Google no longer archives cache versions of webpages

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Google no longer archives cache versions of webpages

18 September 2024

Nostalgia for a button that a lot of people probably haven’t heard of might seem absurd, but Google’s cache function was a foundational solution to one of the web’s earliest problems. As the web transformed into a more stable infrastructure, cache was mostly abandoned by regular consumers, but it was still a useful tool. SEO workers used it to watch changes made by competitors. Journalists and researchers checked caches to keep an eye on the historical record. Some savvy internet users knew cache was a way to get around paywalls, or as a poor man’s VPN to load websites that were blocked in particular regions.

I’ve not been able to access this feature for some time, which used to accompany search results, and was beginning to wonder what had happened. Google cache, as many referred to it, was also a good way to look at posts or articles that were intended to be online only for short periods of time.

Checking Google cache was always a quick and easy way to look at these sorts of documents after they had been deleted.

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Meta Teen Accounts limit Instagram use for teenagers under sixteen

18 September 2024

Instagram (IG) owner Meta is moving to make the social media platform safer for users under the age of sixteen, and introducing a host of new parental controls:

Today, we’re introducing Instagram Teen Accounts, a new experience for teens, guided by parents. Teen Accounts have built-in protections which limit who can contact them and the content they see, and also provide new ways for teens to explore their interests. We’ll automatically place teens into Teen Accounts, and teens under 16 will need a parent’s permission to change any of these settings to be less strict.

Among a raft of measures, teen accounts will be set to private by default (meaning only followers can view the account owner’s content), direct messages can only be sent by followers of a user, and content deemed sensitive will be blocked by default. Parents will have the facility to adjust numerous settings, and also place limits on how many hours a day their children can access IG. All teen accounts will be subject to a sleep-mode for eight hours overnight.

In addition, teen account holders will be required to verify their age. Meta says tools that can help identify incorrectly entered date of birth information will be rolled out in 2025. Where it is determined a user under the age of sixteen has supplied an “adult birthday”, their account will automatically be converted to a teen account.

Meta’s initiative is in response to growing concerns about the amount of time people under the age of sixteen are spending on social media, and the nature of their interactions and activities while using such platforms. Last week, the federal government announced it was considering banning social media access to Australians under the age of sixteen.

Should the Australian government ban social media access to young Australians?

16 September 2024

Last week the Australian federal government announced its intention to restrict access to social media platforms to younger Australians. For now details remain scant. The government is yet to specify an exact age at which young Australians would be able to begin using social media. The Prime Minister, Anthony Albanese, however has indicated somewhere between ages fourteen to sixteen was being considered.

Also unclear is how an age threshold would be enforced. Would this be the responsibility of a child’s parents or guardians? Would it be up to the social media companies? Would the so-called gatekeepers, companies including Apple and Google, who distribute social media apps through their app stores, also have a part to play? Should there even be any sort of ban in the first place?

This is a convoluted issue to say the least.

There are plenty of reasons to restrict social media access to younger Australians. Social media channels are rife with bullying, harassment, and all manner of what can be called inappropriate content. There are also concerns about the amount of time children spend looking at the screens of smartphones and other devices.

Yet parents have been providing their children with mobile/smartphones for decades, for safety and security reasons. Would any ban mean parents are required to take back their children’s smartphones, and replace them with so-called “dumbphones”, capable only of calls and messaging?

Would a ban, were one introduced, be phased in? That is, would young Australians, who have been using social media, and the smartphones they use for access, be told they can no longer do so, because they have suddenly become the wrong age? Imposing an age restriction on the use of social media is truly a significant step.

Gaining access to social media would become a rite of passage for young Australians. Akin to holding a drivers license, being able to vote, or buy alcoholic beverages. But are we looking at the matter the right way? A ban is a quick, easy, fix. If there’s a problem with over exposure to social media, imposing a ban is no better than sweeping the issue under the carpet. Besides, people find ways to circumvent bans and restrictions. That won’t come as a surprise to anyone who was once a teenager.

Like it or not, smartphones and social media are deeply enmeshed in our way of life. They’re not toys and petty distractions. Despite the high noise to signal ratio, they’re tools we use to interact and engage with the world around us. Some Australians make their living solely through social media. Restricting access to younger Australians may be detrimental to their education and even well-being.

