Australian social media ban, day one: so far I have not been carded

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Australian social media ban, day one: so far I have not been carded

11 December 2025

Not that I’m under the age of sixteen of course.

But say what you will about it, the social media ban for Australians under the age of sixteen is now in force. Already some of those effected are claiming to have circumvented the restrictions. That shouldn’t surprise anyone.

If anyone’s gong to figure out how to do something they shouldn’t be doing, it’ll be teenagers.

Going around the socials, I’ve so far noticed little difference to anything. I logged into Instagram, Threads, and Facebook without incident. That shouldn’t surprise anyone. As Cam Wilson, writing for Crickey points out, “they already know your age with some accuracy.”

Nothing to report with Mastodon to date. The only exception has been Bluesky, where I was asked to supply my date of birth, but not for proof. Bluesky advised though I might need to verify my age to access certain features. I imagine that refers to content that might be deemed for adults only.

But let’s see what happens in the coming days.

UPDATE: Australian journalist and pod-caster Stilgherrian, on Bluesky no less:

One correction. The teens can still *access* social media media to view things. They just can’t have accounts to be able to post or respond. They can’t have the social part of social media, just the media part.

Also noteworthy, I was able to locate his Bluesky post, and page, via a search engine query, on a device not logged into any social media accounts, on an Australian IP address. That’s a selective social media ban for sure.

The Australian social media ban is also a ban on education

11 December 2025

American economist Tyler Cowan writes about the educational impact the Australian social media ban for people under the age of sixteen could have:

YouTube in particular, and sometimes X, are among the very best ways to learn about the world. To the extent that the law is effectively enforced, targeting YouTube will have a terrible effect on youth science, and the ability of young scientists and founders to get their projects off the ground will take a huge and possibly fatal hit. If you are only allowed to learn from the internet at age 16, you are probably not ready for marvelous achievements at age 18 or perhaps not even at 20. The country may become more mediocre.

No one learns solely from school issue textbooks anymore. Obviously there’s a lot of content on YouTube (and elsewhere of course) that isn’t suitable for all ages (or any age for that matter), but there are some truly valuable resources.

Kurzgesagt, whose educational videos I often link to, is but one example.

Cowan’s full article can be read at The Free Press with an account.

The Australian social media ban may not achieve much

8 December 2025

Nathan Powell writing for Mumbrella :

A social media ban for under 16s will have six uncomfortable realities that policymakers will not tell you. But they matter, because they determine whether this decision actually protects young people, or simply creates new risks in new places.

This is the polarising issue in Australia in 2025. People are either ardently in favour of restricting social media access to people under the age of sixteen, while others think it’s a terrible idea.

Both sides have convincing arguments to support their view. I don’t need to be told there is a lot of rot on social media that no one at all should see.

I’ve been winding back my social media use. I removed the Facebook app from my smartphone a couple of months ago, and have barely missed it. I’m considering doing away with Threads. It becomes more like the present Twitter/X with each passing day.

Ditto Instagram. There I’d just login to the website every now and then to see what’s happening.

But it’s also known younger Australians, particularly those marginalised in some way, are able to seek support safely and privately through social media, something they’ll lose access to. There’s no doubt the ban is going to be to the detriment of some Australians under the age of sixteen.

What happened to Problogger and Darren Rowse?

8 December 2025

A reader contacted me a few days after I mentioned blogging resource Problogger, and founder Darren Rowse, in a recent post. They were wondering if I knew anything about what’s happened at the site, or to Rowse himself, as no new content seems to have been posted since June 2024.

For those coming in late, Problogger was, or still is, one of the preeminent blogging resource sites, helping people who want to make money from writing online. The publication was launched by Melbourne based Australian blogger Rowse in 2004.

Despite being dated June 2024 though, some of the recent Problogger posts were actually much older. A few I looked at had — judging by the age of the comments — been written in 2008, and were re-posts. Evergreen content. But there was nothing — as far as I could see — indicating the site was taking either a temporary break, or ceasing operation all together.

It seems odd that a website with the profile of Problogger would suddenly fall silent, for no apparent reason. Of course long running single author blogs take breaks now and again, whether for personal or family reasons, or because the writer simply wants some time out.

Publishing content regularly is no small ask, as anyone who does so will tell you.

A look at the Problogger open-to-all Facebook page likewise revealed nothing. The last entry there, as of the time I type, is dated December 2024. The Twitter/X page however is a little more active, the last post I saw there (login may be required to view) was dated 18 November 2025.

But a Twitter/X post made on 15 April 2024 seems to answer the question of what’s become of both Problogger and Rowse: he’s now a church pastor, or at least is part time. As Rowse points out though, this is not exactly a new role, and was something he was doing prior to launching Problogger over twenty years ago. This might be him going back to his roots, perhaps.

I’m not sure what this means for the future of the Problogger website, given Rowse doesn’t appear to have said anything one way or the other as yet. There are still plenty of blogging related posts on his Twitter/X page, which might suggest Problogger will be revived sometime in the future. But until something official is said, Problogger readers will have to wait and see what happens.

