Showing all posts about technology

X marks the spot, new Twitter logo soon, following name change

24 July 2023

Twitter owner, Elon Musk, says the present blue bird logo of the micro-blogging service will be changed to an X styled emblem, and that an interim logo could be unveiled sometime today. The new branding follows the recent name change, from Twitter to X Corp last April.

The changes are part of a bigger plan that will see Twitter/X transform into something similar to WeChat, an instant messaging, social media, and mobile payment app, that is popular in China.

Exciting times, no?

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Can AI avatars of dead loved ones ease the grief of death?

24 July 2023

Special relatively and cosmic consciousnesses may one day possibly, maybe, precipitate interactions (of who knows what sort) with deceased family and friends. But that day, if it ever arrives, will be in the far, far, distant future. The idea though of making contact with the dead is fantastical, but nonetheless one which has probably preoccupied people since the dawn of time.

And seeking comfort, following the death of someone close, may be why some people give the idea thought. Perhaps a deceased near and dear could somehow alleviate the grief of those left behind, if only there were a way to reach them. And possibly some people have found a way to make this happen, by way of LLM chat bots such as ChatGPT, says Aimee Pearcy, writing for The Guardian:

At the peak of the early buzz surrounding ChatGPT in March, [Sunshine] Henle, who works in the artificial intelligence industry, made a spur-of-the-moment decision to feed some of the last phone text messages and Facebook chat messages she had exchanged with her mother into the platform. She asked it to reply in Linda’s voice. It had been a few months since her mother had died, and while Henle had previously connected with a local therapist to help her cope with her grief, she found it disappointing. “It felt very cold and there was no empathy,” she says.

Indeed some people have found solace in their AI interactions with deceased family members, but for others the experience has been anything but comforting. It’s a concept though that gives rise to numerous ethical and legal problems. Can we go ahead and create AI avatars of the dead without the permission of the person in question? But what of the potential for misuse of the technology, and possible misrepresentation of the thoughts of the deceased?

Last year, the Israeli AI company AI21 Labs created a model of the late Ruth Bader Ginsburg, a former associate justice of the supreme court. The Washington Post reported that her clerk, Paul Schiff Berman, said that the chatbot had misrepresented her views on a legal issue when he tried asking it a question and that it did a poor job of replicating her unique speaking and writing style.

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Music streaming has filled the Australian charts with old songs

11 July 2023

TikTok has a lot to answer for. It has launched the careers of musicians who recording companies at first refused to blink sideways at, and revived the popularity of some acts who might be considered to have had their day. Fleetwood Mac and Kate Bush, I’m looking at you.

But TikTok is not what ails the Australian music industry at present. It’s the lack of Australian material charting at the moment. Incredibly, so far this year, the Australian top fifty album charts have included more recordings solely by American singer Taylor Swift, than Australian acts combined.

Further, the majority of these Swift albums aren’t exactly new. Because how could an artist release numerous new albums simultaneously, that would all be of chart topping quality? Some of Swift’s albums were made years ago. Nonetheless, newer music by Australian artists has been edged out.

And it all comes down to streaming. While the music charts used to include the sales of records, cassettes, CDs, and digital downloads, they now include music that is streamed. Which seems to be old music. And is this creating the situation where much older music now features in the charts, to the detriment of Australian musicians struggling for recognition.

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Center for AI Safety warns of risk of extinction from AI

8 July 2023

The California based Center for AI Safety recently issued a short but stark warning about the dangers of artificial intelligence (AI), suggesting the risk of extinction — presumably ours, along with other species — is a distinct possibility:

Mitigating the risk of extinction from AI should be a global priority alongside other societal-scale risks such as pandemics and nuclear war.

Sam Altman, CEO of OpenAI, creator of ChatGPT, is among those who have put their signature to the statement. Despite the risk the Center for AI Safety believes is posed by AI, they did not however suggest any specific course of action to counter the danger.

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The Tiny Awards, celebrating a small, playful, heartfelt web

7 July 2023

Voting is open in the inaugural Tiny Awards, which honour websites that embody “the idea of a small, playful and heartfelt web.” Nominees include the html.review, which I wrote about in April 2022, and ooh.directory, a blog directory, where disassociated is listed. Voting closes on Thursday 20 July 2023, with the winner being announced the next day.

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Mona Awad, Paul Tremblay claim ChatGPT learned from their books without permission

7 July 2023

Canadian novelist Mona Awad, and American author Paul Tremblay, have filed a lawsuit against OpenAI, developer of ChatGPT, alleging breach of copyright. Both writers believe their works were used to assist “train” the artificial intelligence chatbot, after discovering ChatGPT is capable of crafting intricately detailed summaries of their books.

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Kurzgesagt: the next pandemic could be made at home, scary hey?

4 July 2023

Advances in biotechnology are being made in leaps and bounds. On one hand what is being learnt is making the world safer, but on the other, there is a downside. While cures for deadly diseases are being developed, even nastier pathogens are being created at the same time. Or could be, as Kurzgesagt explains:

We are adding knowledge at unprecedented rates, while things get ever faster and cheaper to do. This speed means we can expect even more wonderful things for humanity. Lifesaving treatments, miracle crops and solutions to problems we can’t even imagine right now. But unfortunately progress cuts both ways. What can be used for good, can also be used for bad, by accident or on purpose. For all the good biotech will do for us, in the near future it also could easily kill many millions of people, in the worst case hundreds of millions. Worse than any nuclear bomb.

