AI-host presents Australian radio show undetected for six months

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AI-host presents Australian radio show undetected for six months

28 April 2025

CADA, a Sydney based radio station, was, without a word said, using an AI-generated DJ to host one of their shows, for possibly as long as six months. The ruse came to light after Australian writer Stephanie Coombes, acting on a tip off, was unable to track down any bios, press releases, or social media presences for Thy, the twenty-something presenter of the four-hour, weekday show.

Australian Radio Network (ARN), who owns CADA, later said in a statement to Mediaweek, that Thy was part of a “trial” of AI audio tools. Thy’s voice, according to the statement, was based on that of a woman working in the ARN office.

There’s a few things at play here. One is the broadcaster’s failure to disclose their presenter was AI-generated. Another is the time it took to pick this up. I don’t listen to CADA, and never heard Thy’s show, but the AI avatar must have been convincing in the extreme, if others listeners didn’t think anything was amiss, even after six months.

There’s also the point that this is the direction broadcast media might be moving in, that is, away from people as presenters, to AI-created entities. In addition, the suggestion has been made that other broadcasters might already be using AI hosts for shows, that have not, so far, come to light.

One well known AI-radio presenter however is Debbie Disrupt, a newsreader on Melbourne based radio station, Disrupt Radio. In this instance though the station made it clear from the onset that Debbie was not a real person. That particular stance seemed to move in Disrupt’s favour.

Discord trials face scanning to verify the age of members

23 April 2025

The scanning technology, which is said to gauge a person’s age to an accuracy of one to two years, is being trialled in Australia and the United Kingdom (UK). Members of Discord — a popular communications and community building platform — can also choose to scan in a proof-of-age document, such as a drivers licence, if they don’t want to go through the face scanning process.

Is this the way things are going? Online safety laws in the UK will shortly require platforms to have stringent age-verification processes in place, while in Australia, people under the age of sixteen will soon not be able to access certain social media channels. As far as these platforms are concerned, face scanning may be the easiest way to verify a potential user’s age.

The suggestion here is face scanning will eventually be the only way to confirm a person’s age (and identity it seems), when it comes to signing up to an online platform. This is something all of us might be subject to one day.

Ye Olde Blogroll is sporting a swish new design

18 April 2025

Check it out. In addition, Ray, creator of the algorithm-free web directory of personal websites and blogs, which lists this website (thanks again), has transferred ownership to Manuel Moreale, he of People and Blogs fame, among other things.

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blogs, design, IndieWeb, technology

After 25 years we still don’t know what the web is, what it could be

18 April 2025

Here’s some web history trivia for you: it’s been twenty-five years since A Dao of Web Design was published at A List Apart (ALA). Written by Australian product developer, and Web Directions co-founder John Allsopp, the article explored how the web, still seen then as an online variation of print, could find its own path, and evolve into something entirely different.

Reflecting on his ALA article earlier this week, John made the following comment:

The Web is its own thing — but we’ve still yet to really discover what that is. Don’t ask me, I don’t know what that is either. But a quarter of a century on I’m still just as interested in discovering what that is.

I think what we can say now though, is the web is no longer a child of print.

For additional historical trivia, see this article I wrote for the Sydney Morning Herald/The Age, about John and Westciv, a company he established with Maxine Sherrin. Westciv developed tools to assist web designers create compliant CSS, and web pages.

That was twenty-years ago — yes, mind blown — and was one of several articles I wrote for print publications, before becoming more focused on writing online. And while talking of ALA, it sadly appears only to be publishing sporadically nowadays.

Meta seeks to improve cinema experience by encouraging smartphone use

15 April 2025

After unleashing their content polluting algorithms onto our social media feeds, allowing the display of stuff (sorry, content is not the right word in this context) from people we don’t follow, far less even heard of, Facebook owner Meta wants to interfere with the film watching experience.

Technology called Movie Mate, will allow people to “second screen” during a film, that is, watch a feature on the big screen, while accessing related “exclusive content” on their smartphones. As if second screening, whereby people don’t put their phones down at the cinema, isn’t already a big enough problem, and Meta wants to encourage the practise.

But let’s talk about second screening for a minute. I don’t have a problem with what’s sometimes referred to as content grazing, while watching a movie. In fact, I find it quite relaxing. I might stream a movie I’m familiar with, and lookup other things on my phone. Since I know what’s going to happen in the story, I can multitask a bit, without worrying about missing anything important.

