Showing all posts tagged: events
The Inner West Film Fest part three, scary clowns, road trips, and other films
27 March 2025
The Inner West Film Fest returns for its third outing, between Wednesday 9 April to Thursday 17 April 2025. The inner west — for readers outside of Australia, and that’s a fair few you — is a group of suburbs to the west of downtown Sydney, not too close in, but not too far out either. Newtown, Leichhardt, Balmain, and Marrickville, are among the suburbs in Sydney’s inner west.
Flat Girls by Jirassaya Wongsutin, Who by Fire by Philippe Lesage, and The King Tide by Christian Sparkes, are but a few of the titles screening. Check out the festival trailer for the vibe.
The mysterious death of a young woman’s uncle triggers family turmoil in On Becoming a Guinea Fowl, trailer, by Zambian-Welsh director Rungano Nyoni. The title screened at the Melbourne International Film Festival in 2024, but isn’t in theatrical release in Australia, as far as I can see, so check the streaming services.
Deux personnes échangeant de la salive (Two People Exchanging Saliva) a short by Natalie Musteata and Alexandre Singh, is set in a repressive world where kissing is illegal. Don’t snigger: it might happen. Luàna Bajrami, who featured in Portrait of a Lady on Fire (presently stream-able on Kanopy, by the way), stars as Malaise. See the teaser here (Instagram link).
With or Without You, trailer, by Kelly Schilling, an Adelaide, Australia based filmmaker, is a road trip story about three people, at odds with each other, forced to drive together across Australia. With or Without You opens in local cinemas on Thursday 8 May 2025.
Why do clowns and horror stories go together so well? I have no idea. But if you like horror movies featuring sinister clowns, then Clown in a Cornfield, trailer, directed by Eli Craig, might be for you. Also opens in Australian cinemas on Thursday 8 May 2025.
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Eli Craig, events, film, Kelly Schilling, Luàna Bajrami, Rungano Nyoni
The Sydney Writers’ Festival 2025 program has been published
19 March 2025
This year’s festival has events running from Sunday 18 May through to Wednesday 11 June 2025, though I understand the main event goes from Monday 19 May to Sunday 25 May. There’s too many highlights to list separately, but a few events caught my eye.
The evening of Monday 19 May sees the naming of the winners of the NSW Literary Awards, previously the NSW Premier’s Literary Awards — I can’t find an official announcement of the name change — so NSW Literary Awards it is.
Charlotte Wood, author of Stone Yard Devotional speaks on Tuesday 20 May. Toby Walsh, Chief Scientist of UNSW AI will discuss the six ideas you need to understand AI, on Thursday 22 May.
Friday 23 May is busy. Marcel Dirsus’ talks about the rise and fall of tyrants. Topical, or what. Helen Garner discusses her popular sports-themed memoir The Season. And Shankari Chandran, winner of the 2023 Miles Franklin Award, speaks about the power of literature in sorting fact from fiction in the face of authoritarianism.
Saturday 24 May is a big day. Robbie Arnott (Instagram link) talks about his latest novel Dusk. Michelle Brasier, Virginia Gay, and Chloe Elisabeth Wilson, discuss building writing communities. And the winners of Sydney Morning Herald Best Young Novelist award, will speak to Melanie Kembrey.
Sunday 25 May is another big one. Charlotte Wood, and Irish author Colm Tóibín, also immediate past Laureate for Irish Fiction, discuss Irish literature versus Australian writing. In case you don’t know, Irish literature is smashing the ball out of the park. Annabel Crabb is joined by Jessie Tu (Instagram link), to talk about her latest novel, The Honeyeater.
On Sunday evening, Anna Funder will deliver the festival’s closing address. As I say, this is but a small sample of what’s happening, so check out the program for the full story.
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Australian literature, events, Sydney
NaNoWriMo, NaBloPoMo, and WeblogPoMo AMA, November hots up
4 November 2024
National Novel Writing Month AKA NaNoWriMo, is on this month, for better or worse.
