Rowan Heath wins 2023 ABR Elizabeth Jolley Short Story Prize

18 August 2023

Melbourne based Australian author Rowan Heath was named winner of the 2023 ABR Elizabeth Jolley Short Story Prize at an online ceremony held last night, with a fiction work titled The Mannequin. The prize was created in 2010 to honour the memory of late British born Australian writer Elizabeth Jolley, and is presented annually by the Australian Book Review (ABR).

Barbie, highest grossing movie of all time at Palace Cinemas

16 August 2023

While Barbie, Greta Gerwig’s latest feature, has some way to go to become the highest grossing movie of all time — it’s currently ranked twenty-six — it is now the highest grossing movie of all time at Australian film-house chain, Palace Cinemas. Previously, The King’s Speech, made in 2010, by British filmmaker Tom Hooper, had been the biggest selling title at Palace.

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You don’t get 100,000,000 followers without telling a few stories

15 August 2023

After reading Move fast and beat Musk: The inside story of how Meta built Threads, by Naomi Nix and Will Oremus of The Washington Post, I’m certain the story behind the launch of Meta’s rival to Twitter, Threads, is ripe for adaptation to the big screen.

In exactly the same way The Accidental Billionaires, the 2009 book by American author Ben Mezrich, about the founding of Facebook, spawned the 2010 David Fincher made movie, The Social Network.

All the ingredients of a thriller-like race against time are there. Trust me. So here I am, calling action.

First, opportunity presents itself:

The mercurial Musk had just taken over Twitter. Amid the ensuing chaos, [head of Instagram Adam] Mosseri’s boss at rival Meta smelled opportunity.

Next there are senior Meta executives on family holidays in Europe, taking breathless phone calls from their boss in the middle of the night:

It was nighttime in Italy, and Mosseri spoke softly to avoid waking his sleeping wife. The group discussed Twitter-like features they could add to existing apps, including Instagram.

What? Enhance an existing app to make it look like something it isn’t? Are you for real? No, the boss wants to land the legendary three-thousand pound marlin here:

Zuckerberg, however, had a different idea: “What if we went bigger?”

Now that exact requirements are understood, and the enormity of the task at hand can be seen in the cold light of day, the inevitable panic begins to set in:

“Oh God, we’ve got to figure this out, because [Zuckerberg is] very excited about this,” Mosseri recalled thinking. “Sometimes you can tell when he kind of gets his teeth into something.”

The last thing, of course, you want to do is disappoint the boss. But you know what they say: when the going gets tough, the tough get going:

With a mandate from Zuckerberg to take a big risk, Mosseri assembled a lean, engineer-heavy team of fewer than 60 people to hack together a bare-bones app on a breakneck timetable more reminiscent of a start-up than an entrenched tech giant.

That paragraph sounds like it packs a punch, but a sixty person team is hardly “reminiscent of a start-up”. Instagram, which Threads is built upon, was, at the beginning, the work of two people, Michel Krieger and Kevin Systrom. But who cares? This is the movies, and all audiences want is a great story.

And size of the development team notwithstanding, there were challengers aplenty. Mainly what product features not to include, rather than what to ship:

To keep things moving, the Threads team punted thorny decisions and eschewed difficult features, including private messages and the ability to search for content or view the feeds of people you don’t follow.

But the clock is ticking. No one knows when the competitor — he who must not be named — might snatch back possession of the ball, and wrest the game away from the team we’re barracking for. But (naturally) such fears prove to be unfounded:

That night, a “core group” worked together at Meta headquarters while Mosseri and other team members chatted on an internal messaging forum, watching the sign-ups pour in. Mosseri recalled astonished team members asking, “Are we sure about these numbers? Can someone double-check that the logging isn’t messed up?”

And there we have it, the happy ending. One hundred million app signups. But wait, how can you call ever declining engagement, and plummeting time spent on the platform, a happy ending? Of course you can’t, but don’t you see where this is going? Wait for it. Wait for it. To a sequel, of course.

