Titles have been nominated in fifteen categories: Best Graphic Novel / Illustrated Work, Best Young Adult Short Story, Best Horror Short Story, Best Horror Novella, Best Fantasy Short Story, Best Fantasy Novella, Best Science Fiction Short Story, Best Science Fiction Novella, Best Collection, Best Anthology, Best Young Adult Novel, Best Fantasy Novel, Best Horror Novel, Best Science Fiction Novel, Best Children’s Fiction, plus the Sara Douglass Book Series Award.
The first thing that grabbed me when looking at the shortlisted titles was the variation in their size. For instance Mieko Kawakami’s Heaven is about 192 pages in length, while The Books of Jacob, by Olga Tokarczuk, weighs in at some 990 pages.
That’s a little bit of reading for those who’d like to familiarise themselves with the six works, before the winner is named on Thursday 26 May 2022.
Unlike the performing arts, which benefit from a dedicated funding stream inside the Australia Council, literature has enjoys very little federal support. In 2020-21, the Australia Council gave out just $4.7 million in grant funding to literature – 2.4% of the total funding pool last year. In contrast, the major performing arts organisations received $120 million.
The funding situation serves to draw attention to just how little writers earn. Sydney based author Charlotte Wood, speaking at a recent parliamentary hearing, set things out in pretty blunt terms:
Wood told a House of Representatives inquiry into Australia’s cultural sector that “writers themselves are in absolutely dire economic difficulty”. She cited figures that literary writers’ annual income from their books was just $4,000 a year.
Four thousand dollars a year? What is anyone meant to conclude from that? Writing is indeed poorly looked upon in Australia.
The Sydney Film Festival has unveiled the first twenty-two movies that will be featured at this year’s event. Among their number is The Passengers of the Night (Les passagers de la nuit), directed by French filmmaker Mikhaël Hers, and starring Charlotte Gainsbourg, as a woman trying to get her life back on track.
Election night, 1981. Socialist François Mitterrand has been declared president and there are hopeful celebrations across Paris. But it is not a happy night for Elisabeth (Gainsbourg, Antichrist), whose marriage has come to an unexpected end. She must find the means to support herself and two teenaged children. When she lucks upon a job on her favourite talkback radio show, she meets Talulah (Noée Abita, Slalom, SFF 2021), a charismatic young woman who is struggling, and invites her home. Free-spirit Talulah has a lasting impact, inspiring confidence in each of the family members.
On March 25, Musk posted a Twitter poll, writing, “Free speech is essential to a functioning democracy. Do you believe Twitter rigorously adheres to this principle?”
Introverted* Leo is a steelworker at his small town’s local plant. After his wife abandons him without explanation, leaving him to care for their two young children, he is bereft – barely able to cook a decent meal or keep the household running. So when a recently-arrived Italian colleague suggests that his sister, Maria, act as surrogate homemaker, Leo reluctantly accepts. But can one woman’s warm, nurturing presence fill the void left by another, and can Leo yield to the winds of change?
Little Tornadoes is set in 1971, and was filmed in Tocumwal, in New South Wales, where Wilson grew up. In a voiceover in the trailer, one of the characters utters the words “so long ago, it was a different country.” I’m not sure of the context of her words, but here the film somehow feels more like it was set in 1921 rather than 1971. Little Tornadoes arrives in Australian cinemas on Thursday 12 May 2022.
*Leo’s either an introvert, or he’s reserved. You cannot be introverted, just like you cannot be called blonded if you have blond hair, right? Pedantic I know…
Sydney based dance/electronic act RÜFÜS DU SOL won the Best Dance/Electronic Recording award for their track Alive at the 2022 Grammy Awards, held yesterday at the MGM Grand Garden Arena in Las Vagas.
Other Australian musicians, and their work, nominated this year were The Kid LAROI for Best New Artist, Shot In The Dark by AC/DC for Best Rock Performance, Power Up by AC/DC for Best Rock Album, Mood Valiant by Hiatus Kaiyote for Best Progressive R&B Album, and Shot In the Dark by AC/DC for Best Music Video. Good to see AC/DC, who have been working for nearly fifty years, feature so prominently.
