disassociated

Temperatures on Monday reached an average of 17.01 Celsius, up from the previous high of 16.92 Celsius, recorded in August 2016. This as parts of the United States, China, and Africa, have sweltered through oppressive heatwaves in recent weeks.

Canadian novelist Mona Awad, and American author Paul Tremblay, have filed a lawsuit against OpenAI, developer of ChatGPT, alleging breach of copyright. Both writers believe their works were used to assist “train” the artificial intelligence chatbot, after discovering ChatGPT is capable of crafting intricately detailed summaries of their books.

Threads, the Meta/Facebook micro-blogging/discussion alternative to Twitter was ready to go when I came into the studio this morning. You can find me here.

Threads is pretty simple to set up, especially if you’re already on Instagram (IG), and there’s the option to import your IG profile data, if you don’t want to fill out the same information on your Threads page. You can also auto-follow everyone on your IG following list with a single click, or make individual selections.

From there, you’re pretty much ready to go. Instead of posting a tweet, as you do on Twitter, or a toot if on Mastodon, you post a thread every time you say something. It’s all very new, and early days, and I’m checking in on Threads as I do other things, but it looks like you’ll see a lot of threads from people you don’t directly follow, particularly influencers.

I’m interested to see what other Twitter-like features are, or will be, available, such as lists, and scheduling threads. Isn’t it fun though, something new, and perhaps not so encumbered with baggage, and general bad vibes. And another big one, fingers crossed Meta/Facebook don’t impose too much Meta/Facebook-ness upon us in Threads.

Devised in 1985 by American cartoonist Alison Bechdel, though Bechdel says a friend, Liz Wallace, thought of it, the Bechdel test has become a well-known metric by which to gauge a film. To pass the Bechdel test, a movie must meet the following requirements:

• Feature at least two women…*
• who talk to each other…
• about something other than a man

Think of the last movie you saw. Does it pass? I watched American filmmaker Kris Rey’s 2020 movie I Used to go Here the other night, which does. I last mentioned the Bechdel test when I wrote about a fanciful remake of 2001: A Space Odyssey, about eighteen months ago. While it could be argued the Stanley Kubrick made original passes the Bechdel, if only just, that didn’t appear to be the case for the “proposed” remake. At least, not based on the information available, that is.

But here’s something, in a recent interview for The Guardian with British journalist and author Hephzibah Anderson, Bechdel says the test was never meant to be a tool for assessing a film:

It was a joke. I didn’t ever intend for it to be the real gauge it has become and it’s hard to keep talking about it over and over, but it’s kind of cool.

The Bechdel test isn’t only cool though, I think it’s an essential mechanism for filmmakers to work by.

* another provision states the featured women should be named.

Advances in biotechnology are being made in leaps and bounds. On one hand what is being learnt is making the world safer, but on the other, there is a downside. While cures for deadly diseases are being developed, even nastier pathogens are being created at the same time. Or could be, as Kurzgesagt explains:

We are adding knowledge at unprecedented rates, while things get ever faster and cheaper to do. This speed means we can expect even more wonderful things for humanity. Lifesaving treatments, miracle crops and solutions to problems we can’t even imagine right now. But unfortunately progress cuts both ways. What can be used for good, can also be used for bad, by accident or on purpose. For all the good biotech will do for us, in the near future it also could easily kill many millions of people, in the worst case hundreds of millions. Worse than any nuclear bomb.

The much talked about Meta/Facebook Twitter-like micro-blogging application, reportedly called Threads, will be launched later this week, according to Bloomberg.

With well over one billion Instagram users, and approaching three billion Facebook members, Meta’s Twitter clone has tremendous potential traction.

Book cover of Everyone and Everything, written by Nadine J. Cohen.

Just as well I still check in on Twitter. If not, I’d have not found what I found out about Sydney based refugee advocate, and Australian writer, Nadine J. Cohen. First up her Twitter account has been suspended, and second, her debut novel, Everyone and Everything, is being published later this year.

