Showing all posts about technology
Kurzgesagt: the next pandemic could be made at home, scary hey?
4 July 2023
Advances in biotechnology are being made in leaps and bounds. On one hand what is being learnt is making the world safer, but on the other, there is a downside. While cures for deadly diseases are being developed, even nastier pathogens are being created at the same time. Or could be, as Kurzgesagt explains:
We are adding knowledge at unprecedented rates, while things get ever faster and cheaper to do. This speed means we can expect even more wonderful things for humanity. Lifesaving treatments, miracle crops and solutions to problems we can’t even imagine right now. But unfortunately progress cuts both ways. What can be used for good, can also be used for bad, by accident or on purpose. For all the good biotech will do for us, in the near future it also could easily kill many millions of people, in the worst case hundreds of millions. Worse than any nuclear bomb.
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animation, education, health, science, technology
Smartphone shipments decline, have we reached peak smartphone?
28 June 2023
One point two one billion smartphones were shipped in 2022, according to market intelligence firm IDC, the lowest figure since 2013. The decline in demand has been attributed to increased inflation and economic uncertainty. Purely anecdotal, but a few people I’ve spoken to have said they’re hanging onto their existing devices for the time being.
Apparently eighty-six percent of the global population have a smartphone, so I imagine the market is nearing saturation point. This despite the fact devices need to be upgraded periodically, and there are some people who feel compelled to go out and buy the latest models when they’re released, regardless of the condition of their existing device.
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smartphones, technology, trends
Lee Tilghman, giving up influencing for nine to five work
27 June 2023
Image courtesy of Veeka Skaya/Vancity Digital.
What do social media influencers, through with influencing, wanting to try something new, do? They find a nine-to-five corporate job, and act as a consultant for other influencers likewise wishing to exit the industry, of course. That’s the story of former — sort of — American wellness influencer Lee Tilghman. But in 2019, with the role no longer fun, Tilghman decided she wanted out. And what’s the point in staying in something you don’t like, especially when there are other options?
But Tilghman’s story is an intriguing one, given the number of people who would give their right arm, to be in her former position. Who wouldn’t want to be self-employed, on a high income, in return for making a few (sponsored) Instagram posts a day? But that’s simplifying matters somewhat. The posts appearing on an influencer’s social media feed or blog, are the tip of the iceberg. Most the work of an online content producer, even those with assistants, takes place behind the scenes.
In a profile written for the New York Times by Mattie Khan, Tilghman speaks of the delight nine-to-five work is presently bringing her. But is the grass really greener on the other side? One of Tilghman’s new corporate colleagues was mortified when he learned she had given up her role as an influencer. How could she possibly want to be “shackled” by a nine-to-five job? But Tilghman replied by saying “when you’re an influencer, then you have chains on.”
The chains binding influencers are numerous. There’s the need to toe the line — or at least convey that impression — of the brands you represent. While you might be happy to take a brand’s money, for a time anyway, your values may not always align with theirs. There’s also pressure to post frequently to keep followers engaged, lest they drift away. Being in the spotlight constantly can also take a toll over time, to say nothing of the criticism some influencers are subject to.
Today Tilghman counts the relatively low profile nature of nine-to-five work as a bonus, citing the absence of a “comments section at an office job.” That may be so, but how about things like office politics, and KPIs, at a corporate job? There’s a comment section surely as fearsome as any other. But I wonder, once an influencer, always an influencer? Despite having turned her back on the profession, Tilghman still has a profile that would make many a newbie green with envy.
At last count, Tilghman had some two-hundred and forty thousand Instagram followers, a following she’s partly leveraging for her side-hustle, online workshops assisting retiring influencers transition to a new career. And despite the desire for a “boring job”, Tilghman admits to occasionally missing her old work. But is influencing really work? It’s hardly what I am, I call it being a self-publisher, or blogger. But it’s not a job, it’s more of a way of life, and one that’s hard to turn away from.
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social media, technology, trends
This Never Happened, a mobile phone free music festival, coming to Australia
25 June 2023
Image courtesy of Pexels.
Should mobile phones be banned at music festivals? What sort of question is that? After all, is not recording the happenings of the day, be it video clips, or photos, and sharing them online, part and parcel of the music festival experience? Well it is, but doing so also has a downside. Just ask anyone who’s standing towards the back of the audience. The wall of held up arms and mobile phones might be about all they see of the show.
How’s that meant to be fun? But that’s not all. Evidence suggests recording certain events or experiences, by filming or photographing them, may diminish our ability to remember said occasions later on. So perhaps live music events would be more memorable, and more enjoyable for all concerned, if everyone left their phones at the ticket office?
