Juice: the new cli-fi novel by Australian author Tim Winton

2 October 2024

Juice is the latest novel by Australian author Tim Winton, which was published yesterday. From this synopsis, Juice sounds like it blends elements of the Max Mad saga, with Winton’s own environmental and climate change concerns:

Two fugitives, a man and a child, drive all night across a stony desert. As dawn breaks, they roll into an abandoned mine site. From the vehicle they survey a forsaken place – middens of twisted iron, rusty wire, piles of sun-baked trash. They’re exhausted, traumatised, desperate now. But as a refuge, this is the most promising place they’ve seen. The child peers at the field of desolation. The man thinks to himself, this could work.

Problem is, they’re not alone.

So begins a searing, propulsive journey through a life whose central challenge is not simply a matter of survival, but of how to maintain human decency as everyone around you falls ever further into barbarism.

I heard Winton speak about six-and-a-half years ago at the Sydney premiere of Breath, a film based on his 2009, Miles Franklin award winning, novel of the same name. The feature was directed by, and starred, Australian actor Simon Baker, also present that evening.

Winton was one of the screenwriters of the Breath film adaptation. That’s a smart move, get the author of the book being adapted, to co-write the screenplay. Where possible of course. Quite a number of Winton’s books have been made into movies, so it seems like there’s a good chance Juice will follow suit.

Do mullets make for great Australian Football League teams?

1 October 2024

I’m not very sporty as regular readers will have gathered. Of the approximate sixteen-hundred posts here at present, less than half a dozen are sport related. Of these, the majority relate to the Matildas, the Australian women’s football/soccer team, which I wrote during last year’s World Cup tournament. To think it’s been over a year now since that happened.

Last weekend though, was the grand final of the 2024 Men’s AFL (sometimes called Aussie rules) competition. The Sydney Swans, who I would regard as my local team — since geographically speaking they are the nearest club to me, and one of only two AFL teams in NSW — faced off against a team called the Brisbane Lions. Long story short, it didn’t end well for the Swans.

Then yesterday, I spot this infographic at FlowingData, illustrating how many players in each of the competition’s teams sport mullets. Interestingly, just four Swans players style their hair accordingly, one of the lowest counts in the league. On the other hand, nine Brisbane Lions players are mullet-ed.

My question: did this mullet imbalance have anything to do with the result of the grand final?

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Australia, humour, sport

Vale British actor Maggie Smith, Harry Potter, A Room with a View, star

30 September 2024

I’m pretty sure the 1984 film, A Room with a View, made by James Ivory and Ismail Merchant, was my introduction to the work of British stage and screen actor Maggie Smith, who died last week, aged 89. I’d been trying to read the 1908 novel of the same name, by E.M. Forster, but was struggling, as I seem to with the classics. It was then I found out about the film adaptation.

In it, Smith played the role of Charlotte Bartlett, who was chaperon to her younger cousin, Lucy Honeychurch, portrayed by Helena Bonham Carter, during a visit to Italy. Smith and Bonham Carter would go on to work together again in the some of the Harry Potter films.

As a screen actor, Smith was not only an amazing talent, she was also prolific, featuring in over eighty films, so there’s a good chance you’ve seen her in at least one movie. Some of her credits include A Private Function, Romeo.Juliet, Richard III, Gosford Park, The Best Exotic Marigold Hotel, Quartet, The Lady in the Van, and 2019’s Downton Abbey.

Going back to A Room with a View though, and I may not be popular for saying this, but here I think is an instance of the film easily being better than the book.

Internet Archive Wayback Machine link replaces Google search cache

27 September 2024

Google search does away with its cache, an archived copy of an earlier version of a webpage, but now links to the Internet Archive’s (IA) Wayback Machine copy instead. Try it on your own website, assuming it’s indexed by Google that is. On the search result, click the “more about this page” button, which will take you to a page where you’ll see a Wayback Machine link.

