Someone out there knows who Adelaide’s ‘Somerton Man’ is
22 August 2011
The “Mystery of the Somerton Man”, or “The Taman Shud Case”, where the body of an unidentified male was found on Somerton beach, near Adelaide, capital of South Australia, in December 1948, remains one of Australia’s most perplexing unsolved “missing persons” cases.
Was the dead man, who became known as “Somerton Man”, the victim of an elaborate murder plot, or did he take his own life? Why is it that no one was able to positively identify him, despite extensive publicity given to the case at the time? What is to be made of his apparent association with an Adelaide nurse, and rumours of links to espionage groups?
The police had brought in another expert, John Cleland, emeritus professor of pathology at the University of Adelaide, to re-examine the corpse and the dead man’s possessions. In April, four months after the discovery of the body, Cleland’s search produced a final piece of evidence — one that would prove to be the most baffling of all. Cleland discovered a small pocket sewn into the waistband of the dead man\’s trousers. Previous examiners had missed it, and several accounts of the case have referred to it as a “secret pocket,” but it seems to have been intended to hold a fob watch. Inside, tightly rolled, was a minute scrap of paper, which, opened up, proved to contain two words, typeset in an elaborate printed script. The phrase read “Tamám Shud.”
Efforts to solve the mystery remain on-going, which includes determining the man’s identity, and what exactly occasioned his death, are being lead by a University of Adelaide team. More information about the case can be found on Wikipedia.
UPDATE: researchers believe they have identified the dead man.
Originally published Monday 22 August 2011.
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Australia, crime, history, legacy
Trigger, a film by Bruce McDonald, with Tracy Wright, Molly Parker
16 August 2011
Trigger (trailer), a comedy drama, is the latest feature of Canadian film director Bruce McDonald (The Tracey Fragments, Pontypool). The story traces the reunion of two indie-rockers, Kat (Molly Parker), a bass player and vocalist, and Vic (the late Tracy Wright), who once performed together in a two-piece band called Trigger.
Trigger, which premiered in Australia at the Canadian Film Festival in Sydney on Wednesday, 10 August, 2011, picks up the story of the two band members ten years after their acrimonious on-stage split. They have accepted an invitation to perform at a Women in Rock tribute show taking place in Toronto, their hometown.
Kat has since relocated to Los Angeles where she works in marketing, but often travels to Toronto for work. The two have arranged to meet for dinner in the restaurant of the five-star hotel where Kat is staying. Vic however is less than impressed with the extravagant setting of their first face-to-face meeting since the band broke up.
While past tensions quickly surface, it isn’t long before some traces of their earlier, close if turbulent, friendship comes to light. While Vic is happy to go along to the tribute show, she is not so willing to perform, even though Kat promised organisers they would. The show however soon rouses happy memories of their on-stage hey-day.
While reacquainting themselves with former associates, both come to the doleful realisation that they cannot reclaim their old lives. This is brought home by the fact friends have moved on, become older, more conservative, and are even driving hybrid vehicles, surely a contravention of the hard living, hard playing, rock ethos.
Despite having been apart Kat and Vic learn they have had a number of similar experiences, including having dealt with substance abuse issues, which both seem to have overcome. But just as the two are beginning to warm to each other again, Vic then learns that there is just a little more to the tribute show than meets the eye…
Trigger is a slice-of-life drama featuring just two central characters, and covers a only small period of time, in much the same way as Richard Linklater’s Before Sunset and Before Sunrise films, and plays out over the course of a single night. This however gives Kat and Vic plenty of time to try and make sense of their post-band lives.
Trigger isn’t all introspection though, and features a stirring performance reminiscent of the band during its peak, plus flashback glimpses of the friendship of Kat and Vic in earlier days. This is a story that anyone who has had the dream, or once lived the dream, and now finds life to be a little quieter, will be all too familiar with.
Originally published Tuesday 16 August 2011.
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Bruce McDonald, film, legacy, Molly Parker, Tracy Wright, trailer, video
Jaloux, a film by Patrick Demers with Sophie Cadieux, Maxime Denommee
11 August 2011
Jaloux, trailer (French language), a drama thriller, is the debut feature of Montreal director Patrick Demers, who wrote the screenplay, which was largely improvised during filming, in conjunction with its three stars, Sophie Cadieux who plays Marianne, Maxime Denommée as Thomas, and Benoît Gouin as the neighbour of Thomas’ uncle.
Marianne and Thomas have been together eight years but boredom has begun to stifle their relationship. Thomas believes a weekend away at his uncle’s remote forest cabin, near Mandeville, in Quebec, will help them rediscover each other. Jaloux premiered in Australia at the 6th Canadian Film Festival in Sydney on Tuesday, 9 August, 2011.
To say Marianne and Thomas’ relationship is in strife would be an understatement. A fierce argument, which turns into a tussle, as they approach his uncle Michel’s (Daniel Gadouas) cabin, results in their car running off the gravel road into a ditch. Neither is hurt however, and they complete the trip to the nearby cabin on foot.