But this is at home, not in a movie theatre, being the only place Movie Mate will be available. And sure, access to story related trivia, director’s commentaries, and deleted scenes is fun, but hardly while watching the film at the same time. Won’t that be distracting, especially for first-time viewers? Isn’t there the risk they’ll miss something important?

It makes me wonder what the intent of second screen technology really is.

From Meta’s point of view though, it’s pretty simple. They like to take something sensible and straightforward, say a social media feed featuring only content people want to see, and muddy it up. From a film producer’s perspective though? That’s a little trickier to fathom. I don’t see how presenting extra-features content, simultaneously, during the film is screening, is meant to be useful.

For repeat viewings, and at home, of course. But not in a theatre full of people who want see a film, not a sea of phone screens. The second screen technology will be trailed in American cinemas during limited run re-screenings of 2022 horror title M3GAN, in a few weeks. Ok, a lot of people have already seen M3GAN, so just maybe checking out extra features in this fashion won’t be a problem.

But making only-for-use-in-cinema second screen tech available for first-time releases, premieres even? Now there’s a horror story in the making.

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film, film production, technology

Thomas Mitchell: when your book is used to train AI platforms without permission

14 April 2025

American tech company Meta has been using the works of Australian authors — and no doubt many writers worldwide — to train its AI platforms. This happens, apparently, without consultation with the authors, and certainly — to date — without any payment. Australian author Thomas Mitchell (Instagram link), of Today I F****d Up fame, writes first-hand about the experience:

I have very little in common with Australian author Tim Winton. He has written many books, and I have written one. His titles are bestsellers; my book was mainly purchased by friends and family. He loves the ocean, whereas I am happier on land. Despite our differences, it turns out both Tim Winton and I are part of the same unfortunate club: Australian authors being ripped off by Meta.

Meta using the work of Australian authors to train AI platforms

7 April 2025

Two years ago it was ChatGPT being trained with books written by Australian authors, without their knowledge or permission. Now Facebook owner Meta is doing the same thing: using the works of local writers without permission or royalty.

A number of Australian authors, including Sophie Cunningham, Hannah Kent, Tim Winton, Helen Garner, and Alexis Wright, using a tool developed by The Atlantic, have found their work has been added to LibGen, a database Meta is using to “train” its generative AI platform.

The company claims their use of the novels constitutes fair use, as, apparently, only “limited” amounts of copyright material is being used.

If the Meta AI technology in question is what I saw on Instagram a day or two ago, on the search tab, then it’s not much to write home about. I typed my name in to see what would happen, something that appeared to stump the AI platform.

Instead of saying something about me, someone’s who been online here for over twenty-five years — how could Meta’s AI technology possibly not know about that? — it returned a spiel about an English football player called Frank, who has the same surname as I do.

If the writing of some of Australia’s best authors can’t help the technology figure out what day of the week it is, just how useful is this AI platform going to be?

The fifty best Microsoft products? This is not an April fool

3 April 2025

I wondered if this was an April’s fool joke. A list of the fifty best things Microsoft (MS) ever made, compiled by The Verge.

Among inclusions is Clippy, a well intentioned though sometimes annoying paperclip-like assistant, that shipped with Office 97. There’s also Slate Magazine, originally a MS publication. Solitaire is an obvious highlight. But no mention of NotePad. Or Windows NT4? This has to be an April fool’s prank.

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humour, technology

Don’t blame Apple for the failure of Apple Intelligence, blame AI

31 March 2025

Allison Morrow, writing for CNN:

Apple is not the laggard in AI. AI is the laggard in AI.

Here is a technology that’s still in the early days of development, has been hyped to the hilt, and heaped with lofty expectations. We’d call it vapour-ware if it didn’t actually exist. There’s some very smart people working at Apple, but it seems surprising they’d go promising the earth without better understanding what they were dealing with.

AI scraper bots like your website content, you should feel grateful

28 March 2025

Herman Martinus, creator of the Bear Blogging platform:

Bear is hit daily by bot networks requesting tens of thousands of pages in short time periods, and while I now have systems in place to prevent it actually taking down the server, when it started happening a few months ago it certainly had an impact on performance.

I check my website stats every morning, and high hopes that something I wrote might have gone viral, wanes almost immediately when I realise AI scraper bots have been at it again.

I considered trying to block the data scrapers, but read that such methods are often ignored. I suppose I should feel faltered that developers of AI bots think the content published here is worthy of training one of their LLMs. There seems little else I can really do.

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