You won’t see a copy of every website presently online, or that once was though, as Chris Freeland, writing on the IA blogs page, explains:

This collaboration with Google underscores the importance of web archiving and expands the reach of the Wayback Machine, making it even easier for users to access and explore archived content. However, the link to archived webpages will not be available in instances where the rights holder has opted out of having their site archived or if the webpage violates content policies.

The Google move seems like a much needed — maybe — shot in the arm — maybe — for the IA, which has been struggling of late.

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history, technology, trends

NSWEduChat, an AI tool for Australian teachers in NSW

27 September 2024

Australian teachers in NSW, now have access to NSWEduChat, a generative artificial intelligence (AI) tool, intended to help educators get a grip on AI tools:

The tool aims to provide additional support to staff in developing and delivering teaching experiences, easing workload demands, and empowering users to advance their AI skills in a safe environment.

The NSW Department of Education however urges caution while using the tool, reminding teachers the bot may not always be accurate, a government health warning, if ever there were one:

NSWEduChat can simulate many tasks that a human might perform but may not always be accurate. School leaders, teachers and trained, experienced employees in non-teaching positions should apply professional judgment when using NSWEduChat.

It sounds like NSWEduChat will eventually be available for students to use, something that is currently being trialled. A student roll-out will only happen once safety and privacy matters have been worked through.

When is the social web not the social web? When it is THE social web

27 September 2024

A few days ago, a group called the Social Web Foundation was launched. A coming together of “leaders of the open social networking movement“, the foundation aims to make “connections between social platforms with the open standard protocol ActivityPub.” Rather than me reinventing the wheel, here’s the Wikipedia definition of ActivityPub:

ActivityPub is a protocol and open standard for decentralized social networking. It provides a client-to-server (shortened to C2S) API for creating and modifying content, as well as a federated server-to-server (S2S) protocol for delivering notifications and content to other servers. ActivityPub has become the main standard used in the fediverse, a popular network used for social networking that consists of software such as Mastodon, Pixelfed and PeerTube.

In short, ActivityPub allows individual, separate, decentralised social networking platforms, to “talk” to each other. Therefore someone on, say, Threads can (in theory) interact with another person on Mastodon. Threads and Mastodon are two different entities. The ActivityPub protocol means the Threads member does not need a Mastodon account, and vice versa. The Threads member will be able to interact with the Mastodon member, almost as if they were on the same platform.

Here’s the Social Web Foundation’s wording of what I just said:

The “social web”, also called the “Fediverse”, is a network of independent social platforms connected with the open standard protocol ActivityPub. Users on any platform can follow their friends, family, influencers, or brands on any other participating network.

The foundation, in the same sentence, is also proposing that the fediverse, the current conglomeration of independent social platforms, be referred to as the social web. Perhaps by now you’re saying to yourself: “remind me again; who are these Social Web Foundation people?”

You wouldn’t be the only one. When I first heard about the foundation, it reminded me of a group (I think) of people calling themselves fediverse.info. About a month ago, they proposed the use of a typographic symbol, an asterism, as a symbol of none other than the fediverse. I had no problems with the suggestion, but I wondered what sort of mandate they had to make such a proposal.

As I wrote then, there was very little information on the fediverse.info website as to who they were, and why they thought they were in a position to make the suggestion in the first place. The fediverse.info group may be made up of some of the most respected people in the fediverse, but you’d never know that from their webpage.

The foundation, on the other hand, is a little more transparent. At least in terms of membership. Their team page identifies Evan Prodromou, Mallory Knodel, and Tom Coates, as core members. What’s not so clear, is why they think they’re in a position to suggest the fediverse be renamed the social web. Unless you accept this rather dubious, and astonishing claim, about Prodromou:

Evan [Prodromou] made the first-ever post on the social web in May 2008.

Prodromou’s background is impressive. Not only did he co-write the ActivityPub protocol, he once worked for Microsoft, and in 2003 founded Wikitravel, a now defunct a web-based collaborative travel guide. He’s doubtless scored a few firsts during his career, but the first-ever social web post claim is problematic. Twitter, for instance, was founded two years earlier in 2006. If Twitter then is not a social web platform, what is?