But if you’re a writer seeking distractions from various November happenings — I’m referring more to northern hemisphere inhabitants facing the onset of winter — and don’t want to write a novel, there are other options.
National Blog Posting Month AKA NaBloPoMo, is a write-a-blog-post-each-day challenge, similar to Weblog Posting Month AKA WeblogPoMo, which ran back in May. NaBloPoMo was established in 2006, and for reasons I cannot fathom, have only found out about it now. A list of this year’s NaBloPoMo participants can be seen here.
Back to WeblogPoMo. While not holding another blog-post-a-day challenge this month, something called WeblogPoMo AMA is on instead. Here’s how organiser Anne Sturdivant, sees it working:
For this challenge I want to foster writer interaction: write a blog post starting with a question — the AMA — and then answer the question yourself in the blog post. Others will likewise write AMA/question posts, but also answer the AMA/questions from other bloggers, linking to their initial post.
I write here most days, but don’t know if I could do so every last day of the month. I think NaBloPoMo and WeblogPoMo are cool with people missing a day here or there, but it’s still a pretty big ask. WeblogPoMo AMA, on the other hand, seems like the sort of thing you can jump in and out of, as and when you’re able to.
If you’re taking part in any of these events though, all the best.
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Authors slam NaNoWriMo neither for nor against AI stance
9 September 2024
National Novel Writing Month, AKA NaNoWriMo, the popular, twenty-five year old, write a fifty-thousand word novel in thirty-days challenge, infuriated authors last week, after organisers appeared to support the use of AI tools by participants. While they didn’t specifically endorse apps such as ChatGPT, they did not rule them out either:
NaNoWriMo neither explicitly supports nor condemns any approach to writing, including the use of tools that leverage AI.
NaNoWriMo’s neutral stance however has upset many writers. Not only do they feel generative AI tools threaten their livelihoods, some have also seen their own works used to “train” AI chatbots, usually without their permission or knowledge.
To these authors, the neutral position represents support of this conduct. But like many segments of society, NaNoWriMo, and its community of amateur and professional writers, have been grappling with the advent of AI technologies. Organisers say their (since amended) AI policy was intended to put an end to what had become inflammatory discussion on the topic:
In early August, debates about AI on our social media channels became vitriolic. It was clear that the intimidation and harassment we witnessed were causing harm within our community of writers. The FAQs we crafted last week were written to curtail those behaviors.
I don’t really know much about the NaNoWriMo community, but with over half a million members globally, it surely represents a wide and varied group of writers. Although some six-hundred NaNoWriMo manuscripts have gone on to be published, for many participants the writing challenge is simply a fun way to pass some time. The majority are not looking for publishing deals. I’d venture to say some participants may not be the greatest of writers. Others might struggle, for whatever reasons, to put a story idea they have, into words.
NaNoWriMo is saying they don’t have a problem with some of their members using AI tools, if it helps them with the process, be that drafting or proofreading. But they make an obvious caveat:
If using AI will assist your creative process, you are welcome to use it. Using ChatGPT to write your entire novel would defeat the purpose of the challenge, though.
I’m not in favour of using AI apps in any creative endeavours, particularly writing. Personally, I don’t think AI has any place in NaNoWriMo, for the precise reason organisers have stated above. AI defeats the purpose. But we’re getting to the point where it’s going to be hard to tell what work has been AI assisted, and what hasn’t. Plagiarism tools may be effective, but not if the AI apps stay one-step ahead. Imposing a ban on AI apps seems pointless. AI is here to stay, and is only going to more deeply embed itself in our lives. This is what we need to expend our energies on navigating.
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artificial intelligence, books, events, literature, technology
Ghosted World: An Uncanceled Asian American Literature Festival
31 July 2023
Partners and participants of this year’s abruptly cancelled Asian American Literature Festival (AALF) are staging a smaller version of the event from Friday 4 August 2023, through to Sunday 6 August. Like the original event, which was meant to take place in August, Ghosted World will be held in Washington D.C., the United States capital.
