Grand final day: when some introverts must leave the house

5 October 2024

No posts about sport, hardly ever, then two in a week. But the NRL football (rugby league) grand final (Penrith Panthers versus Melbourne Storm) is on this long weekend, and since I wrote about the AFL the other day, this seems right. More a personality/psychology post though: a profile of Nathan Cleary, the Panthers halfback, and veritable introvert:

Nathan Cleary could have the time of his life, “just the most enjoyable day” he says, without even thinking about leaving the house. Trackies optional. No need to talk to another human soul. Maybe the dog. Maybe not a word. But probably picking up any one of several footballs that are left lying around the place, because Cleary “just feels normal being able to hold a footy”.

I too have the most enjoyable days, without even thinking about leaving the house. Even if I actually seldom stay at home the whole day. Instead of a football though, I’ll reach for my laptop.

And it turns out Cleary’s girlfriend, Matildas’ star Mary Fowler, is also an introvert. That, as we say in this household, is a match made in heaven.

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All IndieWeb participants need to be vocal, not just developers

5 October 2024

Evan Sheehan, writing at The Darth Mall:

I think Jeremy Keith is right, that all that really matters is having your own website. However big or small, however you make it, whatever you choose to put on it. I just don’t think that this is what the IndieWeb is actually focused on. The IndieWeb feels like it’s something by developers, for developers, because it focuses so much on implementing certain features.

My take here, is that it’s the people developing and implementing the microformats, the webmentions, what have you (sorry, a lot of this stuff is over my head), who seem to be the most vocal in the conversation. I’m not saying that’s a bad thing, but you’d be forgiven for sometimes thinking IndieWeb was the exclusive domain of developers. But I’m not having a go at developers here, because, you know, if there were no developers, there’d be no web/internet.

Instead, the discussion needs more input from others in the IndieWeb community. The creatives, the writers, the artists, the photographers. The other people doing their thing on the non-corporate web. There are already such people doing that, but more need to weigh in. The topic brings to mind something American author Edgar Allen-Poe once wrote:

Shadows of Shadows passing… It is now 1831… and as always, I am absorbed with a delicate thought. It is how poetry has indefinite sensations to which end, music is an essential, since the comprehension of sweet sound is our most indefinite conception. Music, when combined with a pleasurable idea, is poetry. Music without the idea is simply music. Without music or an intriguing idea, color becomes pallour, man becomes carcass, home becomes catacomb, and the dead are but for a moment motionless.

It’s all very deep. But the point is that different ideas complement each other. IndieWeb, the web, needs the technical infrastructure, but then alongside that, there needs to be something else. An idea, a thought, content. Something to engage with.

It’s my roundabout way of saying IndieWeb isn’t just for the technical people, it’s for anyone who wants to be involved. And in this case, the more the merrier. Let’s hear it then, from the other IndieWeb participants.

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Independent bookshops, independent web, a tale of two cities

4 October 2024

Louis Menand, writing for The New Yorker. How familiar does this sound:

Between 1998 and 2020, more than half of the independent bookstores in the United States went out of business.

It was a similar story for personal websites and blogs, though definitely across different timeframes. Maybe from 2010 — later even — as social media began to dominate the web. Something else was dominating the book market though:

Even though books make up a relatively small fraction of Amazon’s sales, they constitute more than half of all book purchases in the United States. Amazon is responsible for more than half of all e-book sales, and it dominates self-publishing with its Kindle Direct platform.

After a time though, consumers began to yearn for the bookstore vibe again. A certain something was missing when buying literature online. Book buyers wanted a more personal experience, one that only brick and mortar bookshops could offer:

One is the obvious benefit of being able to fondle the product. Printed books have, inescapably, a tactile dimension. They want to be held. “Browsing” online is just not the same experience. For that, you need non-virtual books in a non-virtual space.

Then the movement started. Not IndieWeb though, rather IndieBookstores. The push was spearheaded by American author James Patterson:

When the pandemic started, Patterson launched a movement, #SaveIndieBookstores, to help such businesses survive. He pledged half a million dollars, and, with the support of the American Booksellers Association and the Book Industry Charitable Foundation, the campaign ended up raising $1,239,595 from more than eighteen hundred donors.

