disassociated

Simon Newton writing on the Canva Engineering Blog:

Yet until recently, our interview process asked candidates to solve coding problems without the very tools they’d use on the job. Our interview approach included a Computer Science Fundamentals interview which focused on algorithms and data structures. This interview format pre-dated the rise of AI tools, and candidates were asked to write the code themselves. This dismissal of AI tools during the interview process meant we weren’t truly evaluating how candidates would perform in their actual role.

The Australian founded online graphic design platform is now mandating candidates for coding roles be proficient with AI tools, and will be expected to demonstrate as much during coding interviews. Given many Canva employees (to say nothing of the industry as a whole) are using AI assistants in their coding work, the move is hardly surprising.

Canva is an app I’ve to tried to pickup, but to date with little success. Several years ago I went along to the Canva offices in Sydney — I’m pretty sure they were located in the suburb of Surry Hills at that point — to give the then iteration of the app a try.

With again, er, limited success. I was kindly told long-term users of Photoshop tend to struggle more than others with Canva, so that was some consolation.

Proficiency with Canva is still on my to-do list, but at the moment getting my head around GIMP is the priority. I’ve not been able to sandbox Photoshop on Linux Mint, so when it comes to image creation and manipulation, GIMP it is.

Still talking of Canva, I learned in quickly looking up the company, that Cameron Adams is a co-founder. Yes: have I been living under a rock or what?

Adams might be better known to some earlier (I’m talking prior to 2010) web creative people as the Man in Blue, being his website/blog, which is still online. In 2011, Adams created a data visualisation of the music of Daft Punk, which is likewise still online, and something I linked to back in the day.

There’s some oldies, but goodies, in the mix, including Da Funk, Television Rules the Nation, Alive, Face to Face, and One More Time. And how good is the pre-loading popup, this using Firefox 139:

If you are going to view this site in Firefox, it is recommended that you use the latest version (Firefox 4).

That’s quite the trip back in time. Firefox 4 came out in March 2011. A good year before Canva was founded, and what seems like a lifetime before AI as we know it emerged in spectacular fashion.

This sounds like the news that no one wanted you to hear:

The congressionally ordered probe took investigators back to the 1980s, when an Air Force colonel visited a bar near Area 51, a top-secret site in the Nevada desert. He gave the owner photos of what might be flying saucers. The photos went up on the walls, and into the local lore went the idea that the U.S. military was secretly testing recovered alien technology. But the colonel was on a mission — of disinformation. The photos were doctored, the now-retired officer confessed to the Pentagon investigators in 2023. The whole exercise was a ruse to protect what was really going on at Area 51: The Air Force was using the site to develop top-secret stealth fighters, viewed as a critical edge against the Soviet Union.

Hands up those who believe any of that, hey?

Otherwise, if someone could explain how extraterrestrials can travel vast distances through the galaxy to reach Earth, in vessels the size of a bus, apparently capable of travelling at the speed of light (or supposedly faster) without saying “oh, but they can bend the laws of physics”, I’m all ears. No warp powered motherships capable of cloaked flight either, please.

The ministry will swap the likes of Microsoft Word and Excel for LibreOffice applications instead, says Caroline Stage, Denmark’s Digitisation Minister. It is anticipated all Ministry staff will be using LibreOffice by the end of the year.

The switch to open source software is part of a move by the Danish Government to reduce their dependency on applications made in the United States. Comments by US President Donald Trump, expressing interest in buying Greenland, an autonomous territory of Denmark, have also concerned and angered the Danish Government.

I’ve been using LibreOffice word processor and spreadsheet apps since migrating to Linux Mint last year. I’m hardly a power user of either, maybe tapping into, what, ten percent of the available functionality of each app, but they do exactly what Word and Excel did before. As I type the draft of this post in Writer, the LibreOffice word processor, I can barely discern any difference.

I dare say my computer is better off for the change though, by way of the absence of all manner of needless extraneous bits and pieces that come with non open source software.

Aevisia writing at the Sovereign Web:

The truth is, I’ve had some difficult experiences with parts of those communities. At times, I’ve felt excluded or harshly judged simply for choosing a different path or expressing my creativity in ways that some consider unconventional or even controversial.

I linked to Aevisia’s Small Web Movement project in March. If Indie Web and Small Web are spaces that belong to everyone, I don’t see how one person can tell another they’re not welcome. Someone told me a while back I wasn’t doing Indie Web right. In their opinion. I gave their email due consideration, then flicked it away.

But I’ve had comments like that all the way through the time I’ve had disassociated. I’ve not been doing something or other right, according to someone or other. But the answer there, I find, is to keep on doing what you’re doing.

Unless say plagiarism, something deeply inappropriate, or the illegal, is involved, no one can tell you, the creator, that you’re doing something wrong and don’t belong. All criticism of that nature means is someone doesn’t like what you do, not that it’s wrong.