Actually, there are a number of answers to that question, says fLaMEd, webmaster (a title often used in the nineties, by people who operated and published websites, in the absence of the yet to be devised term blogger) and writer, at fLaMEd fury:

Have you heard of blogs, guestbooks, forums, instant messaging, email?

Email has been around since the early 1970’s. Almost forty years before 2008. And if having a social exchange via email isn’t an instance of the social web, what is? Of course, email isn’t social in the same way that, say, a public, there for all to see, Twitter/X feed is.

Enter then some of the earliest websites, of which fLaMEd fury, online since 1996, is among. And this website, disassociated, online since 1997. I’ve written about my own experiences of this social web.

During the late 1990’s, I made the acquaintance of numerous webmasters, designers, and writers. Some were overseas, but many were in Australia. We communicated in a number of ways. Through the online journals of our personal websites, where we referenced each other, in true IndieWeb style. Or by writing in each other’s guestbooks.

Before long, about eight of us had established an email group, and in 1999, our “social web” interactions culminated in the establishment of the (now off-line) Australian Infront, a group of web creatives working to elevate the perception of Australian web design. Through the Infront’s discussion forums, and face-to-face social gatherings, we brought potentially thousands of local, and international, designers together. Try telling anyone involved that wasn’t social web, because something called ActivityPub didn’t then exist.

There’s nothing new about the social web, it’s been there almost as long as the internet has. But I suspect the Social Web Foundation is going to stay the course, and press ahead with its efforts to rename the fediverse the social web.

But Prodromou has one other claim to fame. In 2007, he founded a company called Control Yourself, which developed Identi.ca, a Twitter/X like microblogging platform. I was an Identi.ca member for a short time in 2008. Was Identi.ca, I wonder, the “social web” platform that Prodromou made this purported “first-ever” post from?

If so, then I think clarification is in order. Instead of saying “Evan made the first-ever post on the social web in May 2008”, perhaps it is more accurate to say he “made the first-ever post on the Identi.ca platform in 2008.”

AI is changing the way photos are classified, photos or memories

26 September 2024

The iPhone 16, Apple’s latest smartphone, has arrived on shop shelves. There are four versions of the device: 16, 16 Plus, 16 Pro, and 16 Pro Max. In time all will feature Apple Intelligence, Apple’s artificial intelligence (AI) offering, which will be “deeply integrated” into iOS18 and other Apple operating systems. From what I can gather, Apple Intelligence features will be rolled out over time, presumably by way of incremental updates to iOS18, and beyond.

One of the iPhone 16’s — specifically the Pro and Pro Max models — big talking points though, has been the inclusion of a physical shutter button (although Apple calls it “camera control”) for the camera. It means people will be able to tilt their phone into (what I’ll call) landscape mode, and have the device mimic cameras of old.

Of course, photos can still be taken in portrait orientation using the button. There are a number of other major new camera and photo settings, but Nilay Patel, editor-in-chief of The Verge, suggests the new camera/photo features alone may be reason enough to consider buying a 16.

There’s also speculation as to the difference Apple Intelligence will make to photos taken, going forward. A yet to arrive feature, called “Clean Up”, which like the “Magic Eraser” function on Google phones, will allow people to alter, with the aid of AI, their iPhone photos. They’ll be able to remove (and add) objects and people. It’s going to be a game-changer. So much so, that some smartphone images are being referred to as memories:

I asked Apple’s VP of camera software engineering Jon McCormack about Google’s view that the Pixel camera now captures “memories” instead of photos, and he told me that Apple has a strong point of view about what a photograph is — that it’s something that actually happened.

This distinction is significant. Old school images, raw and unedited, recording an instant in time, will continue to be referred to as photos. This will be a journalistic application. Images edited by way of AI, meanwhile, will become more appropriately considered memories.

Clean Up or Magic Eraser can be used to remove that inadvertently photo-bombing stranger who strays into the background of a family group shot, thus preserving the memory of the moment as those present would like to remember it.

