disassociated

To mark the thirtieth anniversary of the 1994 release of Star Trek Generations, comes Unification, which kind of picks ups after the conclusion of Generations.

But it’s also a whirlwind jaunt through The Original Series (TOS) universe. There’s a cameo by Gary Lockwood, of 2001: A Space Odyssey, who featured in Where No Man Has Gone Before, the third episode of the first TV series of Star Trek, made in 1966. Robin Curtis, who portrayed Saavik in 1984’s The Search for Spock, also appears.

If, like me, you were wondering how it all came together, Trekmovie has a great explainer about Unification’s production:

The characters from Star Trek history were brought to life through live-action performances, including Sam Witwer as young James T. Kirk and Lawrence Selleck as Spock. According to OTOY, they were filmed in costume, performing as Kirk and Spock on set, aided by “both physical and digital prosthetics resulting in period-accurate portrayals matching the appearance of the characters as they originally appeared in TV and film at the time.” William Shatner and Susan Bay Nimoy, widow of the late Leonard Nimoy, served as executive producers on the production.

Might this be Star Trek Seven, in TOS universe?

Having barely touched their simple text editor, Notepad, in years, Microsoft has been laying on the modifications in recent times. A few months ago, they fitted out Notepad with an autocorrect and spell-checker feature. That’s fine for people wishing to use Notepad as a word processor (in preference to paying out for a subscription to use Word, for instance), but these are features that may not suit everyone.

In the past, I used Notepad to write HTML, CSS, PHP, and other stuff, for my websites. Autocorrect and spell-checker would be worse than useless in those situations. Imagine Notepad trying to “correct” HTML markup? Unless there’s a way to disable these new functions, Notepad will no longer be much use for coders. Coders want what they write, to stay written exactly as they wrote it.

While Microsoft may have decided people long since stopped simple text editors to create websites, in preference to other tools, a plain, simple, text editor, is still useful to have. But the “improvements” to Notepad haven’t stopped with autocorrect and spell-checker functionality. Emma Roth, writing for The Verge, says AI features are to soon to be rolled out:

Microsoft is adding AI-powered text editing to Notepad, the stripped-down text editor originally introduced in 1983. The feature, called Rewrite, is rolling out in preview to Windows Insiders and will let you use AI to “rephrase sentences, adjust tone, and modify the length of your content,” according to the Windows Insider Blog.

Now, AI may be helpful in writing HTML and CSS, if the bot knows what they are, and is able to assist with the writing constructively. But that might be asking a lot.

Filmmakers James Ivory, the late Ismail Merchant, and Ruth Prawer Jhabvala, who collaborated as Merchant Ivory, made over forty features between 1963 and 2009. I think you’d be hard pressed to find any well-known actor of recent decades who did not work with them.

My favourite is A Room with a View, which I’ve written about a few times, though The Remains of the Day, is also up there. Now a documentary, appropriately titled Merchant Ivory, trailer, which chronicles their work and lives, has been made by Stephen Soucy. Required viewing for fans, I think.

I’ve ended up seeing a stack of movies featuring Irish-American actor Saoirse Ronan, over the years. Tracking all the way back to Atonement in 2007, I think. Maybe I’m not so much of a Ronan fan, as I am the movies she’s in.

But it’s an impressive list of titles. The Lovely Bones, The Way Back, Hanna, Violet & Daisy, The Host, How I Live Now, The Grand Budapest Hotel, directed by Wes Anderson, Brooklyn, On Chesil Beach, Ammonite, The French Dispatch, again, directed by Wes Anderson, and finally, Foe. It could be then, I am as much a fan of Ronan, as the films she’s in.

Curiously, her latest film, Blitz, trailer, directed by British filmmaker Steve McQueen, and has some eerie parallels with Atonement. Both include World War II settings in London, and tube stations, where civilians sheltered during Nazi bomb raids.

Blitz screened as part of this year’s British Film Festival, along with another title starring Ronan, The Outrun, directed by Nora Fingscheidt. Talk about prolific output.

Garrett writing on his Mastodon page:

How do we make it easier for “everyone else,” the “normies,” all those “regular” folk who just want to get online, how do we reduce the friction required to get them to make their own little corners of the web? How do we make the #IndieWeb easier? How do we make the #WebRevival more convenient?