Australian Greens party senator, Sarah Hanson-Young, describes the proposed ban as a “knee-jerk” reaction, and says it is the social media companies who should be subject to regulation, not young Australians. Hanson-Young also points out some social media channels are vital for some teenagers:

“We don’t ban kids from going to the beach — we teach them how to swim and make sure they swim between the flags. There are safety measures put in place to keep them safe — flags, lifeguards, adult supervision and swimming lessons. We need to teach children how to use social media and understand there are many positive benefits, particularly for marginalised kids, to being online.”

Given the number of adults in Australia who devote, as if addicted, unhealthy amount of times to phones and social media, some sort of minimum age access seems reasonable. After all, do we really want kids who haven’t even started high-school, spending their days gazing at smartphone screens?

The South Australian state government may be treading a somewhat sensible middle-ground. And middle-ground is what needs to be found here. They propose banning access to social media to children aged under fourteen. Those aged between fourteen and fifteen would require approval from parents or guardians to access social media. Is there merit in this proposal, or not?

It is obvious there is no one, straightforward solution, that will please everyone. As Anthony Albanese, the Australian Prime Minister, says:

We know that it’s not simple and it’s not easy. Otherwise, governments would have responded before.

Facebook has been scraping the pages of Australians since 2007

12 September 2024

Jake Evans, writing for the Australian Broadcasting Corporation:

Facebook has admitted that it scrapes the public photos, posts and other data of Australian adult users to train its AI models and provides no opt-out option, even though it allows people in the European Union to refuse consent.

For sure, Facebook operates a little differently in Australia. According to information provided by Melinda Claybaugh, Meta’s global privacy director, who was speaking at an Australian parliamentary inquiry into AI adoption, the social network has been collecting user data since 2007.

Only Facebook members who set their profiles to private, were spared. Australians, unlike residents of the European Union who are protected by strong privacy laws, also do not have the option to opt-out of having their data collected, if they elect to make their Facebook page publicly visible.

One can only wonder what sense Meta’s AI technologies made of the content posted by Australians to their Facebook pages, and what conclusions they drew about us.

Does a court ruling mean no more Internet Archive, Way Back Machine?

11 September 2024

The Internet Archive (IA) has been fighting a number of legal proceedings recently, after making digitised copies of numerous books and novels freely available, through their website. At no point did the IA seek permission from any of the authors involved, nor did they offer them any sort of payment, for copying and distributing their work.

Last week the United States Court of Appeals ruled against the IA, who were seeking to overturn a lawsuit brought against them by a number of publishing houses. The outcome may force the not-for-profit organisation to shut down.

The IA is perhaps best known for the Way Back Machine, a repository of past and present websites. According to the IA, they have archived over eight-hundred-and-sixty billion webpages, including copies of disassociated since 1998.

But websites and books are not all that the IA has taken copies of. TV shows, software applications, and images, are also among their vast collections of digital paraphernalia, much of which is also subject to copyright, as Bryan Lunduke writes:

First and foremost: Has the Internet Archive made, and distributed, digital copies of work you own? This ruling will certainly not hurt your case should you decide to take legal action against Archive.org. And — holy smokes — the amount of copyrighted material on Archive.org is absolutely massive.

Although past versions of my website archived by the IA may constitute them distributing digital copies of my work, I’ve never viewed that negatively. In fact, I’ve always found it useful to have access to earlier instances of disassociated, especially as I didn’t backup all of my old website designs. In my case though, I don’t see the IA’s duplicates of my work as any sort of copyright violation. Rather, I think of these copies as something of a “mirror” of disassociated.

Whether people look up my website via the URL, or the Way Back Machine, doesn’t particularly matter. The content is the same. It hasn’t been altered in any way I’m aware of. Further, as far as I know, the IA isn’t charging anyone to see the archived versions of disassociated, and therefore making money by way of my efforts.

But the Way Back Machine isn’t just there for me to go looking up old versions of my website. It’s also akin to a museum of the internet. A place where we can go and see websites that have long since gone offline, and study the history of the web. To this end, in my opinion, the Way Back Machine serves an important purpose.