Watch this space, you will not be disappointed.

ABC streamlines Twitter/X activity, Musk calls it censorship

14 August 2023

Last week, the Australian Broadcasting Corporation (ABC) reduced the number of active pages it has on Twitter/X to just four. The Triple J page, which I follow, was among accounts to be archived. David Anderson, managing director of the ABC, says the move follows a trial in February this year, when three accounts were shuttered:

“In February we closed three program accounts, for Insiders, News Breakfast and ABC Politics, and the results of that have been positive,” he said. Mr Anderson said the reduced activity will allow staff to focus “on the accounts that overwhelmingly provide the most value.”

The ABC has been the subject of a number of rounds of staff cuts in recent years, and doubtless archiving some of the Twitter/X pages will reduce staff workloads. Twitter/X owner Elon Musk, however hit back at the decision, labelling it censorship:

Well of course they prefer censorship-friendly social media. The Australian public does not.

What does he mean censorship, and since when has Musk had it down with the Australian public? The ABC is operating on plenty of other channels, including their website, television and radio, along with other social media services such as Facebook.

The ABC also have a number of active Threads accounts, and are looking into boosting their presence there further. Here’s hoping the page of the aforementioned Triple J is among them.

Critic Swallows Book marks 10 years for Sydney Review of Books

14 August 2023

Critic Swallows Book, by Sydney Review of Books, book cover

Book cover of Critic Swallows Book, published by the Sydney Review of Books.

Australian literary criticism journal, the Sydney Review of Books (SRB), has been online for ten years. To mark the occasion, SRB has published a book, Critic Swallows Book, containing twenty-two essays, written by contributors over the past decade:

It includes essays on decolonising Australian literature and revisiting the classics, on blockbuster fiction and book-length poems, on modernism in the Antipodes and reading during the pandemic. Essays on Susan Sontag and Rita Felski sit alongside critical considerations of the work of Murray Bail and Joan London, of new books by Evelyn Araluen and Samia Khatun.

Hmm… Critic Swallows Book, if you think the title is riffing on Boy Swallows Universe, the 2018 novel by Australian author Trent Dalton, I think you’d be right. Catriona Menzies-Pike, editor of Critic Swallows Book, wrote a scathing critique of Boy Swallows Universe for SRB in May 2022.

The Weekend by Charlotte Wood adapted for stage at Belvoir St Theatre

14 August 2023

A stage adaptation of Australian author Charlotte Wood’s 2019 novel, The Weekend, opened in Sydney on Saturday 5 August 2023. I read a few months ago that a production company had bought the film rights, but I didn’t know about the stage adaptation.

Much of the dark humour permeating the novel was voiced through the internal monologue of the characters, something I hope is carried over somehow in the dramatic adaptations.

If you’re in Sydney, the show is on until Sunday 10 September 2023, at the Belvoir St Theatre.

Dan Ackerman claims Tetris film story copied from his 2016 book

14 August 2023

The Tetris Effect, by Dan Ackerman, book cover

Book cover of The Tetris Effect, written by Dan Ackerman.

Dan Ackerman, editor-in-chief of design and technology publication Gizmodo, claims in a recent court filing that Apple TV+, producers of the 2023 film Tetris, directed by Jon S. Baird, copied the storyline from his 2016 book, The Tetris Effect. Ackerman further alleges he sent a pre-publication edition of the book to Maya Rogers, CEO of the Tetris Company, and soon after received a cease and letter warning him not to adapt the story for film or television:

Ackerman accused Rogers of working with screenwriter Noah Pink to develop a screenplay using content taken from his book without his knowledge or consent. Apparently, numerous producers showed interest in adapting his book, but the Tetris Company refused to license its IP for the project. “This was done at the direction and behest of Ms. Rogers so that she and the Tetris Company could pursue their own project and opportunities based on Mr. Ackerman’s book without compensating him,” the lawsuit reads.