Photos or memories. It seems all very inconsequential, a small step even — I’m merely scratching the surface here — but another of the many changes AI technologies are bringing our way.

Bringing everyone back to the workplace does little for company culture

25 September 2024

Amazon, the online retailer and tech company, has directed all employees to return to the office by early January 2025. Presently workers are required to be in the workplace at least three days a week. In a recent companywide announcement, CEO Andy Jassy says he wants to do away with the current hybrid working arrangement (being a few days at home, a few days onsite), in favour of having everyone back in the office.

Although Jassy outlined numerous reasons for the change in policy, he believes the move will strengthen the company’s culture. Company culture is a term that’s been bandied about — for what? — at least two decades now. It’s up there with other pitiful instances of corporate speak, including values migration and paradigm shift, but what does it even mean?

American writer and entrepreneur Laurie Ruettimann, probably summed it up best in November 2014, when she wrote:

I’ve been saying that your company doesn’t have a culture for years. You incorrectly apply the word “culture” to a group of people who behave a certain way because their lives are dominated by a few powerful figures in your office.

Isn’t it incredible, that ten years later, people still hold steadfast to the notion of company culture. The emperor’s new clothes, anyone? But a substantial body of research, conducted by PwC has concluded being present in the workplace does little for this so-called culture anyway:

The Big Four accounting firm conducted 13 months of research and surveyed over 20,000 business leaders, chief human resources officers and workers for its new Workforce Radar Report — and it found that hybrid workers feel more included and productive than those who sit at their company’s desk five days a week. “While many companies are pushing for return to office, it turns out that hybrid workers demonstrate the highest levels of satisfaction,” the report highlights.

It would be reasonable to think any findings made by an organisation such as PwC, particularly as a big four accounting entity, would be deemed noteworthy, but somehow I doubt that will be the case.

And for a definitely contrarian perspective on the subject of returning everyone to the workplace, read this Sentinel-Intelligence article.

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Intermezzo by Sally Rooney: early thoughts, reviews from critics

25 September 2024

I’m guessing a few people had a sleepless night on Monday/Tuesday, after getting hold of the new Sally Rooney novel, Intermezzo, at one of the midnight release events earlier this week. Book reviewers, meanwhile, were probably lucky enough to score an advanced reader copy (ARC), at some point beforehand.

Anyway, no spoilers here, just some brief excerpts from the thoughts of a few book reviewers. The consensus though, so far, being Intermezzo is different from Rooney’s previous three novels, but that’s not a bad thing.

Constance Grady writing for The Guardian:

Intermezzo is an accomplished continuation of the writing that made Rooney a global phenomenon.

Alexandra Harris writing for Vox:

I’m happy to report that Intermezzo is exquisite. While the experimental and polarizing Beautiful World stayed largely out of the minds of its characters, with occasionally chilly results, Intermezzo is all rich inner monologue, as deeply felt as Normal People.

Dwight Garner writing for The New York Times:

“Intermezzo” wears its heart on its sleeve. It’s a mature, sophisticated weeper. It makes a lot of feelings begin to slide around in you.

The crew at Melbourne based independent Australian bookshop, Readings, sound like they stayed up all night reading Intermezzo. Justin Cantrell-Harvey, a bookseller, described the novel thusly:

A slow burn that lingers with grief and ignites a longing for something just out of reach.

Laura Miller writing for Slate:

A casual reader (or dismisser) of Rooney might think all her books are the same. But her new novel is a darker, sadder departure from the formula — and it’s better for it.

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books, literature, novels, Sally Rooney

Playing Tetris may ease post-traumatic stress disorder symptoms

24 September 2024

Sara E. Teller, writing for Legal Reader:

The research, published in BMC Medicine, focuses on the use of video games, particularly the well-known Tetris game that has been around for decades, to help reduce intrusive memories, a core and sometimes debilitating symptom of the condition.

Invented in 1984 by Alexey Pajitnov, Tetris is a straightforward yet fun, video game. Anything that can help PTSD survivors, in any way, has to be a good thing.

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