The Australian federal election, held in May 2022, saw a record number of teal, or independent, MPs elected to the Australian Parliament. Their strong showing has variously been labelled a teal bath or teal wave, after many teal candidates unseated a significant number of sitting members, most of whom belonged to the previous Liberal-National Coalition government.
Previously associated with a dark greenish-blue colour, or even a breed of duck, teal now has another meaning in Australian English. The word came to prominence this year during the federal election. A ‘teal wave’ of independents successfully challenged government members of parliament in a number of seats.
The McDonagh Sisters, Isabel, Phyllis, and Paulette, were Australian film producers active almost one hundred years ago. Based in Sydney, the trio made six films, including two documentaries, in an age of filmmaking that saw the transition from silent features to sound, or talkies.
The youngest, Paulette, was one of only five women film directors in the world. Phyllis produced, art directed, and conducted publicity. And the eldest, Isabel, under her stage name Marie Lorraine, acted superbly in all the female leads. Together, the sisters transformed Australian cinema’s preoccupations with the outback and the bush — and what they mocked as ‘haystack movies’ — into a thrilling, urban modernity.
The sister’s stories are a fascinating chapter in the history of both Australian film production, and Australia itself. Sayer’s book will help introduce their now often overlooked work to a new generation of people with an interest in Australian filmmaking and its past. For a glimpse of the McDonagh’s work, have a look at this trailer for their 1930 film The Cheaters.
Inconvenient. Difficult. Different. Resilient. Social network Mastodon — viewed by some as a Twitter alternative — as seen by American author, entrepreneur, and master of short-form blogging, Seth Godin:
It’s a network in the real internet sense of the word. It’s not just a network of users, it’s a network of servers as well. No one owns it. Like email, it’s a set of principles and rules, not a place. A federation is different than a corporation. It might not be as shiny, but it’s far more resilient. It’s inconvenient. You can’t get started in ten seconds. This leads to less initial stickiness. It means that the people who get through the learning curve are more likely to be committed and perhaps generous.
If you’re still using an aerial (is that still a thing?) instead of cable (is that still a thing?) or internet, to watch TV, and — presumably — still possess an old school (think rabbit ears) TV, you may be able to pickup remnants of the Big Bang, the force of cosmic nature, that brought the universe into being.
Like COBE, WMAP scans the sky over and over again, soaking up the ancient light from the Big Bang known as the cosmic microwave background. Microwaves are a low-energy form of radiation but higher in energy than radio waves. The cosmic microwave background blankets the universe and is responsible for a sizeable amount of static on your television set–well, before the days of cable. Turn your television to an “in between” channel, and part of the static you’ll see is the afterglow of the big bang.
All you’d see is static, some of which may be post Big Bang microwaves bouncing around the cosmos, but it might be more interesting than some of what is broadcast on the terrestrial channels.
You’ve probably read more of the work of London based copywriter Louise Willder than you realise. Although her writings can be found in bookshops across the world, Willder has only ever written one book, which was published in October 2022.
Certainly Willder may not be in the same league as Elena Ferrante, Sally Rooney, or Kazuo Ishiguro, but her work may well have adorned one of their novels. Willder is a book blurb writer, and in a twenty-five year career at Penguin Books, estimates she has penned some five-thousand of these attention grabbing pitches, intended to entice someone to buy the book in their hands, having read the blurb printed on the dust jacket.
We love the words in books — but what about the words on them? How do they work their magic? Here is a book about the ways books entice us to read them: their titles, quotes, covers and, above all, blurbs — via authors from Jane Austen to Zadie Smith, writing tricks, classic literature, bonkbusters, plot spoilers and publishing secrets. It’s nothing less than the inside story of the outside of books.
For my part, blurbs are something I take or leave. If a novel has a good enough recommendation — for instance it has been shortlisted for a literary prize — I’ll probably only settle for reading a mere outline of the story. And if I notice an endorsing blurb written by another (high profile) author, I’ll just about always ignore it. While I can’t be sure, I often get the feeling such “endorsements” have been given over sight unseen so to speak.
Dinner is now leading the cookbook charts for 2022, with more than 74,500 copies sold. That’s three times as many sales as the second most-popular book, Jamie Oliver’s One, at 23,000 copies, according to Nielsen BookData. Even at the end of August, Maehashi had pre-orders that were more than double the first week sales of Yotam Ottolenghi’s Flavour.
It’s rare to see content from inside the company, especially anything to do with current and future development items. While Musk has hinted at potential improvements to the platform, the whiteboard photo does reveal some more information.
the days of usenet, irc, the web…even email (w PGP)…were amazing. centralizing discovery and identity into corporations really damaged the internet. I realize I’m partially to blame, and regret it.
Twitter’s only part of this centralised “problem” though. Other giant tech companies, Google, Amazon, among many others, have also played a role. Nonetheless, I imagine some of us see an upside. As for Twitter’s woes? Maybe owner/operator Elon Musk ought to consider stepping aside from day to day management of the company, and leave it to better qualified people?
For every well-known work of fiction, there’s an extended universe behind it, called fanfiction. Look at the likes of Star Trek, The Twilight Saga, Star Wars, Harry Potter, and a whole lot more, it’s all there. Stories written by adoring fans of the original books, films, and TV shows, expanding on the creator’s canon, and exploring other weird and wonderful story arcs.
At times not all of these works are sanctioned by the series creator, but that won’t always stop the most die-hard of adherents. If they think there’s a story to tell, they’ll write it. But while works residing online, in electronic format, are likely to be preserved — at least for now — publications such as zines, or fanzines, which usually exist solely in paper format, are another matter.
The Fanzine Scan Hosting Project, an initiative of An Archive of Our Own, or A03, one of the most extensive online repositories of fanfiction, along with a number of collaborators, aims to preserve physical fanzines, and eventually make as many as possible available in electronic format online. Needless to say it’s a big job, but progress is being made:
Over the last year or so, however, Open Doors’ Fan Culture Preservation Project has expanded, finally giving them room to launch the Fanzine Scan Hosting Project. So far, they’re making their way through the backlog of scans that Zinedom has already accumulated, which Dawn estimates is “a couple thousand.”
But who has time to read that many books? Probably not even the most ardent of readers. But that’s not the reason Eco accumulated so many tomes: he wanted to create an antilibrary. And an antilibrary, as Anne-Laure Le Cunff, writing for Ness Labs explains, is not for the vain — those wanting to show off a vast book collection — but rather, for the curious:
The goal of an antilibrary is not to collect books you have read so you can proudly display them on your shelf; instead, it is to curate a highly personal collection of resources around themes you are curious about. Instead of a celebration of everything you know, an antilibrary is an ode to everything you want to explore.
For sure, the curator of any antilibrary, especially one the size of Eco’s, will not have read every title in the collection, but the books are instead present for reference, a constantly available, off-line, trove of information.
