disassociated

JTR, writing at The Art Of Not Asking Why:

Indie blogs are like good spots in town. Sure, they’re on the map, but you need to ask the locals to point them out. In terms of indie blogs, this means other bloggers.

Word of mouth is sure a great way to spread the news about #IndieWeb blogs, but the problem is, I don’t think #IndieWeb itself is really on the map. You’re really depending on someone in the know, being able to you tell you #IndieWeb exists in the first place, who then directs you accordingly.

If some recent posts I’ve seen on Threads are anything to go by, people seem surprised personal websites and blogs are still a thing. What #IndieWeb really needs is a concerted publicity push. Something akin to Love your Bookshop Day, which we have in Australia, or Record Store Day.

But here’s the thing. There used to be something called Independents Day, but that was over twenty-years ago. I remember Jeffrey Zeldman, for one, writing about it. But imagine it: a day celebrating independent websites, and content producers, long before social networks were a thing.

At the time though, larger, corporate, websites were dominating, and beginning to smother the voice of smaller publishers. In a way, it’s a shame Independents Day didn’t go the distance, because today it would be a well established happening. Still, it’s never too late.

There’s nothing to stop an idea like Independents Day being revived, in one form or another. The goal, initially at least, should be to introduce the concept of #IndieWeb to a wider audience, and then from there, once people are asking about #IndieWeb, we can become the friendly locals pointing out what we consider to be the places of interest.

Stefan Bohacek writing on his Mastodon page:

The problem with redesigning your personal website is that it looks great for about a week, and then you start to hate it.

This is a problem of the ages. In the late 1990’s I’d redesign my websites (I had several back then) every few weeks. Or what felt like every few weeks. The need to constantly update came from the desire to look as good as the other ever-changing personal sites that were around then.

It was also necessary — you understand — to be up with the absolute latest design trends, and apply our own interpretations and variations of them to our websites.

For instance, does anyone remember, or know of, TV lines? See an example here (not my work). TV lines became de rigueur with fad-like ferocity in late 1999 I think. If you didn’t feature at least a few images with TV lines, you were no longer with the times, you were w-a-y behind them.

The notion that a website should be redesigned about every six months began to emerge, perhaps, in early 2000. The idea being some consistency in appearance was desirable, while not lasting forever. It also, mercifully, gave us time to focus on other things. Non web things, among them.

Today, the design of disassociated has barely changed in years. It’s been in a single column “note pad” format since, I don’t know 2009/2010? The “d” logo came along in around 2013. It changes colour now and then. I call the current inception the “fruit salad” logo. It’s been here for two years.

The overall site design feels a bit bare sometimes, but I like to keep things on the minimal side. Pictures — when I post them — are meant to stand out, and not be swallowed up by the design. Otherwise though, I don’t have much time presently to think about whether I like the look or not. It’s a bit busy elsewhere right now, and writing posts is really my main priority.

I might be a fan of science-fiction stories, 2001: A Space Odyssey, Star Trek, Star Wars, and the like, but of the seventy-five titles listed by Esquire magazine, on their best sci-fi books of all time, I’ve only read one. The Hitchhiker’s Guide to the Galaxy, by Douglas Adams. That’s it.

1984, by George Orwell? No. Frankenstein, by Mary Shelley? Ditto. Dune, by Frank Herbert. Same. And I’m pretty sure none of these were required reading at school either. The list of non-reads, of course, goes on. I have seen the film adaptations of a few of them though.

Station Eleven, by Emily St. John Mandel, which ranks at number nine on the Esquire list, is definitely a novel I’d like to read, and is on my TBR list. One day I’ll be able to say I’ve read two of them.

Webmentions allow you to notify the publisher of a website that you’ve mentioned, or linked to, one of their pages, from your website or blog. Webmentions are commonly used in the Indie and Small Web communities, and have existed as a W3C recommendation since 2017.

But Webmentions have also come to the attention of spammers, who have made Webmention spam a thing. It means bloggers, such as Jan-Lukas Else, might receive numerous Webmention notifications, only to find they’ve been spammed.