I wrote about the film last March, but still haven’t had a chance to see it. According to the film’s IMDb page, the screenplay was written by Noah Pink. No mention, at least that I can see, is made of Ackerman, nor The Tetris Effect, there.

You Already Know, the new single from Jacoténe

10 August 2023

Jacoténe, the Melbourne based Australian soul and pop singer, whose vocals reminds more than a few people of Amy Winehouse, has released a new single, You Already Know. This a year after she won Triple J’s Unearthed High with her song I Need Therapy.

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Would watching films be more fun if smartphones were banned?

10 August 2023

Image courtesy of Startup Stock Photos.

Blockbusters such as Barbie and Oppenheimer have been a windfall for cinemas struggling as a consequence of the Covid lockdowns of recent years, and stories of packed auditoriums are surely good news.

But the news hasn’t been all good. In staying home to watch movies over the last few years, some film-goers appear to have forgotten their cinema etiquette. Reports have emerged of people taking phone calls, scrolling social media, and, incredibly, giving their children phones to amuse themselves should the main feature not be of interest.

Cripes.

While there might be a generation of young film-watchers to whom cinema-going is a new experience, that cannot be the case for their parents. And it seems only a couple of short years of viewing movies from home have been enough to make some forget how to behave at the movies.

Perhaps though, as people begin to come re-accustomed to seeing a film in a communal setting, their conduct will improve. But I wonder. For some time, years prior to the pandemic, I’d been noticing a change in the behaviour of cinema audiences.

While it now seems to be a granted people will glaze at their phones during a film, I would have thought they’d draw the line at taking, or making, calls during the screening. Of course there have always been issues with people arriving late, going in and out of the auditorium repeatedly, along with being baffled by allocated seating.

But talking on the phone during a movie? That’s a whole other level of film-watching misery.

I wonder though, how much of the audience behaviour problems we see today can be attributed to smartphones, and our umbilical-like dependency on them? In the past I’ve been to film preview screenings where we’ve had to leave our phones outside the auditorium, in a secure locker. This to prevent a yet to be released feature being recorded, and leaked.

For sure, it seemed strange to be temporarily separated from our phones, but I wasn’t aware of anyone suffering adversely as a result. These screenings were quite the spectacle though. Everyone, for the most part, sitting still for the duration, focussed only on the film. Of course most of those present were film critics or journalists, at what was effectively a work event.

Still, it’s tempting, if futile, to conject here. Imagine if everyone had to leave their phones at the box office, prior to sitting down to watch a movie. Sure, there’d still be people turning up late, sitting in someone else’s seat, and opening bags of food in the noisiest way possible. But if music festivals can operate phone-free, why can’t cinemas?

For the benefits, and audience comfort, of phone-free movie sessions though, sadly I can’t see any cinema even dreaming of imposing such a demand on customers. After the last few difficult years, movie house owners would be reluctant to do anything that might dissuade patrons.

Over the course of the pandemic, and the lockdowns, I became quite the fan of streaming films at home. Doing so certainly has downsides, such as the waiting time for some titles to become available for streaming, but at least we can engage in all those irritating film-goer behaviours I’ve described, without annoying anyone else.

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A history of the Beastie Boys as hip hop turns 50 this year

10 August 2023

One for fans of erstwhile New York City hip hop act, the Beastie Boys, a write up from 2015 by Don Condon, music editor at Double J.

As well as being one of the world’s great hip hop groups, the Beastie Boys’ evolution also happens to be one of the scene’s most fascinating.

As well as bringing hip hop to a wider mainstream audience, the Beasties can also be credited for opening up the genre’s horizons, fusing in everything from alt-rock and sample-based psychedelics to punk ferocity.

And they did all with a sense of adventure, fun, and camaraderie.

So, how did a bunch of white kids playing ramshackle hardcore find themselves at the forefront of a cultural revolution?

And tomorrow, Friday 11 August, is a red-letter day for fans of the genre, being the fiftieth birthday of hip hop, which emerged at a party in NYC borough, The Bronx, on Saturday 11 August 1973.

Happy birthday hip hop.

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