WordPress, creator of the CMS I publish disassociated with, has unveiled a one hundred yearlong website hosting and domain name registration package. If you have a lazy US$38,000, then there’s nothing stopping you from signing up. But I like the idea. It makes sense. When I first began designing websites in 1997, there was a consensus that the web, websites, and even email, was a fad. A craze. Something that would come and go. As did pet rocks and CDs.
It took only a few short years — or was that months? — before we realised though we were going to live on the internet. Forever. No, we weren’t going to crank up the modem and login via dial up, a couple of times a day, rather our computers would be plugged into the grid every last waking minute. And who could have foreseen — back in the 1990’s — that we would one day carry devices in our pockets allowing us to remain online constantly?
Now that I think about it, I cannot remotely conceive of a notion that the web, and all of its interconnected peripherals, were a mere passing phase. disassociated has been online (in one form or another) for twenty-five years, and I occasionally find myself wondering about its long term future. Like what happens when I’m longer here? The thought of making provision in my will, to keep this website registered and online, has crossed my mind once or twice.
I can’t imagine I’m the only one. To some people, their website is an integral part of their identity. I’m talking particularly about those who document every aspect of their lives on a website or blog. It would be a shame, a loss even, if upon the death of the publisher, these resources simply vanished because no one was paying the domain registration and hosting bills. These are matters I doubt few people even remotely considered twenty-five years ago.
The WordPress one hundred year package is therefore compelling, even though I can see people baulking at the $38,000 price tag. I quickly ran the numbers, and based on current domain and hosting costs, could keep disassociated afloat for a century for maybe half that cost. But I’d need someone, a dependable descendent, I could rely on to carry out the necessary administrative tasks of keeping my website online when I’m gone.
On that basis, the cost, although steep, begins to look a little more palatable. Everything is taken care of, without the need to burden someone else. But the WordPress proposal poses intriguing questions. Do you believe preserving your website is essential to preserving your memory? People are already giving thought to what happens to their digital assets, things like email accounts and social media pages, on their deaths, but what about personal websites and blogs?
It’s alarming how close the world has come to nuclear conflict in the past, and on several occasions leaders with nuclear arsenals at their disposal have had their finger poised on the proverbial button. In just about every instance though, the threat of a nuclear exchange has been the result of a misunderstanding or miscommunication between nuclear armed nations.
But if one nuclear armed nation — for whatever reason — launches a strike on another, the target country has mere minutes to respond, as Kurzgesagt eloquently illustrates, in their latest video, How A Nuclear War Will Start. Doom and gloom sells I know, but Kurzgesagt have been on quite the gloomy doom-roll for a while now.
It seems like only last week the winner of the 2023 Stella Prize — Sarah Holland-Batt with her poetry collection The Jaquar — was announced, when in fact that happened four months ago.
The year is marching on.
Entries are now open for the 2024 prize, but only for about the next month and a half. There are a few cut-off dates for submissions, but Friday 13 October 2023 is the final day an entry can be made.
We all know the drill. We send — unsolicited — the novel manuscript we’ve spent years toiling over, to a couple of publishing houses who accept them. From there they go into a kind of purgatory called a slush pile. How long manuscripts might spend in this limbo is unknown, but probably just about all of them end up going through the shredder eventually.
Nevertheless, we hold onto hope — hope above all else — of a different fate.
Because not all slush pile works go to pulp. Some Australian authors, including Abby Corson, Shannon Meyerkort, Natasha Sholl, and Mark Smith, have been plucked from the agglomeration and found their way onto a bookshop shelf. Perhaps then what happens in the movies is true. Book publishers have staff who sift through the slush pile, looking for that elusive diamond in the rough.
Take note then. Good writing separates the wheat from the chaff. Manuscripts with eye-catching premises, and engaging opening chapters, might reach the next rung of the ladder.
The hour long conversation covers numerous topics, including their inspirations, writing influences, racism and the concept of being a “conditional citizen” of Australia, and what exactly an albatross is in golf. I could tell right now what an albatross is, but far better you listen to find out.