That’s what Sydney based Australian event promotor Pia Del Mastro is betting on. Del Mastro is collaborating with American musician and electronic music producer Daniel Goldstein, also known as Lane 8, to bring such a rare creature, a music festival that does not allow the use of mobile phones, to Australia, in July 2023. The event, aptly enough, is called This Never Happened.
Lane 8 has been organising mobile phone free music festivals for several years overseas, and Del Mastro says they would be a first in Australia, in the mobile phone era. Lane 8 observed audiences were more engaged and immersed in the show, and gave their full attention to the bands performing, when they weren’t thinking about a device in their hand, which all makes sense.
It still remains to be seen how Australian festival goers will take to such a radical proposition. I’ve been to the occasional preview film screening, or product launch, where attendees needed to leave their phones at the front desk, but we were only without our devices for a couple of hours.
But This Never Happened will differ. Revellers will instead keep their phone, but be given a sticker to place over the camera lens. Del Mastro expects a degree of peer pressure, together with the phone-free spirit of the event, will see most of those present keep their devices pocketed away.
But we’ll find out soon. The first This Never Happened event takes place in Melbourne, on Friday 14 July 2023. I get the feeling though audiences, once they lose themselves to the music, will embrace the concept with open arms, and open eyes.
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events, music, smartphones, technology
WikiHouse a possible solution to affordable housing shortages?
25 June 2023
Housing shortages, along with rising interest rates and mortgage repayments, are presently driving up rents and homelessness. To alleviate the problem, the supply of affordable accommodation needs to be increased. But planning and constructing safe, well-built dwellings, takes time.
The WikiHouse project, based in Britain, are designers of sustainable, open-source, modular housing, and may be part of the solution. Long story short, component blocks of durable plywood can be made, which bolt together, in a similar fashion to self-assembly furniture, to create a house.
Perhaps this is something worth looking at?
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community, economics, technology
Debbie Disrupt, AI newsreader, broadcasting on Disrupt Radio
19 June 2023
Debbie Disrupt, AI newsreader, image via Disrupt Radio.
Entrepreneurial thinkers and business mavericks are in the sights of Disrupt Radio, Australia’s newest national radio network, which goes to air, or a streaming device near you, on Monday 26 June 2023. Australian comedian and broadcaster Libbi Gorr, also known as Elle McFeast and Irish rocker and activist Bob Geldof, will be kick starting proceedings during the station’s first week, with both set to feature on the breakfast show.
Veteran radio and television presenter, George Donikian has been brought on-board to read morning news bulletins, while Debbie Disrupt, an AI radio presenter will take the afternoon news shift. I don’t know if Debbie Disrupt is the first AI newsreader to ever present on a radio show, but her presence has media pundits talking. At the moment they remain unsure whether her participation is a cost consideration, or a publicity stunt.
I’m leaning more to the latter. Any suitably experienced radio presenter could read the news, but having an AI robot that can do the job instead? That’ll bring in the listeners, at least to begin with. I also see an element of expectation here. Something would be wrong if a start-up digital radio station called Disrupt didn’t have at least one AI presenter on the crew.
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artificial intelligence, entertainment, radio, technology
Only human artists, not AI creators will receive Grammy awards
19 June 2023
The Recording Academy of the United States recently amended their rules to stipulate that only human artists and creators can receive Grammy awards. Speaking in a recent interview, Harvey Mason Jr., CEO of the Recording Academy, said AI musical compositions can be entered for consideration, but at this stage no awards will be presented to such works.
At this point, we are going to allow AI music and content to be submitted, but the GRAMMYs will only be allowed to go to human creators who have contributed creatively in the appropriate categories. If there’s an AI voice singing the song or AI instrumentation, we’ll consider it. But in a songwriting-based category, it has to have been written mostly by a human. Same goes for performance categories – only a human performer can be considered for a GRAMMY.
The 2024 Grammy Awards are scheduled to take place on Wednesday 31 January 2024.
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artificial intelligence, music, technology
The Beatles get by with a little help from AI with new song
14 June 2023
Image courtesy of Firmbee.
With emphasis on the word little. Recent comments made by Sir Paul McCartney, bass player and co-songwriter of defunct 1960s British music act the Beatles, that AI has brought about a “new” song by the band, are perhaps a tad misconstrued. AI technology has indeed assisted in the production of a previously unreleased Beatles song, but application of the technology was somewhat limited.