On the plus side, even though posting seems to have paused, the website remains online, and content is still there to access. While it’s not quite my thing, it would still be unfortunate if twenty-plus years of information were to be taken offline.

As an aside, I also found out Rowse has been exploring how AI can be of use to religious leaders (Threads post). This might be of interest to people curious as to how religion and AI can intersect.

AI slop named word of 2025 by Macquarie Dictionary

29 November 2025

The Australian dictionary’s word of the year committee were scathing, to say the least, of their pick:

We understand now in 2025 what we mean by slop — AI generated slop, which lacks meaningful content or use. While in recent years we’ve learnt to become search engineers to find meaningful information, we now need to become prompt engineers in order to wade through the AI slop. Slop in this sense will be a robust addition to English for years to come. The question is, are the people ingesting and regurgitating this content soon to be called AI sloppers?

I’d hoped Macquarie Dictionary would make IndieWeb their word for 2025. Enshittification, by the way, was the 2024 word of the year.

Twenty-five must visit cinemas across Australia

15 November 2025

Flicks list of Australia’s twenty-five most beautiful cinemas is almost enough to tempt me back into going to film screenings instead of streaming from home.

Of those on the list, I’ve been to Golden Age Cinema and Hayden Orpheum Picture Palace. I used to practically live at the Ritz Cinema during my days as film blogger, and when I was based in that part of the world. Seems a lifetime ago now.

A surprise inclusion, at least to me, is the Chauvel Cinema. It definitely looks better to be in, than it is to be in. The seats were far from comfortable, as was the auditorium itself. Still, I liked my visits to the Chauvel, plus the second, smaller theatre, which is not pictured in the Flicks article.

The list makes for a great inclusion to a film-goer’s bucket list. I’d like to go to all of these places, especially Sun Pictures, in Broome, West Australia.

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Australia, cinema, film

Non-existent but realistic looking Australian phone numbers for film and TV

5 November 2025

I don’t know how this works in other countries, but the Australian Communications and Media Authority (ACMA), a statutory authority that regulates communications and media services locally, has allocated a range of non-existent phone numbers for use in things like films and TV shows.

Actually, this is the first I’ve heard of these numbers, and have given little thought to those I see in a local movie or show. I’ve always assumed producers use numbers that appear to have obviously been made up, like maybe, 1234-5678, or something.

It’s a great initiative though, productions can make use of realistic looking Australian phone numbers even though they are fictitious. I imagine film and TV show makers outside of Australia can use the numbers as well, in the event they need an Australian phone number in their work.

Vale William Munro, AKA Billy Wiz, Bondi Junction personality

22 October 2025

Some sad news. Billy Wiz, Sydney based Australian DJ, artist, author, cartoonist, and colourful character in general, died last week.

In recent years Billy operated a gallery — in the garden of his street level apartment, on Oxford Street, Bondi Junction — displaying his painting and illustration work, for passersby to peruse.

When in Sydney, we go to the bakery beside his apartment building, and would frequently see Billy deep in conversation with someone who was waiting for their coffee order.

The neighbourhood won’t be quite the same without Billy, who brought a sense of community to what often feels like a retail and commercial precinct. He was even happy to let customers of the bakery tether their dog’s leashes to his fence, while they went inside.

You can find out a bit more about Billy in this Media Man interview published in August 2003, and see some of his artworks on his Instagram page.

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art, Australia, music, Sydney

Michelle de Kretser, Rick Morton, among 2025 Prime Minister’s Literary Award winners

7 October 2025

de Kretser, who’s novel Theory & Practice (which I’m currently reading), and Morton’s book, Mean Streak, about the previous Australian government’s controversial Robobot debt recovery scheme, are respective winners of the fiction and non-fiction categories.

Others recipients, who were announced last Monday, 29 September 2025, include The Other Side of Daylight: New and Selected Poems, by David Brooks in poetry, and The Invocations, by Krystal Sutherland in young adult. See the full list of winners here.

The Sydney Science Fiction Film Festival, 3-5 October 2025

20 September 2025

A large blue spacecraft hovers above a futuristic cityscape of Sydney, Australia, with tall buildings and structures. The background features a large, bright yellow sphere, possibly the Moon, with a gradient sky transitioning from orange to red.

Running since 2020 I believe, this year’s Sydney Science Fiction Film Festival is on from Friday 3 October until Sunday 5 October 2025, at Event Cinemas, on George Street, in Sydney’s CBD. Eleven features will be screened, with many having their Australian premieres.

One title, The Eagle Obsession, trailer, a documentary directed by American filmmaker Jeffrey Morris, will have its international premiere at the festival.

Also known as The Eagle has Landed, the film explores travel to the Moon, both actual and imagined. William Shatner is among those appearing in the film, along with Barbara Bain and Nick Tate, who starred in 1970’s sci-fi TV series, Space 1999. Now I get the eagle reference…

The Sydney Science Fiction Film Festival Awards ceremony also takes place on the closing evening.

The spectacular banner for this year’s festival, as seen above, which is a futuristic representation of the skyline of Sydney’s CBD — spot the iconic Westfield Tower towards the left — was created by Australian filmmaker and artist Joshua Reed.

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