Sydney Film Festival unveils first twelve films for 2023

5 April 2023

The Sydney Film Festival, now its seventieth year, has announced the first twelve films that will be part of the 2023 program. Afire, trailer, by German filmmaker Christian Petzold, who made the brilliant Barbara in 2012, caught my eye immediately with its storyline, that among other things, includes an out of control bush fire:

Friends Leon (Thomas Schubert) and Felix (Langston Uibel) head to an idyllic seaside holiday home for the summer. They look forward to relaxation, but also must work on their creative projects. Leon will finish the manuscript of his anticipated second novel, while Felix has to complete a photography portfolio. On arrival they find an unexpected guest Nadja (Paula Beer, Undine), whose loud sex with local lifesaver Devid (Enno Trebs) elicits irritation… among other feelings. Soon Leon is smitten with Nadja, and Felix taken with Devid — and the summer holiday is filled with lust, jealousy, competition and creativity. All the while the forest fires, once distant, encroach and grow, leading to a shocking climax.

The full program of the festival will be announced on Wednesday 10 May 2023.

The 2023 David Harold Tribe Poetry Award

4 April 2023

Entries are open until Monday 29 May 2023 for the 2023 David Harold Tribe Poetry Award. With a prize of twenty-thousand dollars, it is Australia’s richest award for original, unpublished, poetry of up to one-hundred lines in length. David Tribe was an Australian humanist and writer who died in 2017.

The prize was created in 2005 as part of the David Harold Tribe Awards, to recognise excellence in Australian fiction, poetry, philosophy, sculpture, and symphony, with a prize for each segment being awarded every five years. In 2018, the last time the poetry award was presented, Grace Heyer and Ella O’Keefe were named joint winners.

More information about the prize, and how to enter, can be found here.

100,000 plus new songs released daily, so what to listen to?

4 April 2023

By some estimates, one hundred and twenty three thousand new songs are released across the globe every day. That’s surely more music than any person could listen to in a lifetime. In a seemingly arts saturated world though, American jazz critic and music historian, Ted Gioia, contends the problem isn’t necessarily with supply, but rather demand. This means creating more demand driven initiatives, in other words, finding new ways of putting this new music in front of audiences.

Yet almost every arts-related institution in the world is focused on the supply side, almost to an obsessive degree. This feels good — we love giving money to artists. But even from a purely financial standpoint, these programs don’t do half as much good as genuine audience expansion. If you offered a musician the choice between a hundred dollars and a hundred new fans, they absolutely benefit more from the latter. It’s a no-brainer. In fact, musicians probably make more from just one loyal fan.

This is something we see with fiction publishing in Australia, and likely worldwide. As I’ve written before, a first-time writer of a literary fiction novel in Australia might expect to see a maximum of two thousand sales of that book. Australia doesn’t have the biggest of populations, but surely there’d be more interest in a book than that. In a somewhat supply saturated market, granted. As Gioia says, it is demand driven initiatives that are needed.

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Trove receives funding to continue ongoing operation

4 April 2023

Trove, Australia’s online library database of historical and cultural documents, which is operated by the National Library of Australia, has received a new round of funding from the Australian federal government. The move ends months of uncertainty that had been shrouding Trove’s future:

The National Library of Australia welcomes the commitment made by the Albanese Government to provide $33m over the next 4 years to maintain Trove, with $9.2m ongoing and indexed funding from July 2027. We are delighted that Trove’s future has been secured.

Asteroid City, a film by Wes Anderson

2 April 2023

After an asteroid buzzed uncomfortably close to Earth several days ago, the trailer for American filmmaker Wes Anderson’s new film, Asteroid City, landed, if you’ll excuse the pun. Does this mean Anderson is psychic, or does he have a knack for — if you’ll excuse another pun — hitting the mark? One thing’s certain though, Anderson has a knack for getting it right with cinema-goers, and Asteroid City, billed as science fiction romantic comedy drama, his eleventh feature, looks to be no exception.

What’s Asteroid City about then?

A widower (Jason Schwartzman) is driving his son Woodrow (Jake Ryan), and three daughters, across the United States to see their grandfather (Tom Hanks), during the summer of 1955. Their car breaks down in a town called Asteroid City, situated in the middle of the Arizona desert. They happen to arrive in time for a stargazers’ convention, held on Asteroid Day, which commemorates the day the Arid Plains Meteorite is said to have struck the area, on 23 September 3007 BCE.