Presented annually since 2014 by Readings, an independent Melbourne based bookseller, the Readings Young Adult Prize is awarded to the best contribution to Australian youth literature, by emerging Australian writers. The winner will named at a ceremony in late October this year.
Many members of the Australian women’s football team saw their social media followings jump exponentially as a result of the recent 2023 Women’s World Cup, according to data compiled by Australian football news and information portal Keepup.
Mary Fowler’s Instagram (IG) follower count soared by nearly 470% to — as of time of writing — about 281,000. Caitlin Foorde meanwhile saw her IG followers increase by 153% to about 208,000, while team captain Sam Kerr’s count doubled to over one and half million people.
Four hundred Australian authors have thrown their support behind the campaign that seeks to amend the Australian constitution to include an Indigenous Voice to parliament.
Katherine Brabon, Shankari Chandran (winner of the 2023 Miles Franklin literary award), Mick Cummins, Sophie Cunningham, Peter FitzSimons, Robert Lukins, Andrew Pippos, Christos Tsiolkas, Pip Williams, Tim Winton, and Charlotte Wood, are among authors who have put their name to the Writers for the Voice website:
We, Writers for the Voice, accept the generous, modest invitation of First Nations Peoples in the Uluru Statement from the Heart to walk with them towards a better Australia.
We support their call for recognition via a constitutionally enshrined Voice to Parliament because we believe passionately that this major reform, the product of broad grassroots consultation and supported by the great majority of First Nations Peoples, will lead to better outcomes for First Nations Peoples. It’s only fair.
What a simple, straightforward, to the point, statement. Contrast that with the scare campaign that some people who are opposed to the idea of the voice, are orchestrating.
Just seven percent of Australians are “high cash” users according to Australia’s central bank, the Reserve Bank of Australia. Tap-to-pay contactless payment methods, which are simple and convenient to use, have dispensed with the need to carry wads of money in our bags and pockets.
In addition, the amount of cash in circulation is at an all-time low, down by a billion dollars in the last financial year, as people use other payment methods. That has some pundits already predicting Australia will become a cashless society sooner rather than later. That’s welcome news for those who don’t feel safe carrying cash, and means less cash handling hassle for people like shop-owners.
But a completely cashless Australia does not suit all. Not everyone has a smartphone, rendering tap-to-pay useless to them. Some people — including newly arrived immigrants — don’t even have a bank account. One or two people are still paid cash for their work, and would be put out if retailers refused to accept cash. Or, for that matter, should banks stop handling cash, as is the case in some places in Sweden, which is seen as one of the world’s most cashless societies.
These factors aside though, some don’t like the idea of government agencies, the tax office in particular, knowing exactly how much they earn. Other people meanwhile crave privacy. They don’t want all their spending recorded on a bank statement, that unwanted eyes might peruse. Mortgage applicants, for instance, may not want prospective lenders knowing how much they spend on, say, coffee, something that’s certainly open to scrutiny when using tap-to-pay.
Despite the gloomy outlook for cash, Australia certainly won’t become cashless overnight, and if there are plans to do away with cash, there would be plenty of warning. The future of cheques makes for a good road map here. According to the Commonwealth Bank of Australia, cheques, which will be phased out in 2030, account for 0.2% of financial transactions.
That’s far less than cash, and there’s a generous seven year warning ahead of their demise. Implementing infrastructure allowing everyone to transact without cash is a process that could take decades. While I can’t see cash being around forever, it’s not going anywhere soon.
Threads users have been waiting for a bevy of features to be added to the micro-blogging platform, and it looks like a web version — something I’ve certainly been looking forward to — may arrive in a few days. Last week Adam Mosseri, Head of Instagram (and I guess Threads), said Meta had been working on a web version for “a week or two”, but added that more work had been needed.
Being able to cross-post across platforms such as Instagram, Mastodon, Facebook, and Twitter/X, by way of the web is an absolute boon for me. No doubt there’s an app that does this, but I prefer the flexibility of being able to copy, paste, and alter posts, while going from one browser tab to another.
In other news, and I don’t know when this happened, but a Font Awesome Threads glyph has also become available. There’s only the one version at the moment, but maybe there will be more later.