Maybe that’s where I’ll leave this independent bookshops to independent web analogy/allegory, and suggest you read (or listen to the audio of) Menand’s article in full. Save for this sobering sentence:

According to Kristen McLean, an industry analyst, two-thirds of the books released by the top-ten trade publishers sell fewer than a thousand copies, and less than four per cent sell more than twenty thousand.

It ain’t easy being a writer; making a living from writing. If independent bookshops can help authors realise a even few more sales of their work, then that can only be a good thing.

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Independent websites: vital for the survival of the hyperlink

3 October 2024

This Halifax Examiner article, by Philip Moscovitch, which features a number of quotes by Matt Pearce, a Los Angeles Times journalist, recorded on a recent episode of the Tech Won’t Save Us podcast, has been doing the rounds. The upshot being hyperlinks, links from one webpage to another, are in danger of becoming obsolete. Extinct. Quite unsurprisingly, social media, and some search engines, are among the culprits intent on “degrading” hyperlinks:

There is a real bias against hyperlinking that has developed on platforms and apps over the last five years in particular. It’s something that’s kind of operating hand-in-hand with the rise of algorithmic recommendations. You see this on Elon Musk’s version of Twitter, where posts with hyperlinks are degraded. Facebook itself has decided to detach itself from displaying a lot of links. That’s why you get so much AI scum on Facebook these days. Instagram itself has always been kind of hostile to linking. TikTok as well…

Threads, Meta’s micro-blogging platform, allows hyperlinks to be included in posts at the moment. Whether though they “degrade” them, in X/Twitter style, down the line, remains to be seen. Instagram has never been hyperlink friendly, but remember it started out as a platform for sharing photos, not links.

Not long after I started making websites in the late 1990’s, I read an article about Tim Berners-Lee, who created the web in 1991. The piece is long gone now, but as I recall it, Berners-Lee said when he devised HTML, the markup language used to build websites, he made it intentionally simple to use (though maybe hard to master…). This so information could be shared easily:

However, in 1991 the internet changed again. That year, a computer programmer working at the CERN research center on the Swiss-French border named Tim Berners-Lee introduced the World Wide Web: an internet that was not simply a way to send files from one place to another but was itself a “web” of linked information that anyone on the Internet could retrieve. Berners-Lee created the Internet that we know today.

Here we are, all these years later, where some people would like to do away with one of the web’s building blocks, which made everything we have today possible in the first place. Go figure. Well, link-haters are gonna hate, and do their best rid their web of hyperlinks, I guess. What this does though is underline the importance of an independent web, and websites that are interlinked by hyperlinks. Continue freely and abundantly sharing those links everyone.

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Juice: the new cli-fi novel by Australian author Tim Winton

2 October 2024

Juice is the latest novel by Australian author Tim Winton, which was published yesterday. From this synopsis, Juice sounds like it blends elements of the Max Mad saga, with Winton’s own environmental and climate change concerns:

Two fugitives, a man and a child, drive all night across a stony desert. As dawn breaks, they roll into an abandoned mine site. From the vehicle they survey a forsaken place – middens of twisted iron, rusty wire, piles of sun-baked trash. They’re exhausted, traumatised, desperate now. But as a refuge, this is the most promising place they’ve seen. The child peers at the field of desolation. The man thinks to himself, this could work.

Problem is, they’re not alone.

So begins a searing, propulsive journey through a life whose central challenge is not simply a matter of survival, but of how to maintain human decency as everyone around you falls ever further into barbarism.

I heard Winton speak about six-and-a-half years ago at the Sydney premiere of Breath, a film based on his 2009, Miles Franklin award winning, novel of the same name. The feature was directed by, and starred, Australian actor Simon Baker, also present that evening.

Winton was one of the screenwriters of the Breath film adaptation. That’s a smart move, get the author of the book being adapted, to co-write the screenplay. Where possible of course. Quite a number of Winton’s books have been made into movies, so it seems like there’s a good chance Juice will follow suit.

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Do mullets make for great Australian Football League teams?

1 October 2024

I’m not very sporty as regular readers will have gathered. Of the approximate sixteen-hundred posts here at present, less than half a dozen are sport related. Of these, the majority relate to the Matildas, the Australian women’s football/soccer team, which I wrote during last year’s World Cup tournament. To think it’s been over a year now since that happened.