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Smartphone shipments decline, have we reached peak smartphone?

28 June 2023

One point two one billion smartphones were shipped in 2022, according to market intelligence firm IDC, the lowest figure since 2013. The decline in demand has been attributed to increased inflation and economic uncertainty. Purely anecdotal, but a few people I’ve spoken to have said they’re hanging onto their existing devices for the time being.

Apparently eighty-six percent of the global population have a smartphone, so I imagine the market is nearing saturation point. This despite the fact devices need to be upgraded periodically, and there are some people who feel compelled to go out and buy the latest models when they’re released, regardless of the condition of their existing device.

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Lee Tilghman, giving up influencing for nine to five work

27 June 2023

Laptop, tablet, camera, some of the gear of an influencer

Image courtesy of Veeka Skaya/Vancity Digital.

What do social media influencers, through with influencing, wanting to try something new, do? They find a nine-to-five corporate job, and act as a consultant for other influencers likewise wishing to exit the industry, of course. That’s the story of former — sort of — American wellness influencer Lee Tilghman. But in 2019, with the role no longer fun, Tilghman decided she wanted out. And what’s the point in staying in something you don’t like, especially when there are other options?

But Tilghman’s story is an intriguing one, given the number of people who would give their right arm, to be in her former position. Who wouldn’t want to be self-employed, on a high income, in return for making a few (sponsored) Instagram posts a day? But that’s simplifying matters somewhat. The posts appearing on an influencer’s social media feed or blog, are the tip of the iceberg. Most the work of an online content producer, even those with assistants, takes place behind the scenes.

In a profile written for the New York Times by Mattie Khan, Tilghman speaks of the delight nine-to-five work is presently bringing her. But is the grass really greener on the other side? One of Tilghman’s new corporate colleagues was mortified when he learned she had given up her role as an influencer. How could she possibly want to be “shackled” by a nine-to-five job? But Tilghman replied by saying “when you’re an influencer, then you have chains on.”

The chains binding influencers are numerous. There’s the need to toe the line — or at least convey that impression — of the brands you represent. While you might be happy to take a brand’s money, for a time anyway, your values may not always align with theirs. There’s also pressure to post frequently to keep followers engaged, lest they drift away. Being in the spotlight constantly can also take a toll over time, to say nothing of the criticism some influencers are subject to.

Today Tilghman counts the relatively low profile nature of nine-to-five work as a bonus, citing the absence of a “comments section at an office job.” That may be so, but how about things like office politics, and KPIs, at a corporate job? There’s a comment section surely as fearsome as any other. But I wonder, once an influencer, always an influencer? Despite having turned her back on the profession, Tilghman still has a profile that would make many a newbie green with envy.

At last count, Tilghman had some two-hundred and forty thousand Instagram followers, a following she’s partly leveraging for her side-hustle, online workshops assisting retiring influencers transition to a new career. And despite the desire for a “boring job”, Tilghman admits to occasionally missing her old work. But is influencing really work? It’s hardly what I am, I call it being a self-publisher, or blogger. But it’s not a job, it’s more of a way of life, and one that’s hard to turn away from.

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This Never Happened, a mobile phone free music festival, coming to Australia

25 June 2023

Audience at a live music show facing the stage

Image courtesy of Pexels.

Should mobile phones be banned at music festivals? What sort of question is that? After all, is not recording the happenings of the day, be it video clips, or photos, and sharing them online, part and parcel of the music festival experience? Well it is, but doing so also has a downside. Just ask anyone who’s standing towards the back of the audience. The wall of held up arms and mobile phones might be about all they see of the show.

How’s that meant to be fun? But that’s not all. Evidence suggests recording certain events or experiences, by filming or photographing them, may diminish our ability to remember said occasions later on. So perhaps live music events would be more memorable, and more enjoyable for all concerned, if everyone left their phones at the ticket office?

That’s what Sydney based Australian event promotor Pia Del Mastro is betting on. Del Mastro is collaborating with American musician and electronic music producer Daniel Goldstein, also known as Lane 8, to bring such a rare creature, a music festival that does not allow the use of mobile phones, to Australia, in July 2023. The event, aptly enough, is called This Never Happened.

Lane 8 has been organising mobile phone free music festivals for several years overseas, and Del Mastro says they would be a first in Australia, in the mobile phone era. Lane 8 observed audiences were more engaged and immersed in the show, and gave their full attention to the bands performing, when they weren’t thinking about a device in their hand, which all makes sense.

It still remains to be seen how Australian festival goers will take to such a radical proposition. I’ve been to the occasional preview film screening, or product launch, where attendees needed to leave their phones at the front desk, but we were only without our devices for a couple of hours.

But This Never Happened will differ. Revellers will instead keep their phone, but be given a sticker to place over the camera lens. Del Mastro expects a degree of peer pressure, together with the phone-free spirit of the event, will see most of those present keep their devices pocketed away.

But we’ll find out soon. The first This Never Happened event takes place in Melbourne, on Friday 14 July 2023. I get the feeling though audiences, once they lose themselves to the music, will embrace the concept with open arms, and open eyes.

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