disassociated

The Australian Electoral Commission (AEC) has issued an updated set of guidelines clarifying the role of content creators and influencers.

The move comes in the wake of mild controversy surrounding a recent interview Sydney based podcaster Abbie Chatfield recorded with Australian Prime Minister Anthony Albanese. Some listeners felt the interview constituted what is considered to be electoral material, something that requires an authorisation statement from the political entity issuing said material. These are usually adverts, that variously promote a party candidate, or policy, although they can take a number of forms.

The AEC however concluded the interview did not breach any regulations. The revised guidelines come in addition to a publicity campaign being run by the AEC, warning people to be cautious about material relating to the upcoming Australian Federal election, they may encounter on social media, and, no doubt, blogs and websites.

Polymath Cafe at Bondi Junction, in the eastern suburbs of Sydney, Australia, has recently begun brewing coffee made with beans from Barrel One Coffee Roasters.

Compared to the beans Polymath was previously using to brew coffee, I’m finding the Barrel One beans to be a little smoother, a tad, just a tad, sweeter.

In summary then, I’ll say: so far, so good.

American designer Jason Santa Maria, and co-founder of A Book Apart, a seller of numerous influential design publications, has returned to blogging after an eight year hiatus. You see, we all come back eventually. Once a blogger, always a blogger…

Philipp Lunch is based in Cologne, Germany, and recently launched a blog/personal website, despite it being not finished, and preferring to let it evolve. Yes, that is the trajectory of many a personal website. Australian physicist Cameron Jones’ website comes with the eye-catching name Caffeine and Lasers. He also has a shot at answering the question of the ages: where are all the aliens? Hmm, what do you think? Are they giving us the silent treatment, or are we very, very, lucky to be here?

Caleb Herbert resides in Missouri, in the Unites States. Instead of a smartphone, he keeps a notepad and pen in his pocket. Bet you weren’t expecting to hear that. Portland based American software developer Sage has been online since 2013, and is constantly redesigning their website. Remember those long ago days when we used to redesign our websites like every week?

Why we are still using 88 × 31 buttons? Website buttons (that’s what I’ll call them), particularly those with the dimension of 88 by 31 pixels, used to adorn personal websites during the late 1990’s. They pretty much disappeared during the blogging era, but thanks to Indie Web/Small Web, and the personal website revival, are enjoying a resurgence. 88 by 31 pixels may not seem like much of a canvas to work with, but as the works posted on Button Wall go to show, an economy of size is no inhibitor to creativity.

A week or two ago, Melbourne, Australia, based author and content creator Zachary Kai launched the Oceania Web Atlas, a web directory for bloggers and personal website publishers, based in the Oceania region. If you’re a local, submit your website. Thanks for including mine Zach.

The shortlist for the (stellar) Stella Prize, consisting of six titles, was unveiled last night:

• Black Convicts, by Santilla Chingaipe
• Black Witness, by Amy McQuire
• Cactus Pear For My Beloved, by Samah Sabawi
• Translations, by Jumaana Abdu
• The Burrow, by Melanie Cheng
• Theory & Practice, by Michelle de Kretser

The Stella Prize is an annual celebration of literature written by Australian women. The winner will be announced on Friday 23 May 2025.

The Phoenician Scheme, trailer, is the thirteenth feature of American filmmaker Wes Anderson. As ever, you don’t need to see Anderson’s name on the trailer to know this is a Wes Anderson film.

Many of his regular collaborators return, including Willem Dafoe, Scarlett Johansson, Rupert Friend, and of course Bill Murray, in what is billed as an espionage black comedy, and centres on a strained father-daughter relationship.

And the bit you’ve been waiting for… The Phoenician Scheme opens in Australian cinemas on Thursday 29 May 2025. This just might necessitate a visit to the cinema that day.

Tangentially related to last Thursday’s post… Australian actor and filmmaker Matthew Holmes (The Biscuit Effect, Twin Rivers, The Legend of Ben Hall, and The Cost), speaks out in an open letter about the lamentable state of the Australian film industry:

All my films have won awards at film festivals and received fair to excellent critical praise. They have been sold and distributed worldwide to Showtime, HBO, Stan, Prime Video, Apple TV+, SBS, Vudu, Tubi, Peacock, 9GEM, and Foxtel and they’ve been released on DVD and Blu-Ray. Yet, the financial return I’ve seen personally from all four films combined would barely amount to $6,000.

Certainly there are successful, well-off, Australian filmmakers.

Yet it is defies belief that a director like Holmes, who’s made a number of award winning, and well received features, is in the predicament he finds himself in. Holmes isn’t alone. Other Australian directors, with quality work to their names, struggle to obtain funding, while other, far inferior offerings (names not being named) get the green light.

We Are the Stars, by Australian author Gina Chick, has claimed the number one spot in the 2025 Dymocks Top 101 Books poll. We Are the Stars also enjoys the distinction of being the first work of non-fiction to top the the list in almost twenty years.

Notable fiction inclusions (being titles I’ve also read) in this year’s Top 101 include Lessons in Chemistry by Bonnie Garmus, The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid, The Dictionary of Lost Words by Pip Williams, and Before the Coffee Gets Cold by Toshikazu Kawaguchi.

Every year, customers of the Australian bookseller vote to determine their favourite titles of the previous twelve months.

Two years ago it was ChatGPT being trained with books written by Australian authors, without their knowledge or permission. Now Facebook owner Meta is doing the same thing: using the works of local writers without permission or royalty.

A number of Australian authors, including Sophie Cunningham, Hannah Kent, Tim Winton, Helen Garner, and Alexis Wright, using a tool developed by The Atlantic, have found their work has been added to LibGen, a database Meta is using to “train” its generative AI platform.

The company claims their use of the novels constitutes fair use, as, apparently, only “limited” amounts of copyright material is being used.

If the Meta AI technology in question is what I saw on Instagram a day or two ago, on the search tab, then it’s not much to write home about. I typed my name in to see what would happen, something that appeared to stump the AI platform.

Instead of saying something about me, someone’s who been online here for over twenty-five years — how could Meta’s AI technology possibly not know about that? — it returned a spiel about an English football player called Frank, who has the same surname as I do.

If the writing of some of Australia’s best authors can’t help the technology figure out what day of the week it is, just how useful is this AI platform going to be?

Ted Sarandos, co-CEO of Netflix, says cinemas are dead. There’s a bold call. Certainly it can be argued there is no need for cinemas any more. No one needs to go to a cinema to see a movie nowadays. They can do that from the comfort of their own home.

Despite the ease and convenience of watching films at home, negating the need for the middle-person that is a movie theatre, I think cinemas will be with us for a while yet. Going to the movies is a social and entertainment experience. A night on the town, sort of thing. Patronage might be down, and we might see some closures, but I doubt cinemas will go away completely.

I wondered if this was an April’s fool joke. A list of the fifty best things Microsoft (MS) ever made, compiled by The Verge.

Among inclusions is Clippy, a well intentioned though sometimes annoying paperclip-like assistant, that shipped with Office 97. There’s also Slate Magazine, originally a MS publication. Solitaire is an obvious highlight. But no mention of NotePad. Or Windows NT4? This has to be an April fool’s prank.