Last weekend though, was the grand final of the 2024 Men’s AFL (sometimes called Aussie rules) competition. The Sydney Swans, who I would regard as my local team — since geographically speaking they are the nearest club to me, and one of only two AFL teams in NSW — faced off against a team called the Brisbane Lions. Long story short, it didn’t end well for the Swans.

Then yesterday, I spot this infographic at FlowingData, illustrating how many players in each of the competition’s teams sport mullets. Interestingly, just four Swans players style their hair accordingly, one of the lowest counts in the league. On the other hand, nine Brisbane Lions players are mullet-ed.

My question: did this mullet imbalance have anything to do with the result of the grand final?

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Vale British actor Maggie Smith, Harry Potter, A Room with a View, star

30 September 2024

I’m pretty sure the 1984 film, A Room with a View, made by James Ivory and Ismail Merchant, was my introduction to the work of British stage and screen actor Maggie Smith, who died last week, aged 89. I’d been trying to read the 1908 novel of the same name, by E.M. Forster, but was struggling, as I seem to with the classics. It was then I found out about the film adaptation.

In it, Smith played the role of Charlotte Bartlett, who was chaperon to her younger cousin, Lucy Honeychurch, portrayed by Helena Bonham Carter, during a visit to Italy. Smith and Bonham Carter would go on to work together again in the some of the Harry Potter films.

As a screen actor, Smith was not only an amazing talent, she was also prolific, featuring in over eighty films, so there’s a good chance you’ve seen her in at least one movie. Some of her credits include A Private Function, Romeo.Juliet, Richard III, Gosford Park, The Best Exotic Marigold Hotel, Quartet, The Lady in the Van, and 2019’s Downton Abbey.

Going back to A Room with a View though, and I may not be popular for saying this, but here I think is an instance of the film easily being better than the book.

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Internet Archive Wayback Machine link replaces Google search cache

27 September 2024

Google search does away with its cache, an archived copy of an earlier version of a webpage, but now links to the Internet Archive’s (IA) Wayback Machine copy instead. Try it on your own website, assuming it’s indexed by Google that is. On the search result, click the “more about this page” button, which will take you to a page where you’ll see a Wayback Machine link.

You won’t see a copy of every website presently online, or that once was though, as Chris Freeland, writing on the IA blogs page, explains:

This collaboration with Google underscores the importance of web archiving and expands the reach of the Wayback Machine, making it even easier for users to access and explore archived content. However, the link to archived webpages will not be available in instances where the rights holder has opted out of having their site archived or if the webpage violates content policies.

The Google move seems like a much needed — maybe — shot in the arm — maybe — for the IA, which has been struggling of late.

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NSWEduChat, an AI tool for Australian teachers in NSW

27 September 2024

Australian teachers in NSW, now have access to NSWEduChat, a generative artificial intelligence (AI) tool, intended to help educators get a grip on AI tools:

The tool aims to provide additional support to staff in developing and delivering teaching experiences, easing workload demands, and empowering users to advance their AI skills in a safe environment.

The NSW Department of Education however urges caution while using the tool, reminding teachers the bot may not always be accurate, a government health warning, if ever there were one:

NSWEduChat can simulate many tasks that a human might perform but may not always be accurate. School leaders, teachers and trained, experienced employees in non-teaching positions should apply professional judgment when using NSWEduChat.

It sounds like NSWEduChat will eventually be available for students to use, something that is currently being trialled. A student roll-out will only happen once safety and privacy matters have been worked through.

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When is the social web not the social web? When it is THE social web

27 September 2024

A few days ago, a group called the Social Web Foundation was launched. A coming together of “leaders of the open social networking movement“, the foundation aims to make “connections between social platforms with the open standard protocol ActivityPub.” Rather than me reinventing the wheel, here’s the Wikipedia definition of ActivityPub:

ActivityPub is a protocol and open standard for decentralized social networking. It provides a client-to-server (shortened to C2S) API for creating and modifying content, as well as a federated server-to-server (S2S) protocol for delivering notifications and content to other servers. ActivityPub has become the main standard used in the fediverse, a popular network used for social networking that consists of software such as Mastodon, Pixelfed and PeerTube.