The IA’s duplication of novels, and distribution through a “library”, is a different matter entirely. Although some well-known novels are now in the public domain, those published in recent decades usually are not. Copyright laws prevent novels from being duplicated and distributed by unauthorised means. And that’s the way it should be. Consider that many Australian authors earn less than thirty-thousand (Australian) dollars a year. Poets usually make well below ten-thousand dollars. Both these figures are far less than the minimum wage in Australia.

Depriving writers of income by freely copying and distributing their work is plain wrong. I’m really at a loss to understand why the IA pushed ahead with such a program. Equally, I find it hard to believe they thought they were doing the right thing. But what’s truly unfortunate is how the judicial findings against the IA could bring about their end, and that of the Way Back Machine.

Authors slam NaNoWriMo neither for nor against AI stance

9 September 2024

National Novel Writing Month, AKA NaNoWriMo, the popular, twenty-five year old, write a fifty-thousand word novel in thirty-days challenge, infuriated authors last week, after organisers appeared to support the use of AI tools by participants. While they didn’t specifically endorse apps such as ChatGPT, they did not rule them out either:

NaNoWriMo neither explicitly supports nor condemns any approach to writing, including the use of tools that leverage AI.

NaNoWriMo’s neutral stance however has upset many writers. Not only do they feel generative AI tools threaten their livelihoods, some have also seen their own works used to “train” AI chatbots, usually without their permission or knowledge.

To these authors, the neutral position represents support of this conduct. But like many segments of society, NaNoWriMo, and its community of amateur and professional writers, have been grappling with the advent of AI technologies. Organisers say their (since amended) AI policy was intended to put an end to what had become inflammatory discussion on the topic:

In early August, debates about AI on our social media channels became vitriolic. It was clear that the intimidation and harassment we witnessed were causing harm within our community of writers. The FAQs we crafted last week were written to curtail those behaviors.

I don’t really know much about the NaNoWriMo community, but with over half a million members globally, it surely represents a wide and varied group of writers. Although some six-hundred NaNoWriMo manuscripts have gone on to be published, for many participants the writing challenge is simply a fun way to pass some time. The majority are not looking for publishing deals. I’d venture to say some participants may not be the greatest of writers. Others might struggle, for whatever reasons, to put a story idea they have, into words.

NaNoWriMo is saying they don’t have a problem with some of their members using AI tools, if it helps them with the process, be that drafting or proofreading. But they make an obvious caveat:

If using AI will assist your creative process, you are welcome to use it. Using ChatGPT to write your entire novel would defeat the purpose of the challenge, though.

I’m not in favour of using AI apps in any creative endeavours, particularly writing. Personally, I don’t think AI has any place in NaNoWriMo, for the precise reason organisers have stated above. AI defeats the purpose. But we’re getting to the point where it’s going to be hard to tell what work has been AI assisted, and what hasn’t. Plagiarism tools may be effective, but not if the AI apps stay one-step ahead. Imposing a ban on AI apps seems pointless. AI is here to stay, and is only going to more deeply embed itself in our lives. This is what we need to expend our energies on navigating.

Indie Web, small web, social web, whatever web, my web

4 September 2024

There’s been a bit of a surge in discussion recently about Indie Web, and seemingly what it means to be a true adherent. This time the focus appears to be about what I’m going to call technical proficiency. From what I can gather, having your own website, with your own domain name, and your own content, isn’t quite making the Indie Web grade, in certain quarters.

Some people, who have the website, the domain, and the content, say they feel excluded because they’re apparently not doing more. Not doing more technical stuff. And I’d be in that category. It’s strange talk really. After all, Indie Web is many things to many people. There’s no Indie Web head office, dictating what we must, or must not do. But here, thankfully, is the sort of clarity we need:

Use wordpress if you want. Use Blogger. Hell, use Frontpage 98 if you want. Or learn some HTML And CSS and type it all up in notepad.exe. Or just HTML, don’t even bother with the CSS. Just make it yours.

Just make it yours. This was the web I always knew. I just came here to self-publish. To speak to whoever would listen to me. I started out with static HTML pages, on Notepad. Then I started adding CSS. I eventually arrived, ten years later, where I still am today, with WordPress.

