The near demise, and comeback, of Medium, an online publishing platform

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The near demise, and comeback, of Medium, an online publishing platform

17 July 2025

Tony Stubblebine, CEO of online publishing platform Medium, writing at Medium:

I’m gonna write the wonky post of Medium’s turnaround. I’m not sure if a company is allowed to be this blunt about how bad things were. But it’s very much of the Medium ethos that if something interesting happened to you, then you should write it up and share it. So hopefully this will give some inside info about what happens to a startup in distress, and one way to approach a financial, brand, product, and community turnaround.

Like many online writers I signed up for Medium — which is similar to Substack — a couple of years after its 2012 founding. A few people I knew were publishing there, and I was curious to see what it was about. I’m yet to post anything though.

But Stubblebine’s account of Medium’s ups and downs is, at times, astonishing. Particularly the amounts of money, both as investments, and in debt, that are involved. Of course, there will be plenty of people who’ll call those sums a pittance, but speaking as a boot-strapping independent online publisher, they are incredible.

The lure of publishing your work on a platform such as Medium, lies in the opportunity to be paid for it. And no doubt, some writers posting on Medium do well.

For my part, the prospect of publishing there (or on similar platforms) is tempting, but doing so just isn’t in my DNA. I’ve never liked the idea of assimilating my brand into someone else’s, something I’ve said before. Anything you do on a third-party publishing platform is doable on your own website/blog, if you are prepared to persevere.

That’s not to say I wouldn’t ever post there, and for someone like me, a platform such as Medium might be comparable to a social media channel.

Authors take to TikTok to prove they are not using Generative AI

20 June 2025

Alana Yzola, writing for Wired:

Criticism and warnings of Gen-AI authors snagging coveted deals are flooding both Threads and TikTok, with writers and readers sometimes flinging around accusations when they suspect someone is using AI as part of their creative process. Now, Aveyard and other prolific authors are not only calling out people who use AI to write, they’re also posting livestreams and time-lapses of their writing processes to defend themselves against such complaints.

The camera never lies. But will that be enough to convince book readers who otherwise suspect some authors are using AI tools to assist them write?

On not using AI assistants or LLM tools to draft or write your blog posts

7 June 2025

Dave Phillips, an Australian blogging contemporary, writing at Cafe Dave:

Is there still value in writing blog posts from scratch, rather than using a LLM tool to help with a first draft? I hope so. Even if it’s slower, there is some change being wrought in the mind of the person doing the writing that remains undone when using a LLM.

There is some change being wrought in the mind of the person doing the writing.

I’m trying to make use of AI assistants to help me in my day-to-day work — I have three jobs if I include writing at disassociated — but struggle a bit. I speak only for myself, but as someone who writes, using AI to any degree, no matter how insignificant, feels wrong.

It’d be really good if AI could, say, run the house, freeing up time to write here and elsewhere. Because Dave is on point here: having something else do your writing, from first draft through to completion, takes something away from the writer. This is the reason we’re writing in the first place.

Pictures of You, a collection of short stories by Tony Birch⁠

7 June 2025

The image features the cover of a book titled 'Pictures of You: Collected Stories' by Tony Birch. The cover is dark with the title in large, prominent letters. Below the title is a black-and-white photograph of two children, one of whom is wearing a dark coloured hat.

Hailing from Melbourne, Australian author Tony Birch has been writing books since 2006. Pictures of You, being published on Tuesday 30 September 2025, is a retrospective of his best short stories written over the last twenty years. I should think that will be quite a few.

Cherrypicking from across his oeuvre, this anthology showcases his skills at finding the extraordinary in ordinary lives, and the often-unexpected connections and kindnesses between strangers. His work is by turns poignant, sad, profound and funny — and always powerful. Throughout this stellar collection, Birch’s preoccupation with the humanity of those who are often marginalised or overlooked, and the search for justice for people and the natural environment shines bright.

