disassociated

Shlee, admin and founder of the Aus.Social instance, of which I am a member, spoke on Melbourne based radio station Triple R, last night.

He was joined on the weekly Byte Into IT segment by Aurynn Shaw, founder of New Zealand based Mastodon instance, Cloud Island. Listen here to their chat with hosts Vanessa Toholka, Warren Davies, and Laura Summers.

American filmmaker Richard Linklater’s animated feature, Apollo 10 1/2, is free to be nominated for an Oscar award in the animation category, following a change of heart by the Oscar animation committee. Last month the Academy ruled the feature was based upon too much live-action footage, and accordingly was ineligible for nomination as animation.

According to the Oscars eligibility rules, an animated film is defined as a “motion picture in which movement and characters’ performances are created using a frame-by-frame technique, and usually falls into one of the two general fields of animation: narrative or abstract.”

While Apollo 10 1/2 certainly looks like animation, a technique called rotoscoping was used to make the live-action film used in production look so. The decision is good news for Linklater, and fans of the film. Even if Apollo 10 1/2 had missed out on an animation nomination, it’d doubtless prevail in any other award category it was nominated for, if you ask me.

What if the International Space Station orbited at a height of just three thousand metres? Benjamin Granville decided to find out. The answer to many “what-if” questions are often perfectly implausible, but some sure are worth asking. The scenario makes for quite the ride for those aboard the station…

The shortlist for the 2022 Prime Minister’s Literary Awards was unveiled this week. Thirty titles, across six categories — including fiction, poetry, Australian history, and young adult — were selected from over five-hundred and forty entries.

Notably, sixteen of the books shortlisted were published by members of the Small Press Network, a representative body for small and independent Australian publishers.

With consolidations taking place in the publishing industry worldwide, potentially reducing the number of publishing houses, and leaving only a handful of large players, this is a welcome indication that smaller publishers are thriving.

Eugen Rochko, creator of microblogging platform and social network Masterdon, highlights some recent milestones:

Hey, so, we’ve hit 1,028,362 monthly active users across the network today. 1,124 new Mastodon servers since Oct 27, and 489,003 new users. That’s pretty cool.

I think Mastodon is easier to use than it is to understand. What perhaps confuses many would-be Mastodon members is the federated structure of the social network. Whereas Twitter is centralised, Masterdon is a collection of thousands of individual servers, called instances. Each one is owner operated so to speak, and each has their own rules, and terms of use.

New members can pick and chose an instance best suiting their needs. Masthead, for example, caters for people with an interest in the journalism and blogging space. But if that’s not your thing, there’s bound to be one that is. Here’s a tool to help you find an instance you might like. You also have the option to create your own instance, if you want.

I ended up joining Aus.Social as it more of a general interest space, with, obviously, an Australian leaning. That said though anyone, anywhere, is free to join if they want. The federated timeline is also accessible, meaning everything happening across the entire so-called fediverse, is there to be seen and interacted with, making Mastodon more like the classic Twitter experience.

British aristocrat Lord Lucan who is alleged to have murdered Sandra Rivett, his family’s nanny, in London in 1974, is said — by an algorithm — to be living in the Queensland capital, Brisbane.

A pensioner living in suburban Brisbane is runaway murderer Lord Lucan, says a leading computer scientist who claims state-of-the-art facial recognition technology has positively identified the elderly man as the missing British aristocrat.

While many believe Lucan died soon after killing Rivett and attacking his wife, speculation has endured that he remains alive, and living in hiding somewhere. Everyone, it seems, turns up in Australia…

Manna from heaven is all eleven year old Irish girl Anna O’Donnell needs to sustain herself. She eats no other food. Or so she, and her family, say. Along with the inhabitants of the nineteenth century Irish Midlands village where Anna lives.

Her situation has come to the attention of the authorities. But is it true? Is the girl able to survive without eating? Or is it a stunt? A ploy contrived to lure curious, cashed-up, tourists to the region?