It doesn’t take long, sadly, for a tool designed with useful intent, to be made to serve some other, far more nefarious, purpose.

Melbourne based Workplace Relations lawyer Paul O’Halloran, writing for the Sydney Morning Herald, on Australian “right to disconnect” workplace laws that come into effect on Monday 26 August 2024:

Well, laziness is an increasing trend in the cases I defend for employers. Putting aside pandemic lockdowns where all sorts of things other than work were going on in people’s homes during virtual business hours, more recently I have been involved in matters where employees were surreptitiously sleeping on the job; forging time sheets with fabricated work hours; using fake medical certificates to take sickies; or watching Netflix while claiming to be working from home.

There’s still this perception that people working from home are bludging. Doing stuff-all. Watching Netflix all day (or some of the day). No doubt “all sorts of things other than work” take place in a work from home environment, child care duties among them. But is productivity not measured by, you know, productivity? If the required work is being turned in, why begrudge a busy parent for doing a load of washing in the gaps in-between workplace duties? It’s called work-life balance for a reason.

The solution though to this apparent reluctance to work at home, is to get everyone back into the workplace, where an eye can kept on them to ensure they do their “full eight-hour” day. The problem with the full eight-hour day though, is that it doesn’t exist. An American study found workers putting in an eight-hour day, actually did closer to three hours actual work a day.

Three hours? Say what? Much of the eight hour day is lost to web browsing and social media, making food and snacks, calling family, cigarette/vape breaks, and, last but by no means least: looking for another job. All under the watchful eye of workplace handlers. It seems to me then, if you’re putting in a minimum of three hours work, you’re doing well. Bonus points if it’s so-called deep work.

Certainly, there are lazy workers. Those being paid to do eight (would-be) hours work, but sitting in the break-room all day. Or “meetings”. But they’re in the minority, and are eventually weeded out. But leave the work-from-home people alone. Leave them to get on with their work. If it’s at least three hours per day, then there’s nothing to complain about.

If you’ve noticed posting here as slowed down at tad lately, it’s because work (from home) has been flat out. No Netflix and chill here (during work hours). I’m freelance, so the disconnect laws may not quite apply to me (but I do have do-not-disturb). Nonetheless, I am looking forward to some disconnect, and doing a little bit more here soon.

Well, this will be something. A sequel is in the works for The Devil Wears Prada. By the time it is released, assuming production starts sooner rather than later, the follow-up will pick-up almost twenty-years after events of the original film. That’s a long time in the fashion world.

So far, Meryl Streep — as Miranda Priestly — and Emily Blunt — as Emily Charlton — have indicated interest in reprising their roles, but Anne Hathaway remains unsure about returning as Andy Sachs. An early outline of the storyline suggests Priestly will face off against a now successful Charlton.

We can only wait to see how Sachs fits into that dynamic, should Hathaway decide to be involved.

Let’s go back in time. Way back in time.

To about this time in 2000. I had, or was just about, to start my first job as a web designer, at an exciting, multidisciplinary design studio, on Sydney’s trendy urban fringe. Ok: Surry Hills. I’m pleased to say I was headhunted into the role, thanks largely to the then inception of disassociated.

My job title was “coder/designer”, and I still have a copy of my business card somewhere. I was given a large box of them at the time, and asked by one of the directors to distribute them at will. At parties, at the pub, on the bus. Everywhere. To spread word of the studio, of course.

When I went into a meeting to discuss the role, I said I wanted to work to web standards with the HTML I would be coding/marking-up. One of the people sitting in on the meeting, who worked in the development arm of the agency, and whom I’d meet previously through local web design/personal website circles, shook his head at me.

He was on the same page: he too wanted to work with standards, but many projects of the day precluded their use. “Ok,” I said, “In that case, I only want to use Notepad for the code/markup I’ll be writing.” I said that because I didn’t want a bar of the bloated, ineffectual, WYSIWYG web design editors that were then available. Fun fact: I still don’t; I never have.

