Showing all posts about trends

The highs and lows of publishing contributor dependent websites

21 January 2026

Manuel Moreale writing about People and Blogs, where he features regular interviews with bloggers:

It sucks because, since day one, I tried to find a good balance between keeping the series running smoothly and not letting guests wait for months and months to get their interview published. But I’m at the point where I can no longer do that. More than a few times, I found myself with the queue completely empty while waiting for dozens of people to get back to me. Every time someone came through in the end, and the series kept marching on week after week, but let me tell you: it’s not fun.

For a few years, between 2005 and 2007, I published a website about the creative and artistic work and projects of Australians, called OnVoiceOver (Internet Archive link). The name was a geeky word play on OnMouseOver, an old JavaScript event handler.

But OnVoiceOver, or OVO as I’d call it, was not an interview series like People and Blogs. Interviews with well known web people were already common circa 2005, and I wanted to try a different approach. So instead of posting interviews with people, I wrote an article about their work.

OVO also sported an ISSN, or International Standard Serial Number, on account of its (intended) periodic publication schedule. I tried in vain to get an ISSN for disassociated, but was told blogs were not considered to be periodic publications. Oh, really?

OVO was (mostly) fun while it lasted. Some of the people I featured included Cameron Adams, who later co-found Canva, artist and writer Lang Leav, and artist Brad Eastman.

Long story short: I’d contact someone I wanted to profile (though sometimes people messaged me). After they agreed, I’d send them some questions, and use the answers, once received, to write the article. Once three articles were finished, I would then publish a new edition.

Like People and Blogs, OVO, despite the sole Australian focus, should have had sufficient fodder, content wise, to remain publishing indefinitely. After all, new and exciting ideas were coming along constantly. It’s not like there was nothing else to write about, after I posted the twenty-seventh, and final, article in August 2007.

But I was also in the situation where I was waiting on people, who had agreed to participate, some of whom I knew personally, to get back to me with their answers. On the other side of that, there were those who had returned answers, wondering when their feature would be posted.

I’d sometimes desperately trawl through news and forum posts of the likes of (erstwhile) Australian design portals, Australian Infront and Design is Kinky, to see if there was an idea I was able to quickly work with, so the next edition could go out. Perhaps my decision to post articles in groups of three was not so clever after all, and I should have gone with a single article format.

But I doubt that would have made much difference. I know everyone who participated was busy. They had jobs and careers to focus on. They had families to spend time with. When I’d follow up, I’d often receive messages to the effect of “oh yes, I keep saying to myself I must answer these questions as soon as possible”.

OVO quite likely had a less pronounced profile than People and Blogs, but it surprises me would-be participants are dragging their heels. A People and Blogs profile must be accompanied by a pleasing spike in traffic, and likely some new readers in the process.

In the end though, it wasn’t a few people not returning their answers to me that spelt the end of OVO. Migrating disassociated to WordPress, in mid 2007 was what did it. Somehow interest in the WordPress-ed version of disassociated skyrocketed, almost overnight, and visits increased ten-fold within a few months. This was, of course, the so-called golden-age of blogging.

My energy and focus was firmly there by that point. Eventually enough people returned answers allowing me to publish a final edition of OVO in August 2007, six months after the previous one. About two years later, OVO officially went into hiatus. The website remained online for quite a while, and in 2019 I finally relinquished OVO’s domain name.

Since my days of publishing OVO — and it did occur to me this was happening twenty years ago — I’m far more cautious about publishing what I call contributor dependent content. I try to do as much as possible here by myself, even though some of us like to think this is a collaborative medium.

I also seldom involve myself in other people’s projects, aware that my taking months to make a contribution, after saying I’d do so “in a few days”, is not helping matters.

But for the frustrations that come with operating People and Blogs, I remain hopeful the interviews will continue to be published for some long time to come yet.

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digg.com two-point-zero officially relaunches

16 January 2026

The first version of digg, something many people called the front page of the internet, arrived in 2004, and was a little like what Hacker News is today.

