Curiosity-driven blogging: try doing that on TikTok or Instagram

12 November 2025

Simon Willison:

My piece this morning about the Marimo acquisition is an example of a variant of a TIL – I didn’t know much about CoreWeave, the acquiring company, so I poked around to answer my own questions and then wrote up what I learned as a short post. Curiosity-driven blogging if you like.

This is how I might refer to the longer articles I write. When I’m able to write them, that is. So often I intend to make but a brief mention of a given topic, but find my curiosity piqued, bit by bit, with each sentence I type. I soon find myself learning a whole lot more about the subject at hand than I thought I would, and realise I’ve expended some quantity of the midnight oil in doing so.

Is there a medium better than blogging for curiosity driven blogging?

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Meta to phase out Share to, Like on, Facebook social plugins

12 November 2025

Anna Washenko, writing for Engadget:

The company’s official line is that the plugins “reflect an earlier era of web development, and their usage has naturally declined as the digital landscape has evolved.” But Facebook also plays a much smaller role in the broader Meta business operation than it once did, and anecdotally, it’s less common to see sites running only integrations with a single social network.

Share to social media buttons were a feature on disassociated for a while, back in the day. It wasn’t easy to gauge exactly how many people used them, but I could see they didn’t go untouched.

I only deployed the Share option, rather than Like, as I thought the sharing of posts was of more value. I wasn’t a fan of the buttons that shipped with the plugin — way too much branding for my liking — and preferred to integrate icons I crafted myself, or, for a time, text only share links. I also had a share to (then) Twitter option.

While remnants of the early web continue to whittle away, the demise of the Facebook social plugins could hardly be seen as contributing to this “evolution” of the digital landscape. Thankfully.

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Two numerals, six seven, are the dictonary.com word of 2025

11 November 2025

67 has been named word of the year by dictionary.com:

If you’re the parent of a school-aged child, you might be feeling a familiar vexation at the sight of these two formerly innocuous numerals. If you’re a member of Gen Alpha, however, maybe you’re smirking at the thought of adults once again struggling to make sense of your notoriously slippery slang. And if it’s a surprise to you that 67 (pronounced “six-seven”) is somehow newsworthy, don’t worry, because we’re all still trying to figure out exactly what it means.

I’m all for it. I use the phrase constantly. I say six, seven, then pause. I resume by adding, eight, nine, ten. That way people think it’s an anger management technique.

Blogging and anger management goes hand-in-hand after all.

I would prefer it if 67 were styled six-seven though, so that it looks like an actual word. But then again I think presenting numerals as a word is part of the point of using the term in the first place.

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alive internet theory, bringing the dead internet back to life

11 November 2025

alive internet theory, all lower case, by Spencer Chang:

alive internet theory is a séance with this living internet. Resurrecting tens of millions of digital artifacts from the Internet Archive, visitors are immersed in a relentless barrage of human expression as they travel through the life of the web as we created it — every image, video, song, and text uploaded by a real person on the web.

This is the sort of séance I can get into.

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Star Trek reboot, Kelvin timeline, movie series cancelled

10 November 2025

Tatiana Siegel, Brent Lang, and Matt Donnelly, writing for Variety:

The hope is to have a fresh “Star Trek” movie, though the studio has moved on from the idea of bringing back Chris Pine, Zachary Quinto and the rest of the ensemble from the J.J. Abrams reboot.

The news probably comes as no surprise to Star Trek fans who were nonetheless hopeful of a fourth film in the Kelvin timeline series, which kicked off with Star Trek in 2009, directed by J.J. Abrams.

There are likely numerous reasons for the apparent cancellation, with poor box office takings for 2016’s Star Trek Beyond, the last film in the series, being among them. The tragic death, also in 2016, of Anton Yelchin, who portrayed Pavel Chekov, a key character, might have been a factor as well.

The decision to not make any more instalments in the Kelvin series is not thought to be the end of the Star Trek stories however, and it is believed producers are considering other film and TV ideas.

Reading the Variety article reminded me the first of the rebootedTrek movies had its world premier at the Sydney Opera House, in 2009. While many of the cast and production crew were present, some sixteen-hundred “tastemakers” were also invited to the screening.

As a moniker for influencers, tastemakers didn’t last long, but many of those present would have been conveying their impressions of the new film through their blogs, and possibly Twitter.