AALF partners and participants, some of whom have banded together as the Asian American LitFest Collective (AALC), remain upset by the sudden decision of the Smithsonian, producers and hosts of the biennial AALF festival, to cancel the 2023 event. Although the institution later apologised, AALC members say the apology failed to answer questions they had about the decision, while still suggesting it was their alleged lack of planning that resulted in the festival’s cancellation.
Ghosted World is clearly a scaled back form of the original AALF, but hopefully will be of some consolation to those who had been looking forward to attending the event. A program for Ghosted World can be seen here.
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current affairs, events, literature
2023 Asian American Literature Festival abruptly cancelled
19 July 2023
A biennial event, the Asian American Literature Festival (AALF) was first held in Washington D. C., capital city of the United States, in 2017, and then again in 2019. After Covid lockdowns put paid to the 2021 event, organisers and participants were keenly anticipating the 2023 festival, scheduled to take place in August.
But two weeks ago, the Smithsonian Asian Pacific American Center (APAC), producers of the AALF, abruptly cancelled the 2023 event, citing “unforeseen circumstances”, says Sophia Nguyen, writing for The Washington Post:
The event, produced by the Smithsonian Asian Pacific American Center (APAC), was relatively new. But it had already gained a loyal following for its intimate feel and experimental bent, hosting themed escape rooms and calligraphy tutorials alongside the more standard literary fare of readings by best-selling authors. The 2023 iteration was expected to draw thousands of attendees to Washington in early August. But just weeks before writers from across the world were due to land, the Smithsonian abruptly canceled the event, citing “unforeseen circumstances.”
Unforeseen circumstances.
It defies belief an event of this scale, with many people travelling a distance to attend — including a number from Australia and New Zealand — were offered, at least initially, such a feeble line. I can’t imagine anyone not expecting better of an institution such as the Smithsonian.
When contacted for further clarification by WTOP News about the “unforeseen circumstances” resulting in the festival’s cancellation, an APAC spokesperson appeared to imply preparations for the festival were behind schedule:
Linda St. Thomas, chief spokesperson for the Smithsonian Institution, said the event planning process “did not meet Smithsonian expectations” and the institution’s “goals for an in-person event.”
But AALF partners and participants rejected the suggestions, in an open letter sent to the Smithsonian, written on Monday 17 July 2023:
On July 14, The Washington Post reported on the cancellation, including an official statement from the Smithsonian alleging that the festival was canceled due to failures in preparation by the planning team. We must rebut this immediately: from the partners’ perspective, everything was on track; we had no concerns with putting on our programs in a month’s time. In fact, many of us have participated in AALF in years past and have returned due to our confidence in working with this planning team. The article itself confirms that the allegations are false.
The letter goes on identify what AALF partners and participants see as the actual cause of the 2023 event being cancelled: concerns the Smithsonian have with what they see as “potentially sensitive or controversial content”. In particular, a program exploring the work of trans and nonbinary authors:
Additionally, we are deeply troubled to discover that a driving factor behind the festival’s cancellation might have been the Smithsonian’s desire to censor trans and nonbinary programming. A program intended to celebrate trans and nonbinary authors, as they face unprecedented levels of violence, book bans, and anti-trans legislation, was set to take place at the festival. The Washington Post article reported that the Acting Director instructed the planning team to submit a report under Smithsonian Directive 603 to identify potentially sensitive or controversial content, which she received on July 5.
If correct, this is a disturbing development, at a time when civil liberties are increasingly being questioned, and some minority groups are experiencing elevated levels of vilification. While it is unlikely the cancellation of the 2023 festival can be overturned at this stage, if you feel strongly about the Smithsonian’s decision, you can add your signature to the open letter here.
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current affairs, events, literature
This Never Happened, a mobile phone free music festival, coming to Australia
25 June 2023
Image courtesy of Pexels.