Book bloopers: when authors AI prompts are published in their novels

26 May 2025

Matthew Gault, writing for 404 Media:

In the middle of steamy scene between the book’s heroine and the dragon prince Ash there’s this: “I’ve rewritten the passage to align more with J. Bree’s style, which features more tension, gritty undertones, and raw emotional subtext beneath the supernatural elements:”

The excerpt is said to be found in chapter three of Lena McDonald’s novel Darkhollow Academy: Year 2, although apparently it has since been removed from later editions of the book.

If you must use AI, especially in fiction work, remember the rules, whereby the first rule of using AI to write a novel, is not to be caught using AI.

For those wondering about the J. Bree reference, J Bree is a West Australian based author of fantasy and dark romance novels. The incident also indicates that Bree’s work has been appropriated by AI models, most likely without her prior knowledge, or approval.

Authors deeply divided over use of generative AI says BookBub

21 May 2025

United States based book discovery service BookBub recently asked twelve hundred writers about their thoughts on generative AI. Unsurprisingly, opinion was sharply divided, with an almost exactly half of respondents either against the technology, or in favour of it.

Overall, opinions among authors are deeply divided — many consider any use of generative AI unethical and irresponsible, while others find it a helpful tool to enhance their writing and business processes. Some authors remain conflicted, and are still negotiating their own feelings about the utility and morality of this technology.

It seems to me these findings sum up the way people in general, not just authors, see generative AI.

The Emperor of Gladness, a new novel by Ocean Vuong

30 April 2025

The Vietnamese American writer’s second novel will be published next month:

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to alter Hai’s relationship to himself, his family, and a community at the brink.

Vuong’s debut novel, On Earth We’re Briefly Gorgeous, was published in 2019. Six years seems like a bit of time between drinks, but Vuong also published a book of poetry, Time Is a Mother, in 2022.

Does the world no longer need white male authors?

28 March 2025

Jacob Savage, writing for Compact:

Over the course of the 2010s, the literary pipeline for white men was effectively shut down. Between 2001 and 2011, six white men won the New York Public Library’s Young Lions prize for debut fiction. Since 2020, not a single white man has even been nominated (of 25 total nominations). The past decade has seen 70 finalists for the Center for Fiction’s First Novel Prize — with again, not a single straight white American millennial man.

Have white male authors been over presented for too long? Most likely. Other voices, especially from groups that have been pushed aside for too long, should be heard. But I’m not sure if it can be said that white male writers are intentionally being sidelined. We’re seeing more of the work of people we didn’t previously, and it turns out to be excellent.

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Three Dresses by Wanda Gibson, wins 2025 Victorian Premier’s Literary Award

20 March 2025

Cape York Peninsula, Queensland, based Nukgal Wurra woman Wanda Gibson, has won the 2025 Victorian Premier’s Literary Award, with her book, Three Dresses. Gibson’s win is the first time a children’s title has won the award. In addition, Three Dresses won the Children’s Literature category.

Winners in other categories included Highway 13 by Fiona McFarlane, in Fiction, and Black Witness by Amy McQuire, in Indigenous Writing, which is also on the longlist of this year’s Stella Prize.

Gawimarra: Gathering by Jeanine Leane, won the Poetry award, anything can happen by Susan Hampton, collected the Non-Fiction prize, while I Made This Just for You by Chris Ames, won the Unpublished Manuscript award.

Farewell to the Bulwer-Lytton Fiction Contest

12 March 2025

The Bulwer-Lytton Fiction Contest (BLFC), a humorous literary award honouring terrible made up opening sentences to what will, presumably, be terrible novels, is no more. BLFC founder, Dr Scott Rice, who established the award in 1982, and had been running it with his daughter EJ Rice in recent years, has decided to retire:

Being a year and a half older than Joseph Biden, I find the BLFC becoming increasingly burdensome and would like to put myself out to pasture while I still have some vim and vigor!

The BLFC was a light-hearted addition to the literary award circuit, and I hazard to guess a few of the winning entries might well have inspired some not so terrible novel openers. A list of past winners has been archived here.

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