Of course there were cashed up, corporate, players around in the late 1990’s trying to turn a profit on the web. But we, the personal, non-commercial, website people, who later became known as bloggers, co-existed quite harmoniously with this big-end of the web. We did our thing; they did theirs. And both parties, from what I saw, seemed to prosper in their own ways.

But that was back in the good old days.

Indie Web to me — and the definition seems to be subjective to some (quite some) degree — is a foil to what the web has become today, twenty to twenty-five years later. This despite the founding of the IndieWeb group in 2011. Indie Web, at its essence is our own place away from the corporate web, the social media behemoths, and the algorithms preventing us from finding the content we really seek.

I’ll admit to be being somewhat befuddled by the likes of webmentions, micro-formats, and ActivityPub protocol (which actually baffles me fully at present). Clearly these technologies serve a purpose, but in reality they don’t help me much with my primary objective here, which is to write.

If I’m not Indie Web enough then for someone, they can go somewhere else. But, with an attitude like that, I don’t know how much more “Indie Web” I could be. Well maybe. Thing is, I’ve never quite considered myself to be naturally Indie Web. Not one-hundred percent, as much as I like the general concept. Instead, I’ve often seen myself has being independent.

I’ve written as much on my about page:

The word disassociated has a number of meanings, but in this context it means to do my own thing, to go my own way, to have my own gig, to be independent.

So perhaps, independent web is a more suitable moniker in my case.

Hell, use Frontpage 98 if you want.

Perhaps though we could leave FrontPage out of this. I too had an ill-fated, though infinitesimally brief, run-in with the Microsoft (MS) product, many moons ago. FrontPage was a WYSIWYG website design editor with all good intentions, but terrible execution. What on earth, for example, were those server extensions that MS kept banging on about?

By 1998, the web was picking up momentum. People just wanted to get a website, usually a personal/family affair, online. And they wanted to do so pronto. They didn’t have the time or patience to learn about HTML, CSS, and FTP, let alone propriety server extensions. Too many, FrontPage must have seemed like the answer to their prayers. Until they opened the box*.

But look, if FrontPage is how you Indie Web, or just web, then don’t let me stop you. But please don’t come asking me for any help with those server extensions.

* this in the days when software apps literally arrived in a box.

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A short film shot on the iPhone 15 Pro Max, with no lens, filter, or AI

3 September 2024

Well, I’m sure pretty no AI is involved.

What’s really incredible about this three minute video, made by Faruk Korkmaz, is that it was filmed entirely by a device, a smartphone, many of us carry in our pockets.

The narration is fitting also. It comes from a speech given by Canadian-American actor and comedian Jim Carrey, for the 2014 graduating class at Maharishi International University. This excerpt seems somehow as relevant today as it was ten years ago:

So many of us choose our path out of fear disguised as practicality. What we really want seems impossibly out of reach and ridiculous to expect. So we never dare to ask the universe for it. I’m saying I’m the proof that you can ask the universe for it.

Talking of short films shot on iPhones, take another look at Float, made by Aundre Larrow, about three years ago.

Brazilians flock to Bluesky after authorities block X

2 September 2024

Brazilians are turning to Bluesky — the microblogging platform founded by then Twitter co-founder Jack Dorsey — in droves, following a ban on X in the South American country. The surge in signups however has prompted warnings from Bluesky that the service may experience outages, as a result.

But that seems like a good sort of problem for Bluesky. Things, meanwhile, seem to go from bad to worse for the X platform, now owned by Elon Musk. Late week, a Brazilian Supreme Court judge ordered local ISPs to block the platform, after the company refused to appoint a new legal representative there. Under Brazilian law, major social networks are required to have a legal representative based in the country.

It’s a sad state of affairs for the platform once known as Twitter. I joined in 2007, and made a number of acquaintances there, both in Australia, and elsewhere. Some people are predicting X will not see out the next two years. I’m not so sure of that, but there’s no doubting that the microblogging service is but a shadow of its former self.

404 Media are not going anywhere, but yes they are

29 August 2024

What we learned in our first year of 404 Media, by 404 Media. Has it really been a year?

Here we are a year later, and we are very proud and humbled to report that, because of your support, 404 Media is working. Our business is sustainable, we are happy, and we aren’t going anywhere.

When 404 say they aren’t going anywhere, it means they’re not closing down anytime soon. They are however going places, no doubts about that.

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