On reaching the cabin they are surprised to find Michel’s neighbour, Ben, has prepared a meal for them. Ben had however been expecting Michel and his girlfriend Helene (Marie-France Lambert), but after learning that Thomas is his nephew, and having taken a shine to Marianne, instead invites the couple to share the meal with him.
After a night’s heavy drinking Marianne and Thomas wake the next morning, having slept in separate parts of the house, with little memory of the evening before. Deciding a swim will help clear their heads, they wander down to the nearby lake, only to meet Ben again, much to Thomas’ annoyance, who happens to be out rowing his boat.
Not happy with the way Marianne is taking to Ben, Thomas instead decides to find a mechanic to repair their car. On his way into the local town though he, by chance, meets a cousin who he hasn’t seen in years. It is only then that Thomas comes to realise that the man claiming to be his uncle’s neighbour is in fact someone else altogether…
Jaloux is a slow burning thriller that is underscored by a simmering unease that threatens to boil over at any minute. This tension is accentuated by flashbacks and memories that may be from the night before, the week before, or possibly even months or years earlier.
But what here is real, imagined, or fantasy? While the storyline is relatively simple, what Jaloux lacks in narrative it makes up for in drama and suspense, as jealousy, lies, deceit, and guilt compound. Clichés bountiful in a story of this nature are refreshingly absent, leaving the viewer uncertain as to what exactly will happen next.
Originally published Thursday 11 August 2011.
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Fade to grey: as we get older we stop dreaming in technicolour
12 July 2011
We tend to stop dreaming in colour as we age, according to a study which surveyed a group of people in 1993, and then again in 2009.
In both surveys, approximately 80% of subjects younger than 30 years of age experienced color in their dreams, but the percentage decreased with age and fell to approximately 20% by the age of 60. The frequency of dreaming in color increased from 1993 to 2009 only for respondents in their 20s, 30s, and 40s. We speculate that color TV may play a role in the generational difference observed.
Originally published Tuesday 12 July 2011.
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Oranges and Sunshine, a film by Jim Loach, with Emily Watson, David Wenham
10 June 2011
Oranges and Sunshine, trailer, a drama set in 1986, is the debut feature of British TV producer Jim Loach, and is based on the book Empty Cradles by British social worker Margaret Humphreys. Her book chronicles efforts to expose the British government’s child migrants program of the 1950’s and 60’s, where over 130,000 children were forcibly sent overseas.
Many of these children — who came from struggling, or single-parent families, and sent to Australia, and other former British colonies — were under the impression their parents were dead, and that a happier life awaited them elsewhere. The reality was anything but; many were abused by their new carers, or became child labourers.
Humphreys (Emily Watson) is a Nottingham social worker caring for orphaned children. She first becomes aware British children were sent overseas when a woman from Australia asks for help tracing her mother. While searching for the woman’s mother, Humphreys uncovers numerous instances of children being sent overseas.
After learning that Nicky (Lorraine Ashbourne), a woman in a support group she convenes, has a brother Jack (Hugo Weaving), who was sent overseas as a child, Humphreys travels to Australia. There she soon meets many hundreds of others who were taken from their families, including Len (David Wenham), who is trying to find his mother.
It soon becomes apparent that it wasn’t just the children who were lied to. As Humphreys continues to reunite now adult children with their families, she learns the parents, whose children were often forcibly removed from their custody, were also lied to. They were often being told their children had been adopted locally, not sent overseas.
Humphreys’ work however is an uphill battle that takes a physical and emotional toll on her. The British and Australian governments are unhelpful. Meanwhile, the charity and church groups who took the children in are angered by the allegations of abuse levelled at them, which results in Humphreys being threatened by their supporters.
Oranges and Sunshine is an intimate and personal portrayal of a dark chapter in our history. In 2009 then Australian Prime Minister Kevin Rudd apologised to the British child migrants, or Forgotten Australians as they are also known. His British counterpart, Gordon Brown, did likewise in 2010.
A compassionately made film that is neither sentimental or sensationalistic, Oranges and Sunshine is a moving, harrowing, and emotional drama. The lid is lifted on a government policy that aimed simply to save money — care for children was cheaper in Australia than Britain — and one that had no regard at all for those the would-be program purported to be helping.
Originally published Friday 10 June 2011, with subsequent revisions, updates to lapsed URLs, etc.
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David Wenham, Emily Watson, film, history, Hugo Weaving, Jim Loach, legacy, Lorraine Ashbourne
Get Low, a film by Aaron Schneider, with Robert Duvall, Sissy Spacek
3 June 2011
Get Low, trailer, a comedy drama, is the debut feature of American cinematographer turned film director Aaron Schneider. Collaborating with Chris Provenzano and C. Gaby Mitchell, who wrote the screenplay, Get Low explores the intriguing notion of attending your own funeral, as a living, rather than dead, participant.
Set in the late 1930’s, Get Low is based in part on the life of Felix Breazeale, or Uncle Bush as some called him, a man living in Tennessee. In 1938 Breazeale arranged a funeral party for himself — while still alive — to which eight to twelve thousand people attended.
