Gail Jones wins Creative Australia Award for Lifetime Achievement in Literature

Showing all posts about books

Gail Jones wins Creative Australia Award for Lifetime Achievement in Literature

27 November 2024

Sydney based Western Australian author Gail Jones was last week presented with the Creative Australia Lifetime Achievement in Literature award.

Jones’ books have won the ARA Historical Novel Prize, Barbara Ramsden Award, and Western Australian Premier’s Book Awards. They have also been included on the long and short lists of numerous literary awards, including the Miles Franklin, Victorian Premier’s Literary Awards, and the International Dublin Literary Award.

Cold Enough for Snow by Jessica Au being adapted to film

26 November 2024

Australian author Jessica Au’s multi-award winning 2022 novel, Cold Enough for Snow, is being made into a film, says publisher Giramondo. No word yet as to who the lead actors will be, but production is scheduled to commence in 2025, and will be the debut feature of Jemima James.

Fingers crossed this is a faithful adaptation. If you haven’t yet read Cold Enough for Snow, now’s the time. It’s not a long read, but the ending sure packs a wallop.

Harry Hartog Book Of The Year 2024 shortlist

5 November 2024

Australian indie bookseller Harry Hartog has entered the literary prize fray with their inaugural Book Of The Year award. A shortlist featuring three titles, in three categories respectively, fiction, non-fiction, and children’s and young adults, was published a few days ago.

No surprise to see Intermezzo by Sally Rooney nominated in fiction. Nor All I Ever Wanted Was to Be Hot, by Australian writer and comedian Lucinda Froomes Price, in non-fiction. No word yet on when the winners will be announced (how so indie) but I’m gunning for Intermezzo in the fiction category.

Book buyers go indie as they skip social media, algorithms

18 October 2024

Sarah Manavis, writing for The Guardian:

A survey commissioned by the Booksellers Association ahead of Bookshop Day tomorrow has found that gen Z and millennials are more likely to buy a book based on a bookseller’s recommendation — in person, in a bookshop — than older age groups: 49% and 56% respectively, compared with 37% of gen X and 31% of baby boomers.

Younger book buyers, Generation Z and Millennials, would rather a bookseller recommend a title to buy, than rely on a social media influencer, or ideas served up by an algorithm. I don’t think I’ve ever taken up an influencer’s novel suggestion (the few times I see such things), because it strikes me as being paid advertising (of course it’s a great read), and not a bona fide recommendation.

And in other good news: reports of the death of browsing in bookshops for hours on end, also seems to be much exaggerated.

RELATED CONTENT

books, bookshops, trends

Hardcover, a Goodreads-like online social catalogue for books

11 October 2024

I’ve been trying out Hardcover, a social catalogue for book readers, founded by Adam Fortuna in April 2021. Like a few people I think, he was looking for an alternative to Goodreads (GR), which at the time was probably the big name in book social cataloguing. StoryGraph is one option, but Fortuna wanted to make something himself:

Hardcover was started in May 2021 after Goodreads announced they were discontinuing their API. At the time, I (hi 👋, I’m Adam!) was using that API to show what books I’d recently read on my blog. It would automatically update just by using GR. It worked great!

But when they announced the API was going away, that lit a fire under me to find (or make) a replacement. After some research and forming a team, we’ve been working to create an Amazon-free alternative ever since!

I’ve been a Goodreads member since June 2018, and while it’s a useful resource, I find it a bit clunky to use sometimes. If you’re a book reader, like I try to be sometimes, you can track me down at Hardcover if you wish, username the same as this website.

Independent bookshops, independent web, a tale of two cities

4 October 2024

Louis Menand, writing for The New Yorker. How familiar does this sound:

Between 1998 and 2020, more than half of the independent bookstores in the United States went out of business.

It was a similar story for personal websites and blogs, though definitely across different timeframes. Maybe from 2010 — later even — as social media began to dominate the web. Something else was dominating the book market though:

Even though books make up a relatively small fraction of Amazon’s sales, they constitute more than half of all book purchases in the United States. Amazon is responsible for more than half of all e-book sales, and it dominates self-publishing with its Kindle Direct platform.

After a time though, consumers began to yearn for the bookstore vibe again. A certain something was missing when buying literature online. Book buyers wanted a more personal experience, one that only brick and mortar bookshops could offer:

One is the obvious benefit of being able to fondle the product. Printed books have, inescapably, a tactile dimension. They want to be held. “Browsing” online is just not the same experience. For that, you need non-virtual books in a non-virtual space.

Then the movement started. Not IndieWeb though, rather IndieBookstores. The push was spearheaded by American author James Patterson:

When the pandemic started, Patterson launched a movement, #SaveIndieBookstores, to help such businesses survive. He pledged half a million dollars, and, with the support of the American Booksellers Association and the Book Industry Charitable Foundation, the campaign ended up raising $1,239,595 from more than eighteen hundred donors.

Maybe that’s where I’ll leave this independent bookshops to independent web analogy/allegory, and suggest you read (or listen to the audio of) Menand’s article in full. Save for this sobering sentence:

According to Kristen McLean, an industry analyst, two-thirds of the books released by the top-ten trade publishers sell fewer than a thousand copies, and less than four per cent sell more than twenty thousand.

