Book bloopers: when authors AI prompts are published in their novels

Showing all posts tagged: writing

Book bloopers: when authors AI prompts are published in their novels

26 May 2025

In the middle of steamy scene between the book’s heroine and the dragon prince Ash there’s this: “I’ve rewritten the passage to align more with J. Bree’s style, which features more tension, gritty undertones, and raw emotional subtext beneath the supernatural elements:”

The excerpt is said to be found in chapter three of Lena McDonald’s novel Darkhollow Academy: Year 2, although apparently it has since been removed from later editions of the book.

If you must use AI, especially in fiction work, remember the rules, whereby the first rule of using AI to write a novel, is not to be caught using AI.

For those wondering about the J. Bree reference, J Bree is a West Australian based author of fantasy and dark romance novels. The incident also indicates that Bree’s work has been appropriated by AI models, most likely without her prior knowledge, or approval.

Authors deeply divided over use of generative AI says BookBub

21 May 2025

United States based book discovery service BookBub recently asked twelve hundred writers about their thoughts on generative AI. Unsurprisingly, opinion was sharply divided, with an almost exactly half of respondents either against the technology, or in favour of it.

Overall, opinions among authors are deeply divided — many consider any use of generative AI unethical and irresponsible, while others find it a helpful tool to enhance their writing and business processes. Some authors remain conflicted, and are still negotiating their own feelings about the utility and morality of this technology.

It seems to me these findings sum up the way people in general, not just authors, see generative AI.

The Emperor of Gladness, a new novel by Ocean Vuong

30 April 2025

The Vietnamese American writer’s second novel will be published next month:

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to alter Hai’s relationship to himself, his family, and a community at the brink.

Vuong’s debut novel, On Earth We’re Briefly Gorgeous, was published in 2019. Six years seems like a bit of time between drinks, but Vuong also published a book of poetry, Time Is a Mother, in 2022.

Does the world no longer need white male authors?

28 March 2025

Jacob Savage, writing for Compact:

Over the course of the 2010s, the literary pipeline for white men was effectively shut down. Between 2001 and 2011, six white men won the New York Public Library’s Young Lions prize for debut fiction. Since 2020, not a single white man has even been nominated (of 25 total nominations). The past decade has seen 70 finalists for the Center for Fiction’s First Novel Prize — with again, not a single straight white American millennial man.

Have white male authors been over presented for too long? Most likely. Other voices, especially from groups that have been pushed aside for too long, should be heard. But I’m not sure if it can be said that white male writers are intentionally being sidelined. We’re seeing more of the work of people we didn’t previously, and it turns out to be excellent.

RELATED CONTENT

authors, books, literature, writing

Three Dresses by Wanda Gibson, wins 2025 Victorian Premier’s Literary Award

20 March 2025

Cape York Peninsula, Queensland, based Nukgal Wurra woman Wanda Gibson, has won the 2025 Victorian Premier’s Literary Award, with her book, Three Dresses. Gibson’s win is the first time a children’s title has won the award. In addition, Three Dresses won the Children’s Literature category.

Winners in other categories included Highway 13 by Fiona McFarlane, in Fiction, and Black Witness by Amy McQuire, in Indigenous Writing, which is also on the longlist of this year’s Stella Prize.

Gawimarra: Gathering by Jeanine Leane, won the Poetry award, anything can happen by Susan Hampton, collected the Non-Fiction prize, while I Made This Just for You by Chris Ames, won the Unpublished Manuscript award.

Farewell to the Bulwer-Lytton Fiction Contest

12 March 2025

The Bulwer-Lytton Fiction Contest (BLFC), a humorous literary award honouring terrible made up opening sentences to what will, presumably, be terrible novels, is no more. BLFC founder, Dr Scott Rice, who established the award in 1982, and had been running it with his daughter EJ Rice in recent years, has decided to retire:

Being a year and a half older than Joseph Biden, I find the BLFC becoming increasingly burdensome and would like to put myself out to pasture while I still have some vim and vigor!

