ferrante, and Never Let Me Go by Kazuo Ishiguro, are among notable — to me, that is — inclusions.

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books, literary awards, literature

Pack plenty of books and take yourself into internal exile in 2025

27 December 2024

The introverts among us live almost permanently in a sort of internal exile, or a rich inner life, as Waleed Aly referred to it during the COVID-19 lockdowns.

But the idea of getting away from it all, without actually going anywhere, is gaining traction more widely, writes Jacqueline Maley, for The Sydney Morning Herald. This as 2025, and the greater uncertainty that many people are anticipating, looms:

In recent months, I have been reading about the concept of “internal exile” or “internal emigration’. The term comes from the Russian, “vnutrennaya emigratsia” and means a sort of travelling into oneself, to take comfort in small pleasures – often solitary pleasures of the mind, like reading, or listening to music, or gardening or making a pleasant home.

The Tintin stories enter the public domain in 2025

18 December 2024

As a kid I loved the Tintin books. Although they might today be called a product of their time, I aspired to be like the intrepid boy-reporter, who seemed to do very little reporting. I have the red hair, and I write a blog so… Plus, I did write a few articles for a newspaper once. Sometimes people refer to me as a journalist (not always for flattering reasons however…).

So maybe I kind of, sort of, ended up like Tintin.

Anyway, the Tintin stories are among a batch of well-known cultural artefacts (could I refer to the Tintin comic books that way?) entering the public domain in 2025. The final, completed, story in the series, Tintin and the Picaros, was published in 1976, and creator Hergé died in 1983, meaning only some earlier Tintin works will enter the public realm for now.

But it makes me wonder. If the boy-reporter were still with us, would he still be writing for a newspaper? Or might he have capitalised on his considerable profile, and launched his own online publication. A super-famous blog. Such are the things I stay up late at night thinking about.

Melissa Lucashenko wins 2024 Mark and Evette Moran Nib award

28 November 2024

Goorie/South East Australian author Melissa Lucashenko has won the 2024 Mark and Evette Moran Nib literary award, with her 2023 novel Edenglassie. A work of historical fiction, Edenglassie, which links the past with the present, also won this year’s ARA Historical Novel Prize, Indie Book Awards, and the fiction category of the Victorian Premier’s Literary Awards.

When Mulanyin meets the beautiful Nita in Edenglassie, their saltwater people still outnumber the British. As colonial unrest peaks, Mulanyin dreams of taking his bride home to Yugambeh Country, but his plans for independence collide with white justice. Two centuries later, fiery activist Winona meets Dr Johnny. Together they care for obstinate centenarian Granny Eddie, and sparks fly, but not always in the right direction. What nobody knows is how far the legacies of the past will reach into their modern lives.

Speaking after being presented the Nib, at a ceremony at Sydney’s Bondi Pavilion last night, Lucashenko said she intended to give away much of the forty-thousand dollar prize money.

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