Showing all posts about history
Restored colourised 100 year old film of well known cities
30 July 2022
Taking one hundred year old film footage found in the Prelinger Archives, YouTuber NASS has added colour and ambient sound to create an eight minute slice-of-life glimpse of cities across Europe and America, as it was in the 1920s.
New York, Chicago, San Francisco, London, Berlin, Stockholm, Copenhagan, Amsterdam, Nice, Geneva, Milan, and Venice, are featured, along with Paris, and some aerial footage of the French capital. Today that would be as simple as sending a drone up, but one hundred years ago the undertaking would have required a little more planning.
The novelty of being on camera, in an age when cameras were still something a novelty, is also apparent. In one segment a police officer appears to be amused at being filmed, as does a boy in another part of the clip. Today a film crew on the street would probably go virtually unnoticed.
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A trailer for The Princess a documentary by Ed Perkins
27 July 2022
Directed by British documentary maker Ed Perkins, The Princess, trailer, which opens in Australian cinemas on Friday 12 August 2022, looks at the life of Diana, Princess of Wales.
Made up mostly of archival footage, in a similar style to Asif Kapadia’s 2010 documentary Senna, The Princess also examines the lasting influence Diana’s life, and death, had on the British monarchy.
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documentary, Ed Perkins, film, history, trailer, video
Illustrations from Stamma on the Game of Chess 1818 edition
22 July 2022
Wednesday 20 July may have been Miles Franklin day in Australia — being the occasion the winner of the annual prestige literary award is announced — but it was also International Chess Day. Also known as World Chess Day, 20 July marks the day International Chess Federation was established in 1924, although International Chess Day didn’t come into being until 1966.
In honour of the beloved checkered board game, the University Of Wisconsin Milwaukee Special Collections have posted images from the 1818 edition of Stamma on the Game of Chess, which contained numerous illustrations of game openings and critical situations. Much of the text was written by Philipp Stamma, and edited by William Lewis, who were eighteenth century chess masters.
Although I play from time to time, I’m not the biggest chess aficionado you’d ever meet, but I was intrigued to learn game pieces were often coloured red and black, rather than the white, or ivory, and black pieces I’m more familiar with. There’s an interesting, though brief, discussion about red chess pieces here.
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chess, games, history, illustration
Astronomers call for James Webb Space Telescope to be renamed
21 July 2022
While the images being collected by the newly operational James Webb Space Telescope have been stunning, some people are questioning whether the telescope should be named in honour of James Webb. Webb was NASA administrator from 1961 until 1968, and during his tenure he oversaw preparations for the early Apollo Moon flights.
But some astronomers and scientists are calling for NASA to rename the space telescope in light of allegations Webb persecuted LGBTQIA+ people, during, and before, his time as NASA administrator.
The telescope’s name has been criticised by many scientists amid allegations that Webb was linked to persecution of LGBTQ+ people in the 1950s and 1960s. The Lavender Scare witch-hunt resulted in the mass dismissal of gay and lesbian people from the US government service in the mid-20th century.
To date NASA has refused to yield, claiming there is no evidence supporting the allegations against Webb.
In September last year, NASA announced it would not change the telescope’s name. “We have found no evidence at this time that warrants changing the name of the James Webb space telescope,” NASA’s current administrator Bill Nelson said in a statement in September.
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Iconic Sydney Park chimneys to be further restored
20 July 2022
Anyone going anywhere near Sydney Park, in Sydney’s inner west, will have seen the iconic old chimney stacks rising skyward from the corner of Sydney Park road, and the Princes Highway. If you’ve not been to the area, you’ve possibly seen photos of the chimneys on Instagram, where who knows how many thousands of such images reside.
The chimneys are part of a long closed brick manufacturing facility, which began operating at the site in the 1870s. Having restored two of the heritage listed stacks several years ago, Sydney City Council is embarking on a project to further preserve the four chimneys, while making the area of the park they are located in more accessible to the community.
The Sydney Park brick kiln and chimney precinct contains substantial remains from the brick making industry that once dominated the area. Shale was extracted from deep pits, crushed and pressed into green bricks that were fired in the large kilns.
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Why do young people in old photos look old?
19 July 2022
This is something I’ve often wondered about. I’m looking at a photo portrait that might be one hundred years old, of a person who is, or was, aged about twenty at the time the photo was taken. Despite their obvious youth, they still somehow look… old. Why should that be though? It’s a question that Michael Stevens, host of Vsauce, explores in a recent video.
The phenomenon of people who seem to be older at a younger age, is something Stevens calls retrospective aging. People today, he tells us, are aging at a slower rate than those who came before us. Lifestyle and nutrition changes, better healthcare, less smoking, and even the wider spread use of sunscreen, all make a difference. But there’s more to it, as Stevens explains.
As to the one hundred year photo of the twenty year old, who indeed looks twenty and not thirty-five, but still seems old, is something I call the illusion of age.