It ain’t easy being a writer; making a living from writing. If independent bookshops can help authors realise a even few more sales of their work, then that can only be a good thing.

Vale British actor Maggie Smith, Harry Potter, A Room with a View, star

30 September 2024

I’m pretty sure the 1984 film, A Room with a View, made by James Ivory and Ismail Merchant, was my introduction to the work of British stage and screen actor Maggie Smith, who died last week, aged 89. I’d been trying to read the 1908 novel of the same name, by E.M. Forster, but was struggling, as I seem to with the classics. It was then I found out about the film adaptation.

In it, Smith played the role of Charlotte Bartlett, who was chaperon to her younger cousin, Lucy Honeychurch, portrayed by Helena Bonham Carter, during a visit to Italy. Smith and Bonham Carter would go on to work together again in the some of the Harry Potter films.

As a screen actor, Smith was not only an amazing talent, she was also prolific, featuring in over eighty films, so there’s a good chance you’ve seen her in at least one movie. Some of her credits include A Private Function, Romeo.Juliet, Richard III, Gosford Park, The Best Exotic Marigold Hotel, Quartet, The Lady in the Van, and 2019’s Downton Abbey.

Going back to A Room with a View though, and I may not be popular for saying this, but here I think is an instance of the film easily being better than the book.

Intermezzo by Sally Rooney: early thoughts, reviews from critics

25 September 2024

I’m guessing a few people had a sleepless night on Monday/Tuesday, after getting hold of the new Sally Rooney novel, Intermezzo, at one of the midnight release events earlier this week. Book reviewers, meanwhile, were probably lucky enough to score an advanced reader copy (ARC), at some point beforehand.

Anyway, no spoilers here, just some brief excerpts from the thoughts of a few book reviewers. The consensus though, so far, being Intermezzo is different from Rooney’s previous three novels, but that’s not a bad thing.

Constance Grady writing for The Guardian:

Intermezzo is an accomplished continuation of the writing that made Rooney a global phenomenon.

Alexandra Harris writing for Vox:

I’m happy to report that Intermezzo is exquisite. While the experimental and polarizing Beautiful World stayed largely out of the minds of its characters, with occasionally chilly results, Intermezzo is all rich inner monologue, as deeply felt as Normal People.

Dwight Garner writing for The New York Times:

“Intermezzo” wears its heart on its sleeve. It’s a mature, sophisticated weeper. It makes a lot of feelings begin to slide around in you.

The crew at Melbourne based independent Australian bookshop, Readings, sound like they stayed up all night reading Intermezzo. Justin Cantrell-Harvey, a bookseller, described the novel thusly:

A slow burn that lingers with grief and ignites a longing for something just out of reach.

Laura Miller writing for Slate:

A casual reader (or dismisser) of Rooney might think all her books are the same. But her new novel is a darker, sadder departure from the formula — and it’s better for it.

RELATED CONTENT

books, literature, novels, Sally Rooney

Writing a book may be a health hazard, just ask a writer

23 September 2024

American writer and researcher, Gwern Branwen:

But how can I not want to write a book? And I get it: writing a book is sacred and unquestionable, the ultimate achievement for Western intellectuals — better than being arrested in a protest (because you don’t have to get sweaty), better than a PhD (because not so devalued), and better even than going to Harvard (because that mostly means you got lucky in admissions).

I’m no intellectual, but I’ve been banging away at a book manuscript for years, ten years actually. On the other hand, I’ve been writing here at disassociated, on and off, since the late nineties. But what do people I know ask about the most?

A book that may never see the light of day? Or a blog that is updated regularly, and has some sort of readership (excluding the neighbour’s cat)? Surprise, surprise, it’s not the blog.

RELATED CONTENT

books, psychology, writing

Be first in line for Intermezzo by Sally Rooney in Sydney tonight

23 September 2024

Tomorrow, Tuesday 24 September 2024, is the day Sally Rooney fans have been waiting for. That’s when the Irish author’s fourth novel, Intermezzo, is published. And from what I (and everyone else) can gather, anticipation is at fever pitch.

The good news, for some Australian fans of Rooney, is they don’t have to wait until bookshops open, as usual, on Tuesday morning. They can go along to Gleebooks, in the inner-west Sydney suburb of Dulwich Hill, late this evening, where Intermezzo will be on the shelves, on the stroke of midnight.

We don’t see too many midnight releases of novels, so I’m hoping that says something about how good book number four is…

Update: since queuing this post late on Friday, I’m advised the Gleebooks event is fully booked. Sorry, Tuesday morning, regular bookshop opening times, it is, I’m afraid.

Update II: For those who missed out on the midnight release this evening, Dymocks George Street⁠, in Sydney CBD, will be selling Intermezzo from 8AM tomorrow, Tuesday 24 September 2024. A free coffee is on offer all day for anyone buying the novel.

I’m happy to cover for you, if you want to tell work you’re in a meeting with a content producer, for several hours while you go somewhere and read the book (thanks Sara).

RELATED CONTENT

books, literature, novels, Sally Rooney

« older posts

newer posts »