Should mobile phones be banned at music festivals? What sort of question is that? After all, is not recording the happenings of the day, be it video clips, or photos, and sharing them online, part and parcel of the music festival experience? Well it is, but doing so also has a downside. Just ask anyone who’s standing towards the back of the audience. The wall of held up arms and mobile phones might be about all they see of the show.
How’s that meant to be fun? But that’s not all. Evidence suggests recording certain events or experiences, by filming or photographing them, may diminish our ability to remember said occasions later on. So perhaps live music events would be more memorable, and more enjoyable for all concerned, if everyone left their phones at the ticket office?
That’s what Sydney based Australian event promotor Pia Del Mastro is betting on. Del Mastro is collaborating with American musician and electronic music producer Daniel Goldstein, also known as Lane 8, to bring such a rare creature, a music festival that does not allow the use of mobile phones, to Australia, in July 2023. The event, aptly enough, is called This Never Happened.
Lane 8 has been organising mobile phone free music festivals for several years overseas, and Del Mastro says they would be a first in Australia, in the mobile phone era. Lane 8 observed audiences were more engaged and immersed in the show, and gave their full attention to the bands performing, when they weren’t thinking about a device in their hand, which all makes sense.
It still remains to be seen how Australian festival goers will take to such a radical proposition. I’ve been to the occasional preview film screening, or product launch, where attendees needed to leave their phones at the front desk, but we were only without our devices for a couple of hours.
But This Never Happened will differ. Revellers will instead keep their phone, but be given a sticker to place over the camera lens. Del Mastro expects a degree of peer pressure, together with the phone-free spirit of the event, will see most of those present keep their devices pocketed away.
But we’ll find out soon. The first This Never Happened event takes place in Melbourne, on Friday 14 July 2023. I get the feeling though audiences, once they lose themselves to the music, will embrace the concept with open arms, and open eyes.
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events, music, smartphones, technology
Birrarangga Film Festival a global Indigenous film event
22 March 2023
Artwork by Aretha Brown.
The biennial Birrarangga Film Festival runs from Thursday 23 March, through to Tuesday 28 March 2023, in Melbourne:
BIRRARANGGA Film Festival celebrates Global Indigenous Films that explore the curatorial themes of ‘strength, resilience and the environment’. First Nations relationships to the image as a form of expression, particularly in Australia, is connected to thousands of years of cultural practices. This festival honours that history and acknowledges the contemporary currency of the moving image, of film, as an expression of the human experience in relation to our natural surroundings.
The festival opens with a screening of Bones of Crows, directed by Canadian screenwriter and filmmaker Marie Clements.
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Australia, events, film, Indigenous film
Writers’ festivals are for talking books not politics
19 March 2023
Fleur Morrison, writing at Readability:
I have a love/hate relationship with politics. I love that we have a stable form of politics in Australia, even though sometimes it can get a little heated and it certainly isn’t without its problems. But I hate that it has taken over writers festivals to the degree that it is hard to find a session that isn’t overtly political. These festivals have moved from being celebrations of books to become fixated on politics and ideology.
If you argue everything that happens in the world is political to some degree, then keeping politics out of writers’ festivals isn’t going to be easy. Personally though, I’d rather see more talk focus on books, and fiction, at festivals.
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Sydney Writers Festival 2023 program
16 March 2023
The Sydney Writers Festival 2023 program was published this evening, and features a star studded line-up of Australian and international speakers. Among them are former Australian Prime Minister Julia Gillard, Sydney author Tracey Lien, Tasmasian writer Robbie Arnott, and Fiona McFarlane.
Overseas speakers include Sri Lankan writer Shehan Karunatilaka, winner of the 2022 Booker Prize, and British author Bernardine Evaristo, who will be one of the opening night address speakers. Australian author Richard Flanagan meanwhile will deliver the closing night address.
The festival — which runs from Monday 22 May, to Sunday 28 May 2023 — will take place at a number of locations around Sydney, including Carriageworks, the State Library of NSW, Penrith City Library, Sydney Town Hall, and PHIVE, Parramatta, to name a handful.
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