Compare photography of a century ago with the casual nature of selfie snaps today. One hundred years ago cameras were not as ubiquitous as they are today. Back then, having your photo taken was an occasion. People dressed elegantly. Put on their best clothes. Suits, evening dresses. Tidied up their appearance. People also tended to pose more formally, and seldom smiled. They looked serious. Not to mention their hairstyles, which also suggest a bygone era. All of those factors could combine to present someone in a more mature, older, light.
Then there’s the fact we know said photo is a century old. We’re looking at someone we know, were they still alive, would be aged well over one hundred. The image, the illusion, of an old person, therefore presents itself in our minds. The young person — unfortunately — looks old to our eyes.
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Drawing program interfaces from the 1980s and 90s
15 July 2022
Here’s a truly awesome blast from the past… a Twitter thread, by California based data storyteller RJ Andrews, with images of drawing program software used on computers in the late 1980’s and early 1990’s.
The image above is the Micrografx Windows Graph interface, which was released in 1987, used to create graphs and charts on computers running the Microsoft Windows 1 operating system, which launched in 1985.
While some people might say the bold fluorescent pink, green, and yellow colours against the black background clash, the more you look at them, the better they begin to look.
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A guide to designing and building websites in 1997
11 July 2022
It’s 1997 and you want to build a website, a history of the early days of website development, by Jay Hoffmann. The first version of disassociated went online in 1997. I even held a small launch party. We went to an internet cafe so I could see disassociated on a third-party device that was not mine, nor anyone I knew.
They were the good old days of web design. Designers would stay up all night working on a new website, only to pull it apart, and start all over again when some new trend came along, which seemed to be all the time. Javascript image rollovers, anyone? TV lines? Some of the best experimental web design was to be found in the late nineties. Partly because there was a new-frontier exuberance, and the rules were few.
Despite this, I worked to the HTML 3.2 standard — a non-proprietary specification for building websites to — published by the W3C. My desire to use standards was two-fold: they promised to make the web a little more accessible, and hardly anyone else was working with them. It made me feel like some sort of counter-culture rebel.
When the HMTL 4 spec came along in April 1998 though I quickly adopted it, because, you know, it was shiny and new. I only talk about standards because they were the only paper resource I referred to when coding — sorry, marking up — a website. I didn’t rely on text books to teach myself web design, but rather the online tutorials of the time. Plus a little, actually considerable, trial and error.
I worked at some big-end-of-town company for a short time in 1998, where I furtively printed out the HTML 4 spec, twenty pages at a time, here and there, throughout the day, for several weeks.
Why I needed to waste all that paper — once printed the spec was almost the size of a telephone directory — when I could’ve referred to the document online (via dialup), eludes me now. I think having the spec, bound in a ring-binder, sitting on my desk at home, validated my then fledgling web design aspirations.
For somebody surfing the web in 1997, a book might feel a bit… 20th century. If you already knew the basics of getting online, why not poke around some sites that might help, right there in your browser.
Hoffmann’s article also mentions a bunch of early-on-the-scene web design agencies, including Razorfish, who were behind the production of This Girl, the monthly serialisation of the life of a fictitious twenty-something living in New York, called Phoebe. The work of Razorfish, and the exploits of Phoebe, were one of thousands of web influences I absorbed.
I wonder what became of Phoebe. And that print out of that HMTL 4 spec.
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Photos of the construction of Sydney Opera House
27 June 2022
A collection of incredible photos of the Sydney Opera House, taken during its construction. Today the Opera House is one of the most recognisable buildings in the world, but it seems Sydneysiders were not enamoured by the iconic structure while it was being built.
Today the building is loved, yet while it was under construction attitudes were very different. The local press continually attacked its cost, its delays, and its architect; headline writers gave the now familiar white shell roof nicknames such as ‘the concrete camel’, ‘copulating terrapins’ and ‘the hunchback of Bennelong Point’.
What’s also compelling about these photos is both how much has changed, and how much has remained the same, when looking at the areas surrounding the land the Opera House stands on.
Via Things Magazine.
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Australia, history, photos, Sydney
QUEER: Stories from the NGV Collection
9 June 2022
QUEER: Stories from the NGV Collection, published by the National Gallery of Victoria (NGV), is not only a catalogue for the exhibition of the same name running until Sunday 21 August 2022 in Melbourne, but also a collection of LGBTQIA+ stories and histories, edited by Ted Gott, Angela Hesson, Myles Russell-Cook, Meg Slater, and Pip Wallis.
More than 60 essays from authors with comprehensive knowledge of the historical and contemporary subjects encompassed by the NGV’s QUEER project are presented along side stunning reproductions of more than 200 works from the NGV collection, either by queer artists or engaging with queer issues. The essays in QUEER: Stories from the NGV Collection explore the history of LGBTQ+ activism; the creation of queer spaces and communities; queerness as an artistic strategy; the expression of love, desire and sensuality; queer aesthetics; and the concepts of camp and the fantastic.
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