Showing all posts about legacy
Oranges and Sunshine, a film by Jim Loach, with Emily Watson, David Wenham
10 June 2011
Oranges and Sunshine, trailer, a drama set in 1986, is the debut feature of British TV producer Jim Loach, and is based on the book Empty Cradles by British social worker Margaret Humphreys. Her book chronicles efforts to expose the British government’s child migrants program of the 1950’s and 60’s, where over 130,000 children were forcibly sent overseas.
Many of these children — who came from struggling, or single-parent families, and sent to Australia, and other former British colonies — were under the impression their parents were dead, and that a happier life awaited them elsewhere. The reality was anything but; many were abused by their new carers, or became child labourers.
Humphreys (Emily Watson) is a Nottingham social worker caring for orphaned children. She first becomes aware British children were sent overseas when a woman from Australia asks for help tracing her mother. While searching for the woman’s mother, Humphreys uncovers numerous instances of children being sent overseas.
After learning that Nicky (Lorraine Ashbourne), a woman in a support group she convenes, has a brother Jack (Hugo Weaving), who was sent overseas as a child, Humphreys travels to Australia. There she soon meets many hundreds of others who were taken from their families, including Len (David Wenham), who is trying to find his mother.
It soon becomes apparent that it wasn’t just the children who were lied to. As Humphreys continues to reunite now adult children with their families, she learns the parents, whose children were often forcibly removed from their custody, were also lied to. They were often being told their children had been adopted locally, not sent overseas.
Humphreys’ work however is an uphill battle that takes a physical and emotional toll on her. The British and Australian governments are unhelpful. Meanwhile, the charity and church groups who took the children in are angered by the allegations of abuse levelled at them, which results in Humphreys being threatened by their supporters.
Oranges and Sunshine is an intimate and personal portrayal of a dark chapter in our history. In 2009 then Australian Prime Minister Kevin Rudd apologised to the British child migrants, or Forgotten Australians as they are also known. His British counterpart, Gordon Brown, did likewise in 2010.
A compassionately made film that is neither sentimental or sensationalistic, Oranges and Sunshine is a moving, harrowing, and emotional drama. The lid is lifted on a government policy that aimed simply to save money — care for children was cheaper in Australia than Britain — and one that had no regard at all for those the would-be program purported to be helping.
Originally published Friday 10 June 2011, with subsequent revisions, updates to lapsed URLs, etc.
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David Wenham, Emily Watson, film, history, Hugo Weaving, Jim Loach, legacy, Lorraine Ashbourne
Get Low, a film by Aaron Schneider, with Robert Duvall, Sissy Spacek
3 June 2011
Get Low, trailer, a comedy drama, is the debut feature of American cinematographer turned film director Aaron Schneider. Collaborating with Chris Provenzano and C. Gaby Mitchell, who wrote the screenplay, Get Low explores the intriguing notion of attending your own funeral, as a living, rather than dead, participant.
Set in the late 1930’s, Get Low is based in part on the life of Felix Breazeale, or Uncle Bush as some called him, a man living in Tennessee. In 1938 Breazeale arranged a funeral party for himself — while still alive — to which eight to twelve thousand people attended.
Felix Bush (Robert Duvall) has lived alone in a cabin he built deep in the woods of Tennessee for most of his adult life. His self-imposed exile is the result of an unfortunate incident some forty years earlier. He is also the subject of all sorts of gossip, and his few visits to a nearby town, by horse drawn cart no less, attract plenty of, usually unwelcome, attention.
He never married, and has no family, but after hearing that an old acquaintance died, begins to reassess his guilt ridden past. He realises the only way to obtain redemption for his part in a long past transgression is to seek forgiveness before he eventually dies. Forgiveness of the divine kind however won’t cut it, he needs it from elsewhere.
He soon decides a funeral party, with him in attendance while still alive, is the best way to make this happen, and enlists the services of local undertaker, shifty Frank Quinn (Bill Murray), and his assistant Buddy (Lucas Black). While an unusual request, Frank is happy to accommodate Felix, given business has been on the quiet side recently.
In the course of preparations for the party, which include a radio interview, Felix is reunited with Mattie Darrow (Sissy Spacek), an old flame, who has returned to the area following the death of her husband. As Mattie learns more about Felix, and his bizarre funeral party, she realises she is linked to the event from which Felix desperately seeks absolution.
Get Low has the feel of a whodunit, as the story of what has been bothering Felix for so long slowly unfurls. It also features top notch portrayals by a host of veteran actors, especially Duval and Spacek. Murray meanwhile puts in his best performance in a long time, one with a little life, rather than his more usual dead-pan style.
A few people have been critical of the film’s ending. They feel it lacks punch or resolution. While the conclusion may be a touch otherworldly, perhaps they are not happy with the way the story unfolds gradually, reserving Felix’s confession until the finale, and the big reveal. What’s wrong with that?
Originally published Friday 3 June 2011.