To ascertain whether the phenomenon is a medical anomaly, or perhaps a sign of something more divine, Lib Wright (Florence Pugh) an English nurse, is dispatched to investigate.

Together with a nun, Wright will take turns to keep watch on Anna (Kíla Lord Cassidy), to see what is happening, in Chilean filmmaker Sebastián Lelio’s adaptation, trailer, of Emma Donoghue’s 2016 novel (published by Pan Macmillan) of the same name.

I read the novel in 2019, and am looking forward to seeing the story on the big screen. If the trailer is anything to go by, Lelio’s film looks like a faithful adaptation of Donoghue’s book.

It’s November and that means it is NaNoWriMo (National Novel Writing Month) time. Writers, whether new or established, have thirty days to pen a fifty-thousand word manuscript. That works out to about seventeen hundred words a day. A daunting task for sure, but it wouldn’t be much of a challenge if it were easy.

NaNoWriMo doubtless makes for an enjoyable way to while away cool autumn days for northern hemisphere participants. A Camp NaNoWriMo event is also held in April and July, and might suit writers based south of the equator, who’d rather be away from their laptops, enjoying the spring weather in November.

And while the vast majority of works produced during NaNoWriMo seldom sees the light of day, the event has launched the careers of several authors. But it’s not for everyone, and some writers are critical of NaNoWriMo. They say the tight deadline encourages bad writing, as people scramble to reach the fifty-thousand word target.

It’s one reason science fiction author and game developer, and past participant, Dale Thomas gave up on NaNoWriMo. But Thomas goes further than describing some NaNoWriMo output as “bad writing”. To his mind, vomit texts make for a more apt metaphor:

You see, the big problem I have with the challenge is that it forces me to write fast. Too fast for my liking. I end up vomiting all over my writing application. And because only wordcount matters and the clock is ticking, there is no time to wipe the drool from my mouth, no time to find a damp cloth to clean up the mess. The vomit just sits there, drying out, and day after day I vomit afresh. Layer upon layer of disgusting, half-digested ideas, dripping all over the once pristine white page.

Covid has not gone away. In fact there are concerns a new wave of infections may be building. And while those who have the means — including people who can work from home — may be able to stay out of Covid’s way, not all workers are so fortunate. Especially vulnerable are casual and gig-economy workers. If they don’t show for work, they don’t get paid. There is a fear some of these people will nonetheless choose to work, even if they have Covid, simply because they have no choice.

A recent survey conducted by the Australian Council of Trade Unions, found almost forty-percent of casual workers go to work if they are injured or unwell:

It found 37 per cent of workers in insecure jobs — including contractors, casuals, part-time and gig-economy workers — say they’ve worked while injured. Labor market economist Leonora Risse agrees it’s a big problem — and it extends to workers who turn up at work when sick. “We’ve always had some degree of insecure work in the workforce, but this is shining a light on the need to address it,” she says. Dr Risse says that employers may need their workers, but they also need them to be healthy.

I’m not sure what plans Australian governments have if there were to be another major surge in Covid cases, but it seems like lockdowns, and emergency payments for workers stricken with Covid, are off the table. But people feeling compelled to go work, so as to keep a roof over their head? This cannot end well.

Update: Professor Paul Kelly, Australia’s chief medical officer, confirmed in a television interview this morning that Covid infections have increased in the past week.

American author Robin Sloan’s thoughts — written in April of this year — couldn’t describe the Musk acquisition of Twitter any more succinctly:

An industrialist might soon purchase Twitter, Inc. His substantial success launching reusable spaceships does nothing to prepare him for the challenge of building social spaces. The latter calls on every liberal art at once, while the former is just rocket science.

I don’t know that rocket science is just rocket science, especially reusable rocket science, but running a social network, particularly one the size of Twitter, has to be another matter all together.

Via Clive Thompson.