Felix Bush (Robert Duvall) has lived alone in a cabin he built deep in the woods of Tennessee for most of his adult life. His self-imposed exile is the result of an unfortunate incident some forty years earlier. He is also the subject of all sorts of gossip, and his few visits to a nearby town, by horse drawn cart no less, attract plenty of, usually unwelcome, attention.
He never married, and has no family, but after hearing that an old acquaintance died, begins to reassess his guilt ridden past. He realises the only way to obtain redemption for his part in a long past transgression is to seek forgiveness before he eventually dies. Forgiveness of the divine kind however won’t cut it, he needs it from elsewhere.
He soon decides a funeral party, with him in attendance while still alive, is the best way to make this happen, and enlists the services of local undertaker, shifty Frank Quinn (Bill Murray), and his assistant Buddy (Lucas Black). While an unusual request, Frank is happy to accommodate Felix, given business has been on the quiet side recently.
In the course of preparations for the party, which include a radio interview, Felix is reunited with Mattie Darrow (Sissy Spacek), an old flame, who has returned to the area following the death of her husband. As Mattie learns more about Felix, and his bizarre funeral party, she realises she is linked to the event from which Felix desperately seeks absolution.
Get Low has the feel of a whodunit, as the story of what has been bothering Felix for so long slowly unfurls. It also features top notch portrayals by a host of veteran actors, especially Duval and Spacek. Murray meanwhile puts in his best performance in a long time, one with a little life, rather than his more usual dead-pan style.
A few people have been critical of the film’s ending. They feel it lacks punch or resolution. While the conclusion may be a touch otherworldly, perhaps they are not happy with the way the story unfolds gradually, reserving Felix’s confession until the finale, and the big reveal. What’s wrong with that?
Originally published Friday 3 June 2011.
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Sugar and soy ruins perfectly good coffee say Sydney baristas
25 May 2011
Sydney baristas are increasingly calling the shots when it comes to brewing what they consider to be ideal coffee, by refusing to accommodate requests to add sugar, use skim (low fat) or soy milks, and decaffeinated coffee, or make brews “extra hot”, a dictate some customers describe as excessive:
Bar Italia in Leichardt is famous for its “No soy, no skim” stand. Customers have been known to storm out of Barefoot Coffee Traders in Manly which won’t do decaf or large cups. Kafenio Cafe in Cronulla declares: “No skim or babycinos … Don’t even ask!” “The guy behind the coffee machine … reminded me of the Soup Nazi off Seinfeld, but it wasn’t funny … get over the delicate genius syndrome,” said one Kafenio customer on online restaurant guide Eatability. Said another: “The barista refused three separate times to make the coffee that was ordered. If this was a hard order I would have understood but nowhere else [finds] a double shot 3/4 latte hard.”
Maybe the majority of coffee shop customers want full cream milk and caffeine brews, but the stance sounds harsh to me. What of the people with lactose intolerance? As for refusing to serve babycinos, that doesn’t seem too family-friendly to me.
Originally published Wednesday 25 May 2011.
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Panoramas that take you in circles around the Moscow Metro
19 May 2011
A collection of panoramic photos of stations, and even tunnels, that are part of Moscow’s Metro, or underground train system, by Russos.
Originally published Thursday 19 May 2011, with subsequent revisions, updates to lapsed URLs, etc.
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Cool kids never have the time, nor much of an adult life either
18 May 2011
Children who are marginalised at school because they are considered to be geeks or nerds, tend to be more successful as adults.
This because they are far more self aware, spontaneous, and creative, than “popular” students, says Alexandra Robbins, who has written a book on the subject, The Geeks Shall Inherit the Earth.
So called popular students are more likely to act and think according to the wishes of the groups or cliques there are part of, rather than on their own, behaviours that are unhelpful in adult life.
Even if the kids in these cliques are momentarily on top of the world, Robbins says the traits they are learning could be toxic in their future lives. “When you are in the popular crowd you are more likely to be conformist, you are more likely to hide aspects of your identity in order to fit into the crowd, you are more likely to be involved in relational aggression, you are more likely to have goals of social dominance rather than forming actual true friendships,” Robbins says, pausing for a breath. “You are more likely to let other people pressure you into doing things. None of those things is admirable or useful as adults.”
Originally published Wednesday 18 May 2011, with subsequent revisions, updates to lapsed URLs, etc.
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Analysing the music of Daft Punk with help from HTML5 and CSS3
17 May 2011
Sydney based Web Technologist Cameron Adams has put together “Anatomy Of A Mashup” a mashup/data visualisation of Daft Punk music with HTML5 and CSS3 (no Flash…), using the canvas and audio elements, plus transforms and transitions.
In order to explain the layering and interplay that goes into something like a Girl Talk album or The 139 Mix Tape I decided to take my own mashup of Daft Punk’s discography — Definitive Daft Punk — and reveal its entire structure: the cutting, layering, levels and equalisation of 23 different songs. By dividing up the sound data for each song and computing its appearance in realtime, the resulting visualisation gives you an understanding of the unique anatomy of this particular mashup.
While Adams recommends viewing the mashup with Chrome, I found it worked quite well with Firefox 4.
Originally published Tuesday 17 May 2011, with subsequent revisions, updates to lapsed URLs, etc.
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