How times change, regardless of which timeline you are on.

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The Rot, new work by Evelyn Araluen, Australian poet

5 November 2025

The Rot, by Indigenous Australian author Evelyn Araluen (Instagram page), follows up 2021’s Dropbear, which won the 2022 Stellar Prize.

The Rot is a recalcitrant study of the decaying romances, expired hopes and abject injustices of the world. A liturgy for girlhood in the dying days of late-stage capitalism, these poems expose fraying nerves and tendons of a speaker refusing to avert their gaze from the death of Country, death on Country, and the bloody violence of settler colonies here and afar.

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Non-existent but realistic looking Australian phone numbers for film and TV

5 November 2025

I don’t know how this works in other countries, but the Australian Communications and Media Authority (ACMA), a statutory authority that regulates communications and media services locally, has allocated a range of non-existent phone numbers for use in things like films and TV shows.

Actually, this is the first I’ve heard of these numbers, and have given little thought to those I see in a local movie or show. I’ve always assumed producers use numbers that appear to have obviously been made up, like maybe, 1234-5678, or something.

It’s a great initiative though, productions can make use of realistic looking Australian phone numbers even though they are fictitious. I imagine film and TV show makers outside of Australia can use the numbers as well, in the event they need an Australian phone number in their work.

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Too complicated for algorithms: the universe cannot be a simulation

3 November 2025

The bus I’m on arrives at an interchange stop but a minute late and misses the connecting service which left a minute earlier than scheduled. The bean grinder at the cafe breaks down just as I arrive.

The door phone at a friend’s apartment is on the blink, and I’m in a phone black spot and unable to call them. The internet connection drops mid way through a bank transaction, and refuses to reconnect for several minutes, leaving me wondering whether the payment went through or not.

A micro-tear in my water bottle partly soaks the contents of my day bag. A succession of late-evening (no less) traffic delays sees us reach the supermarket a minute after closing time. My laptop crashes as I open the lid to resume a session. This is what happened one day.

They’re all minor irritations, but were pretty much consecutive. Of course it was a run of bad luck, yet occasions like these are enough to make me think the universe is a simulation, I’m a Sim, and am being cruelly manipulated by player of the game that is the universe we live in.

I need no longer think that though. An international team of researchers, lead by Dr Mir Faizal of Canada’s University of British Columbia, have found the universe is, in essence, too complicated an entity to be the product of a computer generated simulation:

Their findings, published in the Journal of Holography Applications in Physics, go beyond simply suggesting that we’re not living in a simulated world like The Matrix. They prove something far more profound: the universe is built on a type of understanding that exists beyond the reach of any algorithm.

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Sydney’s Writers’ Walk to become longer, celebrate other artists

3 November 2025

Located along the shoreline of inner Sydney suburb Circular Quay, Sydney’s Writer’s Walk commemorates well-known authors and playwrights, who are either Australian, or visited the country at some point, with circular plagues set into walkways in the area.

Local writers include Miles Franklin and Peter Carey, while the international cohort is made up of the likes of Rudyard Kipling, and Mark Twain, who were in Australia in 1891, and 1895, respectively.

The Walk was established in 1991, and in 2011 an additional eleven plagues were added, but plans are afoot to add to the Walk in the near future. This makes sense. A bevy of new Australian writers have emerged in the last decade and a half. Numerous notable authors, who were omitted originally, are also in the running for a spot, as are songwriters, who may also be included.

The Sydney’s Writer’s Walk is one of a number of such commemorative walkways in the Sydney area. Others include the Australian Film Walk of Fame, located in Randwick, and the Australian Surfing Walk of Fame, at the beach suburb of Maroubra.

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Average at Best, a memoir by Astrid Jorgensen, Pub Choir founder

29 October 2025

Brisbane based Australian musician and singer, and founder of Pub Choir, Astrid Jorgensen (Instagram page), recently published her memoir, Average at Best.

Average, says Jorgensen, is underrated, given how difficult it is to be the best:

By its very nature, ‘best’ is rare and elusive: you’re not going to get much of it in life. And I sure don’t want to miss out on deeply experiencing the fullness of my one precious existence, searching for the sliver of ‘best’.

One of Pub Choirs’ feats was, in August 2023, to assemble nineteen-thousand people across Australia to sing the ever popular Africa, a song recorded by American band Toto in 1982.

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