To that, they agreed. Notepad is one of the few Microsoft (MS) products I really like, and will miss on Linux. It has come bundled with Windows Operating Systems since 1983, and has remained little changed. I coded my first websites in Notepad, and built the WordPress theme you’re looking at now, in Notepad. That’s because Notepad is (was) a simple text editor. Notepad gave it to you as it was.

It doesn’t (didn’t) attempt to autocorrect or spellcheck your work. Imagine trying to markup a webpage, and have the app tell you the <IMG> tag was spelt incorrectly? Notepad left you to decide what was right and wrong. Why does any of this matter? Because I saw code/markup as a craft. I didn’t want some WYSIWYG web design app interfering with my work. If you wanted a text editor with spellcheck and autocorrect functions, there were other options.

Word among them. But now MS has decided to change the script. Autocorrect and spellcheck are coming to Notepad soon. Why, I have no idea, given the features are completely unnecessary. But MS will be MS. I’m surprised they’re not introducing the feature to WordPad, a surely (slightly) more robust word processor than Notepad.

Ironically, I read the news on Daring Fireball, a website with a distinct Apple bent. John Gruber, publisher of Daring Fireball, seems to be all in favour of the move, declaring it overdue:

Better late than never, but it’s kind of wild that Notepad is 41 years old and only getting these features now.

The whole thing is though, it’s not wild at all. The absence of these features is precisely what made Notepad so appealing in the first place. No doubt there are simple text editor alternatives for Windows. I’ve found one for Linux. Maybe the autocorrect or spellcheck functions will be a feature of Notepad only on Windows 11, which I won’t see.

Perhaps there will be a way to disable the operation of autocorrect or spellcheck in Notepad. Who knows? Of course, it’s moot point as far as I am concerned. But it is a tad sad to see so profound a change coming to an app that turned out to be quite the life changer for me all those years ago.

From The Daily Aus. Aside from being linked to a slight decrease in life expectancy, COVID-19 was the third highest cause of death in Australia in 2022, claiming almost ten-thousand lives:

COVID-19 was the third leading cause of death in Australia in 2022, according to AIHW. It was the first time in more than 50 years that an infectious disease has appeared in the top five causes of death.

COVID deaths were four times higher in 2022, compared to 2021. As a comparison, three-hundred-and-eight “influenza-associated” deaths were reported between 1 January and 9 October 2022.

Heart disease and dementia, respectively, were the top two causes of death in 2022. COVID may not dominate the conversation, as it did two or three years ago, but that has not diminished its severity in the least.

Apparently red wines made in Australia — and quite possibly elsewhere, I imagine — have been increasing in alcoholic strength over recent decades. This seems like a mystery of the times, because the go-to culprit, global warming, may not be responsible. Rather, the way grapes are grown, and changes in fermenting methods — which apparently includes a slight decrease in the amount of water going into the mix — may be playing a part.

In the past, water was most commonly “added” to wine in the form of ice-blocks, in the times before refrigeration. Small — quite small, I believe — quantities of water, were always included in the winemaking process, but that’s been cut back more recently as well. So there we have it, some red wines contain more alcohol, but no one seems one-hundred percent sure why. I’m not the biggest wine-drinker though, so I doubt I’ll be investigating this matter much more.

Rhett Allain, writing for Wired, looks at the physics of this important question.

If humanity is ever to establish bases on the Moon, ways of keeping occupants fit in the low lunar gravity need to be worked out. A wall of death sort of gizmo, that’s a little like a stationary hamster-wheel, but turned on its side, that emulates Earth-like levels of gravity, may be a solution. But there might be more effective alternatives.

But check out the article’s artist impression of a suited up astronaut “jogging” on the surface of the Moon. Straight up running in this way is a fanciful keep fit option unfortunately, as simple as the idea may at first seem. It’s too bad though, because what a sight it would be to behold: Earth floating in the lunar sky, as you ran.

I doubt Earth would be quite as big as depicted in Nzoka John’s image, but it still be quite the spectacle. And on the subject of what Earth might look like from the surface of the Moon, a gallery of images by American illustrator and writer Ron Miller, depicting how other planets in the solar system would appear from Earth, if they were as close as the Moon.