No doubt I’ve been excluded in some corners too, but that’s the way things go. And no doubt I’ve excluded others in some fashion, at some time, but I’ve seldom been directly critical of what anyone has been doing.

If starting another movement, Sovereign Web, is the solution, then I don’t have a problem with that. But everyone’s paths, and their expressions of creativity, are different. I think the response is not to worry about the opinions of other people, and stay on your course.

AI assistant Claude must have had one of the shortest blogging stints ever seen in the blogosphere. Just days after announcing Claude’s debut as a blogger — albeit with “human oversight” — Anthropic, Claude’s creator, almost immediately shuttered the publication. The URL for the blog presently redirects to Anthropic’s main website.

We can only speculate as to why the plug was pulled on the venture, but I was looking forward to reading some of Claude’s output. This preferably with a minimum of human oversight, as I was curious to see how well an AI assistant could write by themselves. Anthropic’s move could possibly be seen to suggest they weren’t too confident in Claude’s blogging abilities though.

It’s good news for human self-publishers: we live to blog for another day. Or two.

Dave Phillips, an Australian blogging contemporary, writing at Cafe Dave:

Is there still value in writing blog posts from scratch, rather than using a LLM tool to help with a first draft? I hope so. Even if it’s slower, there is some change being wrought in the mind of the person doing the writing that remains undone when using a LLM.

There is some change being wrought in the mind of the person doing the writing.

I’m trying to make use of AI assistants to help me in my day-to-day work — I have three jobs if I include writing at disassociated — but struggle a bit. I speak only for myself, but as someone who writes, using AI to any degree, no matter how insignificant, feels wrong.

It’d be really good if AI could, say, run the house, freeing up time to write here and elsewhere. Because Dave is on point here: having something else do your writing, from first draft through to completion, takes something away from the writer. This is the reason we’re writing in the first place.

Hailing from Melbourne, Australian author Tony Birch has been writing books since 2006. Pictures of You, being published on Tuesday 30 September 2025, is a retrospective of his best short stories written over the last twenty years. I should think that will be quite a few.

Cherrypicking from across his oeuvre, this anthology showcases his skills at finding the extraordinary in ordinary lives, and the often-unexpected connections and kindnesses between strangers. His work is by turns poignant, sad, profound and funny — and always powerful. Throughout this stellar collection, Birch’s preoccupation with the humanity of those who are often marginalised or overlooked, and the search for justice for people and the natural environment shines bright.

Mark Sullivan, writing for Fast Company:

Separately, the independent research firm Apollo Research observed an instance of Claude Opus 4 “writing self-propagating worms, fabricating legal documentation, and leaving hidden notes to future instances of itself” with the goal of sullying its developers’ intentions. Anthropic says that it corrected these early safety issues in later versions of the model.

An AI assistant capable of this degree of adroitness, before being “corrected” that is, could probably solve some tricky problems, and no doubt does anyway.

Riddle me this: do you think AI assistants can be trained to make use of negative attributes, such as being devious, to achieve only positive outcomes?

Talking of the erstwhile Australian Film Festival, as I was earlier this week, word has reached me that Brisbane based Australian actor David Wenham was admitted to the Australian Film Walk of Fame in February 2025. The induction coincided with a screening of Spit, Wenham’s then most recent work, at the Ritz Cinema, in Randwick, Sydney.

Anyone who has seen Peter Jackson’s Lord of the Rings films, 300: Rise of an Empire, or Elvis by Baz Luhrmann, will have seen some of Wenham’s work. Oranges and Sunshine, directed by Jim Loach, was one I particularly liked. The pavement outside the Ritz is adorned with the plagues of the twelve Australian actors who have so far been inducted to the Walk.

(Thanks Stef AKA Coffee Girl)

Some recently revised calculations, based on some more recent data, have shown our galaxy, the Milky Way, may not collide, or if you prefer merge, with Andromeda, a large galaxy presently about two and a half million light years away.

Astronomers have long believed a merger/collision to be inevitable. Although heading towards to each other — at an eye watering speed of about one-hundred kilometres per second — there’s close to a fifty-fifty chance both galaxies will simply sail passed each other.

Milkomeda, the name given to the would-be merged entity, and something I’ve written a bit about in the past, may never come to pass after all. But then again it might, no one can be one-hundred percent sure. Uncertainty is the only certainty.

If you’re stilling gunning for the formation of Milkomeda though, here’s an animation of the what the collision might look like, from the perspective of a far distant observer. Events play out over ten billion years, but are compressed to a minute, meaning things won’t be quite as violent as they look.

Even if Earth were still around at this point — which seems unlikely in five billion years time — the merger/collision of the two galaxies would probably make little difference to anyone still here. Aside from an upheaval in the way the night sky looks, that is.

Despite appearances, galaxies are mainly made up of empty space, meaning the chances of a star from Andromeda barging into the solar system would be pretty remote.