Woodrow is intrigued by the event that draws people from across the world, and wants to stay for it. With their car undergoing repairs, Woodrow’s father calls his grandfather, who reluctantly agrees to come and collect his sisters. The widower and his children are not the only visitors to Asteroid City though. Midge Campbell (Scarlett Johansson), a movie star is also in town. But then strange things begin happening. Loud bangs are heard, and earthquakes rock the town.

Locals begin reporting the presence of extra-terrestrials, and the authorities decide to seal off Asteroid City, until they can figure out what’s going on. Woodrow and his family, along with the other visitors in town, are forced to stay put. It may not be all bad for the reserved, awkward Woodrow though. He’s met a girl, also in town for the stargazers’ convention, and the two seem to feel they share a connection…

For those who in late, Wes Anderson is…

A filmmaker who hails from Houston, Texas. Although Anderson wanted to be a writer, he was always making films. Growing up, Anderson often made homemade films, with his siblings and friends. He also worked as a cinema projectionist while at university. He made his first full length feature Bottle Rocket in 1996, which was based on an earlier short film he’d made with the same name. Three of his works feature on the BBC’s 100 Greatest Films of the 21st Century.

There are many ways to describe Anderson’s films. Quirky. Eccentric. Whimsical. Vintage. Nostalgic. With an abundance of rich pastel colours, his stories hark back to a world where life was a little simpler, though a dark streak is often ever present. Stylistically, Asteroid City looks to be no different, but if the trailer is anything to go by, Anderson has ramped up the colour saturation, imbuing the story with a truly fairy tale like quality.

As such Asteroid City is par for the Anderson course, and is his first foray into science fiction, with the possible exception of 2018’s Isle of Dogs.

A sci-fi potpourri perhaps?

While the trailer only offers a glimpse of what’s to come, the references to Steven Spielberg’s 1977 film Close Encounters of the Third Kind, and 1968’s 2001: A Space Odyssey, by Stanley Kubrick, are pretty clear. And after all, how could any Wes Anderson movie with an outer space tack not have a nod to 2001? It remains to be seen whether there are any Star Wars and Star Trek imprints though, but I have a feeling they’ll be in there somewhere.

Asteroid City by Wes Anderson, film poster

The gang’s all here

On top of his distinct film and storytelling style, Anderson usually works with the same writers and actors. He often co-writes screenplays with Jason Schwartzman, who stars in Asteroid City, along with frequently collaborating with Noah Baumbach and Roman Coppola. On screen, regular Anderson standbys include Willem Dafoe, Tilda Swinton, Jeff Goldblum, Adrien Brody, Edward Norton, Liev Schreiber, and the aforementioned Scarlett Johansson.

But the large cast features more than just Anderson regulars. Hong Chau, Margot Robbie, Bryan Cranston, Jarvis Cocker, and Sonia Gascón, are also among this ensemble cast of astronomical proportions. Conspicuous by absence though is Bill Murray, who has featured in every Anderson feature except Bottle Rocket. Murray was unable to participate after being diagnosed with Covid, shortly before production commenced. Steve Carell was cast to take Murray’s place instead.

Asteroid City meanwhile is the first Wes Anderson film that Tom Hanks has appeared in.

That’s a wrap, almost…

Despite being set in the Arizona desert, Asteroid City was mostly filmed in Spain, in Chinchón, a town about fifty kilometres to the south east of Madrid. From what I can tell, the Arizona desert sure looks like the Arizona desert, though I’m not sure why Anderson didn’t go for the real thing. Maybe Covid restrictions applying at the time ruled out other locations. Or it could be a matter of convenience, as Anderson lives not too far away in Paris.

I’m also wondering if there’s any significance to the date of Asteroid Day, being 23 September. What’s up with 23 September? It’s probably a totally random date, but I checked for notable past events occurring on 23 September anyway. Encyclopædia Britannica reports American musician John Coltrane was born on that day in 1926, while actor, choreographer, and film director John Fosse died on 23 September, in 1987.

Austrian neurologist Sigmund Freud, who devised psychoanalysis, also died that day, in 1939. Perhaps the momentousness of Asteroid Day’s date, if there is one, will come to light at a later time.

Asteroid City is set to premiere at the Cannes Film Festival in May 2023, and open in Australian cinemas on Thursday 22 June 2023.

Iris, the new name of the Booker Prize trophy

31 March 2023

After a public vote to select a name for the Booker Prize trophy, convenors of the British literary award have revealed Iris to be the winning choice. Interestingly though, the winner of the vote was actually the name Bernie, being a nod to Bernardine Evaristo, the first black woman to win the Booker, with her 2019 novel Girl, Woman, Other.

