The Age Book of the Year Awards 2023 winners were announced this evening, at the opening of the 2023 Melbourne Writers Festival. The awards, presented annually, are made in two categories for Australian writing: fiction and non-fiction.
Arnott’s win today is his second in the awards. He also won in 2021, the year the prize returned after a nine year absence, with his 2020 novel The Rain Herron.
Generation Z has an identity crisis. People aged between about ten and twenty-six say they struggle to define who they are. Other demographics, I dare say, would have no such trouble. But, according to recent research carried out by in Australia by Snapchat, zoomers, as Generation Z members are also known, are pretty clear on other things.
When it comes to the identity of others around them though, Gen Z dislike binary definitions, and not just those applied to gender:
More than half (56%) of Australian Gen Z have said they don’t like binary definitions based on sex, gender, ability or culture, and prefer to just be defined as themselves.
Many zoomers also see themselves as intersectional, being people who embrace a number of identities. Gen Z may not have been the first demographic to realise just about everyone is really intersectional, but they may be the first to consider being intersectional as part of who they are.
Gen Z also takes a different view to work and careers. They’re keen to avoid burnout, and what they call the nine to five hustle:
That’s not to say that Gen Z are shunning work however. The vast majority (87%) have said they’re actively seeking new ways to earn money outside of a traditional job, with side gigs and passive incomes (e.g. selling handmade goods, investing in the stock market and cryptocurrency, or becoming a blogger or influencer).
Eighty percent of zoomers say they would prefer to work on a freelance basis, or be self-employed. About sixty percent of survey respondents say they’ve taken courses (from “traditional learning institutions”) to skill themselves for this sort of work.
With strike action now in force, the AWG advises members not to work on active projects within the jurisdiction of the WGA, to pitch new projects designed for production within the jurisdiction of the WGA, or to cross picket lines, actual or virtual, for the duration of the strike.
A full list of all one hundred titles in PDF format can be found here. For those not in the know, Better Reading is a Sydney based Australian community of engaged book readers. Just the sort we like…
I was pleased to see the back of my (admittedly modest) collection of vinyl records a decade or two ago. I was not a fan of the format. The records (and their covers) needed to be handled with great care, the vinyl seemed to scratch all too easily, and, like a large number of paper books, were an imposition when it came to moving house.
Such concerns are of little importance to others though. Last year, sales of vinyl records surged by twenty percent, compared to the year before. 2022 was indeed a good year for vinyl, with sales at their highest since 1988. Despite the resurgence vinyl records are enjoying though, sales today remain a shadow of what they were during the 1970’s.
But here’s the thing, even though sales of vinyl are skyrocketing, fifty percent of buyers do not have a turntable, or a record player. This according to research conducted by Luminate, a company analysing music sales data, says Abby Jones, writing for Consequence:
Luminate’s “Top Entertainment Trends for 2023” report found that of the 3,900 US-based respondents surveyed, “50% of consumers who have bought vinyl in the past 12 months own a record player, compared to 15% among music listeners overall.” So — feel free to double-check our math here — that would indicate that 50% of vinyl buyers over the past year have no way to play those records at home.
So what goes here then? Record players are still available. So why not buy one to enjoy the music you’ve bought? Are some buyers of vinyl treating the format like a tradable commodity, and attempting to speculate on their value?
His travel ban was first imposed in 2009, after his attendance at the funeral of a student killed in the Green Revolution. Panahi then attempted to shoot a film using the uprising as a backdrop. The following year, he was given a six-year suspended prison sentence and 20 year ban on travel and film-making for “making propaganda against the system”.
It is said Panahi — who has frequently clashed with the Iranian government — has since left the country, and is in France, where it has been speculated he will be attending this year’s Cannes Film Festival as a juror.
Earlier this year we saw what might have happened had Star Wars creator George Lucas made 2001: A Space Odyssey. But instead of asking what might have happened had Stanley Kubrick made a Star Wars film, what about imagining Wes Anderson doing so instead?
Well, imagine no more. Sort of. The Galactic Menagerie, is a Star Wars story with all the pastel coloured eccentric whimsy of a Wes Anderson film:
Journey to a galaxy far, far away and experience a unique adventure featuring Luke Skywalker, Princess Leia, Darth Vader, and other fan favorites. Watch as they navigate the Galactic Menagerie, a universe filled with eccentric creatures, charming droids, and peculiar locations reminiscent of Anderson’s beloved films such as “Moonrise Kingdom” and “The Grand Budapest Hotel.”
And all the usual Wes Anderson suspects are here as well. Scarlett Johansson stars as Princess Leia, Edward Norton as Han Solo, Bill Murray as Obi-Wan Kenobi, Jeff Goldblum as the emperor, Owen Wilson as Darth Vader, and Timothée Chalamet as Luke Skywalker.