In short, ActivityPub allows individual, separate, decentralised social networking platforms, to “talk” to each other. Therefore someone on, say, Threads can (in theory) interact with another person on Mastodon. Threads and Mastodon are two different entities. The ActivityPub protocol means the Threads member does not need a Mastodon account, and vice versa. The Threads member will be able to interact with the Mastodon member, almost as if they were on the same platform.

Here’s the Social Web Foundation’s wording of what I just said:

The “social web”, also called the “Fediverse”, is a network of independent social platforms connected with the open standard protocol ActivityPub. Users on any platform can follow their friends, family, influencers, or brands on any other participating network.

The foundation, in the same sentence, is also proposing that the fediverse, the current conglomeration of independent social platforms, be referred to as the social web. Perhaps by now you’re saying to yourself: “remind me again; who are these Social Web Foundation people?”

You wouldn’t be the only one. When I first heard about the foundation, it reminded me of a group (I think) of people calling themselves fediverse.info. About a month ago, they proposed the use of a typographic symbol, an asterism, as a symbol of none other than the fediverse. I had no problems with the suggestion, but I wondered what sort of mandate they had to make such a proposal.

As I wrote then, there was very little information on the fediverse.info website as to who they were, and why they thought they were in a position to make the suggestion in the first place. The fediverse.info group may be made up of some of the most respected people in the fediverse, but you’d never know that from their webpage.

The foundation, on the other hand, is a little more transparent. At least in terms of membership. Their team page identifies Evan Prodromou, Mallory Knodel, and Tom Coates, as core members. What’s not so clear, is why they think they’re in a position to suggest the fediverse be renamed the social web. Unless you accept this rather dubious, and astonishing claim, about Prodromou:

Evan [Prodromou] made the first-ever post on the social web in May 2008.

Prodromou’s background is impressive. Not only did he co-write the ActivityPub protocol, he once worked for Microsoft, and in 2003 founded Wikitravel, a now defunct a web-based collaborative travel guide. He’s doubtless scored a few firsts during his career, but the first-ever social web post claim is problematic. Twitter, for instance, was founded two years earlier in 2006. If Twitter then is not a social web platform, what is?

Actually, there are a number of answers to that question, says fLaMEd, webmaster (a title often used in the nineties, by people who operated and published websites, in the absence of the yet to be devised term blogger) and writer, at fLaMEd fury:

Have you heard of blogs, guestbooks, forums, instant messaging, email?

Email has been around since the early 1970’s. Almost forty years before 2008. And if having a social exchange via email isn’t an instance of the social web, what is? Of course, email isn’t social in the same way that, say, a public, there for all to see, Twitter/X feed is.

Enter then some of the earliest websites, of which fLaMEd fury, online since 1996, is among. And this website, disassociated, online since 1997. I’ve written about my own experiences of this social web.

During the late 1990’s, I made the acquaintance of numerous webmasters, designers, and writers. Some were overseas, but many were in Australia. We communicated in a number of ways. Through the online journals of our personal websites, where we referenced each other, in true IndieWeb style. Or by writing in each other’s guestbooks.

Before long, about eight of us had established an email group, and in 1999, our “social web” interactions culminated in the establishment of the (now off-line) Australian Infront, a group of web creatives working to elevate the perception of Australian web design. Through the Infront’s discussion forums, and face-to-face social gatherings, we brought potentially thousands of local, and international, designers together. Try telling anyone involved that wasn’t social web, because something called ActivityPub didn’t then exist.

There’s nothing new about the social web, it’s been there almost as long as the internet has. But I suspect the Social Web Foundation is going to stay the course, and press ahead with its efforts to rename the fediverse the social web.

But Prodromou has one other claim to fame. In 2007, he founded a company called Control Yourself, which developed Identi.ca, a Twitter/X like microblogging platform. I was an Identi.ca member for a short time in 2008. Was Identi.ca, I wonder, the “social web” platform that Prodromou made this purported “first-ever” post from?

If so, then I think clarification is in order. Instead of saying “Evan made the first-ever post on the social web in May 2008”, perhaps it is more accurate to say he “made the first-ever post on the Identi.ca platform in 2008.”

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