It’s the question of the times, and one I think about. Thing is, almost “everyone else” is comfortable with the ease of using a social media platform to get online. Set up an account. Find friends and follow them. Ask them to do the same. Start posting stuff. Sit back and enjoy the discussion that might accompany a post. No special knowledge required. Nothing else to worry about.

It’s just too easy. But the personal website space really seems reserved for people with a keen interest in creating their own presence online, because there are a few hurdles to entry. I could say — with my relatively low-tech website setup — “well, look at me. I don’t have that much technical knowledge, but see: I have a website, therefore so can you.” But that’s not really much help.

I wanted to have a personal website, and was motivated enough to figure what I needed to do, to make that happen. The problem is, I just don’t think there’s too many regular people, who are the same. Even if there are free-to-sign-up options, such as WordPress.com, or Neocities, open to them.

So, it’s not just ease of setup. Some sort of motive is needed. And motives have come along before. Fifteen to twenty years ago people left, right, and centre, were setting up blogs, motivated by the prospect of making money from them. Some bloggers boasted of “six-figure incomes.” It was enough to see complete novices figuring out content management systems, hosting, content production, and how to build an audience, all in the name of bringing in a dollar or million.

I don’t know what the prospects are like for website monetisation today. Sure, there’s people making some money from their blogs, but like fifteen-plus years ago, only a handful are earning enough to make a difference. Making money from a website may not then be the enticement we’re looking for.

If we are to lure more people away from social media, and encourage them to launch personal websites, presenting them with a motive is something that also needs to be considered.

British author Samantha Harvey has been named winner of the 2024 Booker Prize, with her novel, Orbital, published by Jonathan Cape, an imprint of Penguin Books. I don’t know how many novels are set on the International Space Station, I’m sure there’s a few, but Orbital is one of them:

A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day. Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.

I’d been gunning for Stone Yard Devotional, which I read earlier this year, by Australian author Charlotte Wood, who was on the Booker shortlist with Harvey. But I’ll be adding Orbital to my TBR list.

Things Magazine has been publishing lists of links for over fourteen years, and here’s the latest batch. I don’t exactly know where they source all their links from, which are all top quality, but it’s a process that must take a certain time. Next time someone tries to tell you publishing a link-blog is easier than a long-form writing blog, see if they can do better than Things.

The third — and it seems, final — series of Heartbreak High, in the second inception of the gritty Australian high-school TV drama, is on the way. Set at the fictional Hartley High, in Sydney, Heartbreak High originally screened between 1994 and 1999.

A rebooted version of the show debuted in 2022. Series one of the reboot was well received all around, and garnered a one-hundred percent Rotten Tomatoes Tomatometer rating. Series two, while popular with audiences, did not however do so well critically.

The original nineties show was considered ground-breaking (read: in your face), and as I wrote before, Heartbreak High made my high-school days seem like a non-event…

Pretty popular are sit/stand desks at the moment. I’ve helped a few people assemble them, when they’ve bought one for their home office. Good for your health, sit/stand desks, or so we’re told.

Mainly because you’re not sitting all day while working. Some recent research however, suggests the health benefits of sit/stand desks could be overstated. Sitting for extended periods may not be ideal, but too much time spent standing can also cause problems:

“More time spent sitting didn’t necessarily lower a person’s risk of cardiovascular disease, nor did it increase the risk,” Ahmadi says. “It was a null finding. But what it did do was actually increase their risk of circulatory diseases.” Standing for more than two hours a day increased that risk by 11 percent for every extra half hour, which is bad news for retail workers and the standing desk industry.

So say psychologists at the Sydney based University of New South Wales (UNSW):

Dr Poppy Watson, adjunct lecturer with UNSW’s School of Psychology, says while the idea warrants exploration, there is a lack of evidence showing excessive doomscrolling of social media is responsible for the mental fatigue, lack of focus, and reduced cognitive function often attributed to ‘brain rot’.

Doomscrolling is hardly a harmless undertaking either, but the UNSW researchers attribute so-called brain rot, particularly among teenagers, more to poverty, socioeconomic status, and poor diet. Brain rot does not, for instance, seem to have impacted IQ scores, which continue to rise:

If intense, prolonged digital consumption were stultifying young people’s minds, then we could expect to see a drop in average IQ scores between pre- and post-digital generations. But as Dr Watson points out, average IQ scores have risen from the start of the 20th century and into the 21st, known as the Flynn Effect.

This as the Australian government proposal to ban social media access to people under the age of sixteen, has been attracting criticism.