A social bookmarking news aggregator, if you want to be technical. People could submit items of interest, and those favoured by the community would win a place on digg’s coveted front page, resulting in viral levels of traffic.

digg went through a number of iterations after co-founders Kevin Rose and Jay Adelson sold the website in 2012, before Rose, together with Reddit co-founder Alexis Ohanian, bought digg (again) in March 2025.

I’m hardly a social media power user (not that digg is really a social media platform) so didn’t get much involved in the pre-(re)-launch buildup, but couldn’t resist signing up yesterday when I saw digg had officially returned.

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Markdown does not belong to John Gruber, it belongs to everyone

12 January 2026

Anil Dash:

The trillion-dollar AI industry’s system for controlling their most advanced platforms is a plain text format one guy made up for his blog and then bounced off of a 17-year-old kid before sharing it with the world for free. You’re welcome, Time Magazine’s people of the year, The Architects of AI. Their achievement is every bit as impressive as yours.

I’ve never used Markdown, created by John Gruber, aided by the late Aaron Swartz, in 2004, I still add the Markup included in my web writing either through copy and paste, or manually.

That’s the former web designer in me talking. If I want to add, say, bold formatting to some text, how hard is it to type out the <strong> tag, and </strong> to close it again?

Of course, I can see how much easier it would be to type **bold** using Markdown instead, if I wanted to apply bold formatting somewhere. But the real story is just how widely used the formatting tool has become since Gruber released it twenty-two years ago.

I don’t really mean to say “Markdown does not belong to John Gruber, it belongs to everyone”, but that seems to be what has happened.

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Large Language Models and Artificial Intelligence in 2025

5 January 2026

Simon Willison’s third annual review of the AI space, for last year. I read someone saying somewhere that Willison has become expert in AI and LLM since ChatGPT arrived in late 2022.

He’s not the only one (obviously), but in late 2022 and early 2023 I was having conversations with people about ChatGPT and AI. At the time a number of these people looked at me blankly. One said they kept hearing about ChatGPT, but knew little about it.

Fast forward three years, and two of these people — who knew next to nothing about the topic — went on to assume senior roles in their workplaces overseeing the development and deployment of AI technologies. Positions that didn’t exist in 2022.

Possibly I regret my decision to remain focused on writing copy, content, and maybe even blogging here, instead of somehow jumping on the AI train. But on the other hand, possibly I don’t.

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Adam Mosseri: the old, personal, Instagram feed is dead

5 January 2026

But that’s what Instagram’s (IG) owner wanted of course. Put another way, this means anyone using IG is expected to behave like an influencer, even if they only have a handful of followers.

The comment was made by Mosseri, Head of Meta owned IG, in a year-end presentation (Instagram link), a few days ago. That Mosseri didn’t label his thoughts Instagram Wrapped is a small mercy.

The IG leader also made the point that authenticity is becoming ever harder to gauge, on account of the proliferation of generative AI tools. It doesn’t matter that Meta is playing a part here, what’s important is ascertaining what content posted to IG is genuine, and what is AI generated.

This means more layers of verification, and not just for content, but users also. If that’s not for you, now’s a good time to jump ship. Provided you can establish a presence somewhere else.

But that’s not going to be most people. They have IG pages that their businesses and livelihoods depend upon, and have not realised just how, bit by bit, reliant they’ve become on the platform.

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The COVID, AI, triggered cultural vibe shift we did not see coming

30 December 2025

Sydney based Australian journalist and speech writer Brigid Delaney, writing for the Australian Broadcasting Corporation (ABC):

Arriving, a friend asked me how I was. I was OK, I replied, but still disorientated from my time on X. “I don’t know what’s real anymore,” I said. It was dawning on me that this feeling of not knowing reality was — for me — the vibe shift. AI had polluted my clarity, in part because it was so uncanny and real that it was very easy to be tricked.