The Twitter ban came after an apparently off-colour joke on her page was brought to the notice of the powers that be at the social networking service. I saw a screen capture of the tweet in question, and yes, strictly speaking, the comment could be deemed inappropriate. However its tone has been taken completely out of context.

I’m surprised Twitter even looked sideways at Cohen’s tweet. Compared to some of what I see there now, it’s hardly offensive. Fingers crossed sense that prevails, and her account is reinstated, though that might be asking a lot. But back to Everyone and Everything, which arrives in bookshops on Tuesday 5 September 2023.

According to the book’s Sydney based publisher Pantera Press, Cohen’s debut will make you laugh, cry and call your sister:

When Yael Silver’s world comes crashing down, she looks to the past for answers and finds solace in surprising places. An unconventional new friendship, a seaside safe space and an unsettling amount of dairy help her to heal, as she wrestles with her demons — and some truly terrible erotic literature.

Early reviews sound promising. John Birmingham, he of He Died with a Felafel in His Hand fame, said “this book gave me all the feelings.” I read He Died with a Felafel in His Hand years ago, and have the film adaptation queued for viewing on my streaming service.

Australian radio and TV host, Myf Warhurst, whom I mentioned yesterday, was also approving of Cohen’s first novel:

This brilliant book doesn’t shy away from the rough stuff, exploring the complexity and brutality of life, all the while maintaining a grip on to the occasional simple joy and beauty of it all. I was cackling away at Nadine’s unique perspectives one minute, and sobbing the next. A magnificent debut!

That’ll do me. I’ve added Everyone and Everything to my TBR list.

Who said no one reads books anymore?

While television remains the preferred method of summertime “escape” in Britain, with just over one in two people tuning in, reading comes in as the next best means of putting the worries of the world aside. This according to data released by the London based Publishers Association:

Second only to watching TV (54%), 33% of respondents say that books offer them the best form of escapism when they are having a bad day. This is ahead of streaming TV (32%), looking at social media (27%), listening to radio (24%), going to the pub (21%), going to the cinema (16%) and listening to a podcast (14%).

In other good news for authors in Britain, 2022 was a bumper year for book sales, with a record six-hundred and sixty nine million physical books being sold, an increase of four percent on 2021.

Book cover of Love & Pain, written by Ben Gillies and Chris Joannou.

Wednesday 27 September 2023 will be a red letter day for fans of erstwhile Australian indie rock act Silverchair. That’s the day Love & Pain, a book co-written by Ben Gillies, the band’s drummer, and bass player Chris Joannou, is set to be published by Hachette Australia. That Gillies and Joannou are behind this book is what makes it so compelling, as, to date, not a lot has been heard from former members about their time in the band.

So much has been written about Silverchair over the years but very little has been said by the band’s members. In Love & Pain, childhood friends Ben Gillies (drummer) and Chris Joannou (bass player) tell us tales about growing up across the road from each other and starting in Silverchair, wild stories from the peak of their days in the spotlight, and the ups and downs of how their lives have panned out since.

Well over a year after a screen adaptation of Taylor Jenkins Reid’s 2017 novel The Seven Husbands Of Evelyn Hugo was announced, American filmmaker and screenwriter Leslye Headland has been named as director. Reid’s work of historical fiction spent over a year on The New York Times best seller list, after becoming a TikTok sensation in 2021.

The story recounts the life and times of Hollywood Golden Age star Evelyn Hugo, who, at age 79, grants a rare interview to an unknown journalist, Monique Grant. The now reclusive Hugo promises to reveal all to Grant, much to the chagrin, and envy, of Grant’s better known contemporaries. While Grant is as surprised as anyone else at being chosen, Hugo has a reason for selecting her.

So far there is no word on who will be cast, but earlier this year fans of the novel were clamouring for Jessica Chastain to take the role of redhead Celia St. James, Hugo’s foil and friend.