In 1978 John Lennon, late Beatles guitarist and co-songwriter, recorded a number of demo songs in his New York home, using a portable audio cassette player, variously called a boombox or ghettoblaster. In 1995, when the remaining members of the Beatles were preparing to release the Beatles Anthology, they considered using Lennon’s demo songs as a basis for some new Beatles tracks. This resulted in the inclusion of two songs, Real Love, and Free as a Bird, in the Anthology set.
Starr, Harrison, and McCartney also wanted to include a third track from Lennon’s demo tape, called Now And Then, but there was a problem: the quality of Lennon’s vocals on the recording wasn’t the greatest. Despite their best efforts to tidy up the singing, the group — George Harrison in particular — wasn’t happy with the result. So the idea was shelved.
AI technology however has recently been able to extract Lennon’s vocals from his forty-five year old demo recording, and elevate the quality to a level McCartney and Starr, the surviving band members, are satisfied with. But that was the limit of AI’s part in bringing about this new — and according to McCartney — final Beatles song. The song, and it’s still not certain that it is Now And Then — though Beatles pundits believe it is — is expected to be released later in 2023.
Unless there are other forgotten, or lost, demo tapes made by Beatles members, lying undiscovered somewhere, it is to be hoped whatever track is eventually released, is indeed the last “new” material we hear from the old Liverpool musicians. I say that as I have the concern AI will surely manufacture additional, unauthorised, tracks that mimic the sound and style of the Fab Four, and be passed off as “newly discovered” lost recordings made by the band, by unscrupulous parties.
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artificial intelligence, Beatles, history, music, technology
As the Metaverse flounders, Second Life turns twenty
13 June 2023
Virtual community Second Life turns twenty this month, and continues to deliver what it always promised: a second life that’s sometimes better than the first:
While in cities like New York or London you might never own a flat, in Second Life you could design, build and inhabit a mansion.
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Will Vision Pro change or enhance the book reading experience?
8 June 2023
A few days ago Apple unveiled its much anticipated spatial computer headset device, Vision Pro. According to Apple, the product is “a revolutionary spatial computer that seamlessly blends digital content with the physical world, while allowing users to stay present and connected to others.”
This assertion is borne out by American Apple/tech blogger John Gruber, who briefly tried out a test version of the Vision Pro, on the sidelines of this year’s Worldwide Developers Conference (WWDC):
First: the overall technology is extraordinary, and far better than I expected. And like my friend and Dithering co-host Ben Thompson, my expectations were high. Apple exceeded them. Vision Pro and VisionOS feel like they’ve been pulled forward in time from the future. I haven’t had that feeling about a new product since the original iPhone in 2007. There are several aspects of the experience that felt impossible.
If you have even the slightest interest in the Apple headset, I suggest you read Gruber’s article in full. While the device is capable — or eventually will be — of doing all sorts of things, including offering an almost immersive movie watching experience, the rendering of (could we call them) fantasy scenarios caught my eye:
Then, a dinosaur — a velociraptor-looking thing, seemingly about 9 or 10 feet tall — approached the “portal” in the wall and came halfway through into the room. I was invited to stand up from the couch and approach it. […] The dinosaur was not pre-recorded. It reacted, live, to me, keeping eye contact with me at all times. It was spooky, and a significant part of my own lizard brain was instinctively very alarmed. I got extremely close to the dinosaur’s head, and the illusion that it was real never broke down.
Aside from the dinosaur simulation, Gruber also saw an excerpt of James Cameron’s 2022 movie Avatar: The Way of Water. I’m not really a fan of 3D films, I sometimes think they’re an eye-straining gimmick, but Vision Pro sounds like the platform 3D movies have been waiting for:
Cameron shot Avatar 2 with state-of-the-art 3D cameras, and the 3D effect was, as promised, better than anything I’ve ever seen in a theater or theme park. I don’t generally like 3D feature-length movies at all — I find myself not remembering them afterwards — but I might watch movies like Avatar this way with Vision Pro. But even though Avatar is 3D, it’s still a rectangular movie. It’s just presented as a very large rectangle with very compelling 3D depth inside that rectangle.
While a completely different medium from dinosaur simulations and 3D films, the possibilities Vision Pro presents made the book reader in me wonder how, or if, books, or novels, could be consumed on the platform. Books don’t exactly constitute digital content in this context, but still, could the way they’re “read” be somehow augmented, or enhanced, on a headset like this?
Might a book optimised for Vision Pro consumption combine an audiobook experience with visuals other than (but not excluding) pictures or illustrations. “Video” vignettes perhaps? And then audio. What about some background sound? Or might that be something book readers would resist?
While not every novel published would be adapted for Vision Pro — for obvious reasons, cost being one — I can’t imagine ebooks, which one or two people will read on their Vision Pros, not ever being altered or embellished, in some way for the platform.
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