The COVID lock-downs were the beginning, but the arrival of AI in 2022, and even the election of American President Donald Trump in 2024, have accelerated the vibe shift Delaney writes of.

I’m certainly aware of changes in the way people interact with each other, even if those are relatively subtle. I hear of people adopting hermit-like lifestyles, enveloping themselves in AI fostered domains, with AI companions, but don’t see, or hear, much about it in the circles I move. Most people seem to socialise face-to-face with family and friends as usual. Or at least create that impression.

Delaney’s article is contemplative reading, whatever your thoughts on any sort of vibe shift might be.

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Some Australian cafes adopt automatic tipping as costs keep rising

24 December 2025

In a land were people (still) do not generally expect to pay a tip at food and beverage venues, a practice called automatic tipping is sure to be poorly received. Industry workers are reasonably well paid in Australia (or are meant to be), so customers see little need to offer tips.

This is not the case for all dining workers across the world though.

But some local food and beverage venues, struggling with escalating costs, have begun adding a gratuity of up to ten-percent to what they charge customers, a practice called automatic tipping.

Although it may not be popular, some industry observers predict the practice will become more common, in response to rising overheads. While automatic tipping is legal in Australia, food and beverage operators must be upfront about the charge, and allow customers to opt out of paying.

At a cafe I go to regularly, a large cappuccino costs five-dollars-and-fifty-cents (Australian). An automatic tip of ten-percent would see the cost rise to six-dollars-and-five-cents. I appreciate local food and beverage operators are struggling, but I’d rather meet them half-way.

Perhaps increase the price of a coffee by five-percent, maybe a tad more, taking the price to five-dollars-and-eighty-cents. Round off the price to nearest twenty-cents so people paying cash (to avoid card surcharges) don’t end up with a pocket too full of loose change.

I think most customers, certainly regulars, would continue to support their favourite coffee shop.

A reasonable price increase, and not just for coffee of course, seems far less underhand than levying an automatic tip, would avoid potential confrontations, and bring the much needed revenue boost food and beverage venues are looking for.

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Firefox will give users the option to disable AI features

22 December 2025

From a post on the Firefox for Web Developers Mastodon account:

Something that hasn’t been made clear: Firefox will have an option to completely disable all AI features. We’ve been calling it the AI kill switch internally. I’m sure it’ll ship with a less murderous name, but that’s how seriously and absolutely we’re taking this.

There’s no escaping AI, and that may not always be a bad thing, but it seems inevitable that web browsers of the future will eventually be like Altas, the ChatGPT/OpenAI browser. I don’t however like the idea of taking an existing browser, and fitting it out with AI functionality, as Mozilla intends to do.

As I wrote about two months ago, if Mozilla wants to release an AI browser, it should be separate from the existing Firefox browser. If people want to use an AI-powered version of Firefox, fine, they can do so. But if people don’t want that, it shouldn’t be foisted upon them. That’s probably thinking that’s a tad too simplistic however. The AI “kill switch” it will have to be.

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Users may have to pay to post links on Facebook pages. Time to get a website

22 December 2025

Ivan Mehta, writing for TechCrunch:

Over the last week, several users have spotted Meta’s test, which impacts link posting. Social media strategist Matt Navarra noted that users part of the test can only post two links unless they pay for a Meta Verified subscription, which starts from $14.99 per month.

The proposed regime will apply to those who use professional mode on the social network.

Like many website owners, I can post as many links as I want to here, without the need to pay a cent to Meta, or be “verified” by them.

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X moves to head-off claim on ‘abandoned’ Twitter branding

20 December 2025

Sarah Perez, writing for TechCrunch:

Elon Musk’s X is updating its Terms of Service to indicate it still lays claim to the “Twitter” trademark. The move to add this detail to the company’s terms follows an announcement from a Virginia-based startup, which recently filed an application to trademark the term “Twitter.”

No surprises there. Anyone hoping to obtain the rights to the Twitter trademark must know they face an uphill struggle to do so.

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