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Aaron Schneider, Bill Murray, film, legacy, Robert Duvall, Sissy Spacek
Sugar and soy ruins perfectly good coffee say Sydney baristas
25 May 2011
Sydney baristas are increasingly calling the shots when it comes to brewing what they consider to be ideal coffee, by refusing to accommodate requests to add sugar, use skim (low fat) or soy milks, and decaffeinated coffee, or make brews “extra hot”, a dictate some customers describe as excessive:
Bar Italia in Leichardt is famous for its “No soy, no skim” stand. Customers have been known to storm out of Barefoot Coffee Traders in Manly which won’t do decaf or large cups. Kafenio Cafe in Cronulla declares: “No skim or babycinos … Don’t even ask!” “The guy behind the coffee machine … reminded me of the Soup Nazi off Seinfeld, but it wasn’t funny … get over the delicate genius syndrome,” said one Kafenio customer on online restaurant guide Eatability. Said another: “The barista refused three separate times to make the coffee that was ordered. If this was a hard order I would have understood but nowhere else [finds] a double shot 3/4 latte hard.”
Maybe the majority of coffee shop customers want full cream milk and caffeine brews, but the stance sounds harsh to me. What of the people with lactose intolerance? As for refusing to serve babycinos, that doesn’t seem too family-friendly to me.
Originally published Wednesday 25 May 2011.
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Panoramas that take you in circles around the Moscow Metro
19 May 2011
A collection of panoramic photos of stations, and even tunnels, that are part of Moscow’s Metro, or underground train system, by Russos.
Originally published Thursday 19 May 2011, with subsequent revisions, updates to lapsed URLs, etc.
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Cool kids never have the time, nor much of an adult life either
18 May 2011
Children who are marginalised at school because they are considered to be geeks or nerds, tend to be more successful as adults.
This because they are far more self aware, spontaneous, and creative, than “popular” students, says Alexandra Robbins, who has written a book on the subject, The Geeks Shall Inherit the Earth.
So called popular students are more likely to act and think according to the wishes of the groups or cliques there are part of, rather than on their own, behaviours that are unhelpful in adult life.
Even if the kids in these cliques are momentarily on top of the world, Robbins says the traits they are learning could be toxic in their future lives. “When you are in the popular crowd you are more likely to be conformist, you are more likely to hide aspects of your identity in order to fit into the crowd, you are more likely to be involved in relational aggression, you are more likely to have goals of social dominance rather than forming actual true friendships,” Robbins says, pausing for a breath. “You are more likely to let other people pressure you into doing things. None of those things is admirable or useful as adults.”
Originally published Wednesday 18 May 2011, with subsequent revisions, updates to lapsed URLs, etc.
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Analysing the music of Daft Punk with help from HTML5 and CSS3
17 May 2011
Sydney based Web Technologist Cameron Adams has put together “Anatomy Of A Mashup” a mashup/data visualisation of Daft Punk music with HTML5 and CSS3 (no Flash…), using the canvas and audio elements, plus transforms and transitions.
In order to explain the layering and interplay that goes into something like a Girl Talk album or The 139 Mix Tape I decided to take my own mashup of Daft Punk’s discography — Definitive Daft Punk — and reveal its entire structure: the cutting, layering, levels and equalisation of 23 different songs. By dividing up the sound data for each song and computing its appearance in realtime, the resulting visualisation gives you an understanding of the unique anatomy of this particular mashup.
While Adams recommends viewing the mashup with Chrome, I found it worked quite well with Firefox 4.
Originally published Tuesday 17 May 2011, with subsequent revisions, updates to lapsed URLs, etc.
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Daft Punk, legacy, music, technology
A short history of the letter J the alphabets last member
14 April 2011
While sitting in the tenth place in the English alphabet, the letter J, which split off from the letter I, was actually the last addition to the writing system.
“J” is a bit of a late bloomer; after all, it was the last letter added to the alphabet. It is no coincidence that i and j stand side by side — they actually started out as the same character. The letter j began as a swash, a typographical embellishment for the already existing i. With the introduction of lowercase letters to the Roman numeric system, j was commonly used to denote the conclusion of a series of one’s – as in “xiij” for the number 13.
Originally published Thursday 14 April 2011.
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Jucy, a film by Louise Alston, with Francesca Gasteen and Cindy Nelson
14 March 2011
Jucy, trailer, a comedy/drama, is the second feature of Queensland filmmaker Louise Alston (All My Friends Are Leaving Brisbane). Alston teams up again with Leaving Brisbane writer Stephen Vagg to tell a story that is — coincidentally — inspired by the actual lives of its two stars, Francesca Gasteen who plays Lucy, and Cindy Nelson as Jackie.
Collectively they are Jucy, their variation possibly of the media penchant of naming celebrity couples by one-word nicknames, such as TomKat, in the case of Tom Cruise and wife Katie Holmes. Jucy screened at the Ritz Cinema, in Sydney, on Thursday 10 March 2011, as part of this year’s Australian Film Festival.