Evaristo however felt late Irish British novelist Iris Murdoch should instead be honoured. The name Iris came in at second place in the poll:

‘I’m surprised and flattered that the name Bernie was nominated by readers in the Booker Prizes’ trophy competition and that it received the most votes in the public poll,’ Evaristo said. ‘But as the only living author on the list, I feel it would be more fitting for the honour to go to a writer who is no longer with us,’ she added.

Bad Art Mother by Edwina Preston rejected by 25 publishers

30 March 2023

Bad Art Mother by Edwina Preston, book cover

Melbourne based Australian musician and author Edwina Preston took her manuscript for Bad Art Mother, which was today shortlisted for the 2023 Stella Prize, to twenty-six book publishers before finding one who accepted it:

Thankfully her agent, Jenny Darling, was sending out the book. “I was a bit shielded in that sense, I don’t know if I would have sent it out 25 times off my own bat. But having that support behind me, I can’t tell you how important that was. It felt very lonely, and I felt very much like I was a bit deluded about myself and my work, but she believed in it.”

It’s kind of surprising, though maybe it isn’t, but Preston already had two books to her name, The Inheritance of Ivorie Hammer, a novel published in 2012, and Not Just a Suburban Boy, a biography of late Australian artist Howard Arkley, published by Duffy & Snellgrove, in 2002.

Unpublished authors are not the only ones who struggle to get their work into print.

The 2023 Stella Prize shortlist

30 March 2023

The 2023 Stella Prize shortlist was unveiled this morning on RN Breakfast, an ABC radio station. The following six titles have been selected:

We Come With This Place by Debra Dank
big beautiful female theory by Eloise Grills
The Jaguar by Sarah Holland-Batt
Hydra by Adriane Howell
Indelible City Louisa Lim
Bad Art Mother by Edwina Preston

The winner will be announced on Thursday 27 April 2023.

Madukka The River Serpent, crime fiction by Julie Janson

29 March 2023

Madukka The River Serpent, by Julie Janson, book cover

It takes ten-thousand hours to become an expert. Or so some people claim. Malcolm Gladwell made the assertion in his 2008 book, Outliers. Broken down, if ten-thousand hours are required to become proficient at something, it will take about five years to achieve expert status. Assuming you put in about forty-hours per week.

Aunty June, a private investigator, and owner of Yanakirri Investigative Services, on the other hand, reckons thirty-hours is enough. That’s thirty-hours all up. That’s how long it took her to complete a certificate course in investigative services, at a nearby vocational education school.

And with the ink on her business cards barely dry, Aunty June has landed — sort of — her first case. Investigating the whereabouts of her missing nephew, Thommo. The thing is, Aunty June’s investigative services weren’t exactly asked for. Fed up at the lack of progress local police were making in the wake of Thommo’s disappearance, she decided to get involved, whether anyone else liked it or not.

Aunty June is the protagonist in Madukka The River Serpent, published by UWA Publishing, December 2022, written by New South Wales based Australian playwright, poet, and Darug Burruberongal woman, Julie Janson. But as Aunty June delves into the mystery surrounding her nephew’s disappearance, it quickly becomes apparent this is far more than a missing person’s case.

She runs up against racism, corruption, and lies. Bikie gang members and cotton farmers are also in the mix. And with water levels in the Darling River, one of Australia’s longest rivers, in decline, water theft may also be on the cards. Along with murder. Aunty June soon comes to see why police want to give the case a wide berth.

Madukka The River Serpent is Janson’s first foray into crime fiction, and is one of only a few such works by Indigenous writers. Australian author Jock Serong has described Janson’s novel as “raw, visceral, rude and tough, [and a] new perspective on Australian noir that we’ve been waiting for.” Perhaps then Madukka The River Serpent will be the beginning of something.

Ten years of Kurzgesagt and freely available quality content

29 March 2023

It’s been ten years since Philipp Dettmer founded educational science portal Kurzgesagt. To mark the milestone, their latest video looks at Kurzgesagt’s inner workings, and explores how the operation is financed. There may not be too much for science enthusiasts to take away, but this is invaluable learning for content producers.

Kurzgesagt charges nothing for people to access their content. Rather than imposing a paywall, they have developed other revenue streams, including a shop and sponsorships. Readers/viewers are not assailed with ads, or thoroughly annoying popup prompts to subscribe to newsletters, instead leaving the content to be enjoyed at leisure. This is the way to do it.

Thank you Kurzgesagt for the first ten years, and here’s to the next decade.

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