The BLFC was a light-hearted addition to the literary award circuit, and I hazard to guess a few of the winning entries might well have inspired some not so terrible novel openers. A list of past winners has been archived here.

Rambles.NET, a webzine founded by Tom Knapp in 1999

6 January 2025

Rambles.NET is an online magazine founded by Tom Knapp in 1999, and still going strong over twenty-five later. Knapp himself continues to contribute. Rambles is another example of Indie Web in its original inception; I think a Facebook page is the only hint of social media present.

I had a crack at publishing a webzine way back in the day, something called channel static (Internet Archive link). Notice my ever-present use of lower case styling for proper website names.

Like all good webzines of the day (and today), Rambles published articles on a wide range of topics, including music, film, literature, pop culture, nature, history, science, religion, steampunk, and the supernatural. Check out the impressive list of past and present contributors.

In a way, I always considered disassociated to be more a webzine than anything else. Granted, only with one writer, and very much on and off in the twenty-five plus years this website has been online.

Rambles has no RSS feed that I can see, so you’ll have to read it the old fashion way: with a browser.

Favourite monospaced font for coding, do people have such a thing?

31 December 2024

Code is code, what difference does the font you choose in whatever app you use for coding possibly make? As long as the code works as intended, what does appearance have to do with it?

But the conversation I found on the topic — which in fact started months ago — actually relates to a writer’s favourite font for writing — as in copy, not code — which is kind of intriguing.

Intriguing, because I’ve never given the matter the slightest thought. Obviously on my website I have chosen a particular display font, but when it comes to drafting my posts, no, I pretty much use one of the fonts the app offers.

These fonts are certainly not monospaced fonts (for all their virtues), which is where the discussion seemed to later turn. I write all my posts, together with the necessary HTML tags, on a word processing app, and when ready, copy and paste the text into WordPress.

I know I’m missing something using this process, because I read about the way other people use (what sounds like) a number of apps, before their blog post drafts are fed into their blog publishing software. But when it comes to a favourite font for drafting, whatever that might be, there isn’t one.

RELATED CONTENT

design, typography, writing

Katie Cunningham: write badly to write well

20 November 2024

Australian author and journalist Katie Cunningham:

My high school English teacher told me that good writing is the tenth draft of bad writing.

I saw this in The Booklist, a weekly newsletter by the Sydney Morning Herald, the other day. Sometimes I feel as if I rewrite everything I post here ten times before publishing it.

NaNoWriMo, NaBloPoMo, and WeblogPoMo AMA, November hots up

4 November 2024

National Novel Writing Month AKA NaNoWriMo, is on this month, for better or worse.

But if you’re a writer seeking distractions from various November happenings — I’m referring more to northern hemisphere inhabitants facing the onset of winter — and don’t want to write a novel, there are other options.

National Blog Posting Month AKA NaBloPoMo, is a write-a-blog-post-each-day challenge, similar to Weblog Posting Month AKA WeblogPoMo, which ran back in May. NaBloPoMo was established in 2006, and for reasons I cannot fathom, have only found out about it now. A list of this year’s NaBloPoMo participants can be seen here.

Back to WeblogPoMo. While not holding another blog-post-a-day challenge this month, something called WeblogPoMo AMA is on instead. Here’s how organiser Anne Sturdivant, sees it working:

For this challenge I want to foster writer interaction: write a blog post starting with a question — the AMA — and then answer the question yourself in the blog post. Others will likewise write AMA/question posts, but also answer the AMA/questions from other bloggers, linking to their initial post.

I write here most days, but don’t know if I could do so every last day of the month. I think NaBloPoMo and WeblogPoMo are cool with people missing a day here or there, but it’s still a pretty big ask. WeblogPoMo AMA, on the other hand, seems like the sort of thing you can jump in and out of, as and when you’re able to.

If you’re taking part in any of these events though, all the best.

RELATED CONTENT

blogs, events, writing

« older posts