Jackie and Lucy have been best friends forever (BFF) since they met at school as teenagers. Now in their mid-twenties, they have — on an emotional level at least — changed little since those days. Although they don’t live together, they otherwise live out of each other’s pockets, and work together at Trash Videos, which Jackie manages.
Lucy lives in the family’s opulent harbourside apartment. Her mother has taken off to Tuscany indefinitely with a new boyfriend, leaving Lucy with younger sister Fleur (Nelle Lee). Fluer is somewhat of a control freak, who appears to have her life in order, and has taken it upon herself to sort out Lucy. This by way of ultimatum: “get a real job, or finish your degree, or move out of home!”
Tired also of the taunts served up by the people they socialise with, where they are variously referred to as “straight lesbians” or “friends with emotional benefits”, Jackie and Lucy decide things need to change. Each sets a goal in order to prove themselves to their peers. Jackie will find a boyfriend, while Lucy will seek out the job of her dreams.
And the stage production of Charlotte Bronte’s novel Jane Eyre, being planned by the amateur theatre group they belong to, looks like the way both can realise their goals. Should the show succeed, Lucy believes an acting career awaits, while Jackie has a soft spot for the play’s star, Alex (Ryan Johnson), and thinks the feeling is mutual.
Jucy lifts the lid on co-dependent relationships, platonic or otherwise, and peers inside. Here are often murky situations — to say the least — where reality is distorted — to say the least — to the point that nothing else matters. Career ambitions, relationships with other people, and any semblance of a normal life, go out the window in the name of remaining faithful to the “other half”.
Jucy ventures into some heady territory, yet keeps the tone light, and for the most part upbeat. This through the on, and off, stage antics of the Jane Eyre production, and Lee’s comedic carry on as Lucy’s domineering sister. Here’s a story that demonstrates even super close BFF’s can — sometimes — remain best friends without appearing “creepy” to the outside world.
Originally published Monday 14 March 2011, with subsequent revisions, updates to lapsed URLs, etc.
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Australian film, Cindy Nelson, film, Francesca Gasteen, legacy, Louise Alston, Nelle Lee, Ryan Johnson
Une Fête dans le Papier, an exhibition by Penelope Benton and Alexandra Clapham
10 January 2011
Penelope Benton, a Sydney based photography, performance and installation artist, and Alexandra Clapham, combine to present a representation of a Versailles-inspired ballroom made entirely out of cardboard.
In this recent collaboration Benton and Clapham propose to marry royalty by birth and royalty by imagination, constructing a Versailles-inspired ballroom entirely out of cardboard such as is associated with the early life of Basquiat the street-artist/dreamer: Basquiat’s cardboard box for a bed, Marie Antoinette’s palace.
In this necessarily flimsy set the two will hold a dinner party, a feast of unimaginable scope, which will be in full view of the public (most likely consisting of starving artists and hangers-on) who will be invited to later riot over the leftovers of the important guests in a literal free-for-all.
The exhibition opens at The Paper Mill, 1 Angel Place, Ash Street, Sydney, on Tuesday, 11 January, 2011 at 6pm, and concludes on the following Saturday, 15 January.
Originally published Monday 10 January 2011, with subsequent revisions, updates to lapsed URLs, etc.
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Alexandra Clapham, art, art shows, Australian art, legacy, Penelope Benton
The Social Network film and what it says to bloggers, online publishers
28 December 2010
The Social Network was one of my favourite movies of 2010, needless to say it was something I looked at a couple of times. The story speaks volumes to entrepreneurs and geeks, and anyone who has an idea, or knows of one that could be improved, that others might find cool.
It was also a film, that through many of its lines, also spoke I thought, to bloggers and online publishers. While a lot of lines could be quoted in a variety of contexts, here are a few that I thought were especially relevant to writers working online.
I need to do something substantial in order to get the attention of the clubs.
The blogosphere has its own variation of the final clubs — the undergraduate social clubs of Harvard University — though such things don’t appeal to everyone… I don’t care to belong to a club that accepts people like me as members. In other words always do your own thing.
I shouldn’t have written that thing about the farm animals. That was stupid. But I was kidding for gods sakes. Doesn’t anybody have a sense of humor?
Humour is subjective… anyone who has been writing online for even a short period of time will appreciate this comment.
The internet’s not written in pencil. It’s written in ink.
Ain’t that the truth? Need I say more.
It won’t be finished. That’s the point. The way fashion’s never finished.
If you’re onto a good thing you’ll be doing far more than merely writing and posting articles.
We don’t even know what it is yet. We don’t know what it is. We don’t know what it can be. We don’t what it will be. We know that it is cool. That is a priceless asset I’m not giving up.
Never underestimate the value of cool in the rush to monetise, or turn a profit.
He was right. California’s the place we’ve gotta be.
You might already live in California, but that’s not the point, your blog could seriously take you places and you need to be ready to move with it.
We lived in farms, then we lived in cities, and now we’re gonna live on the internet!
I suspect bloggers and online publishers realised this well before Facebook came along.
Originally published Tuesday 28 December 2010, with subsequent revisions, updates to lapsed URLs, etc.
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